RME HDSPe MADI FX [80/87] Technical background
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80
User's Guide HDSPe MADI FX © RME
30. Technical Background
30.1 MADI Basics
MADI, the serial Multichannel Audio Digital Interface, has been defined already in 1989 as an
extension of the existing AES3 standard following several manufacturers' wish. The format also
known as AES/EBU, a balanced bi-phase signal, is limited to two channels. Simply put, MADI
contains 28 of those AES/EBU signals in serial, i. e. after one another, and the sample rate can
still even vary by +/-12.5%. The limit which cannot be exceeded is a data rate of 100Mbit/s.
Because an exact sampling frequency is used in most cases, the 64 channel mode was intro-
duced officially in 2001. It allows for a maximum sample rate of 48 kHz + ca. 1%, corresponding
to 32 channels at 96 kHz, without exceeding the maximum data rate of 100 Mbit/s. The effective
data rate of the port is 125 Mbit/s due to additional coding.
Older devices understand and generate only the 56 channel format. Newer devices often work
in the 64 channel format, but offer still no more than 56 audio channels. The rest is being eaten
up by control commands for mixer settings etc. RME's devices of the MADI series show that this
can be done in a much better way, with an invisible transmission of 16 MIDI channels and the
MADI signal still being 100% compatible.
For the transmission of the MADI signal, proved methods known from network technology were
applied. Most people know unbalanced (coaxial) cables with 75 Ohms BNC plugs, they are not
expensive and easy to get. The optical interface is much more interesting due to its complete
galvanic separation, but for many users it is a mystery, because very few have ever dealt with
huge cabinets full of professional network technology. Therefore here are some explanations
regarding 'MADI optical'.
• The cables used are standard in computer network technology. They are thus not at all
expensive, but unfortunately not available in every computer store.
• The cables have an internal fibre of only 50 or 62.5 µm diameter and a coating of 125 µm.
They are called network cables 62.5/125 or 50/125, the former mostly being blue and the
latter mostly being orange. Although in many cases not clearly labelled, these are always (!)
glass fibre cables. Plastic fibre cables (POF, plastic optical fibre) can not be manufactured
in such small diameters.
• The plugs used are also an industry standard and called SC. Please don't mix them up with
ST connectors, which look similar to BNC connectors and are being screwed. Plugs used in
the past (MIC/R) were unnecessarily big and are not being used any longer.
• The cables are available as a duplex variant (2 cables being glued together) or as a simplex
variant (1 cable). The HDSPe optical module supports both variants.
• The transmission uses the multimode technique which supports cable lengths of up to al-
most 2 km. Single mode allows for much longer distances, but it uses a completely different
fibre (8 µm). By the way, due to the wave-length of the light being used (1300 nm) the opti-
cal signal is invisible to the human eye.
Содержание
- Dsp system hdspe madi fx 1
- Hammerfal 1
- User s guide 1
- Driver installation and operation windows 2
- General 2
- Driver installation and operation mac os x 3
- Inputs and outputs 3
- Totalmix fx 3
- Technical reference 4
- General 5
- Hdspe madi fx 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- System requirements 6
- External connectors 7
- Hardware connectors 7
- Hardware installation 7
- Accessories 8
- Internal connectors 8
- Appendix 9
- Warranty 9
- Ce fcc compliance 10
- Iso 9001 10
- Note on disposal 10
- Driver installation and operation windows 11
- Hdspe madi fx 11
- User s guide 11
- De installing the drivers 12
- Driver and firmware 12
- Driver installation 12
- Firmware update 12
- Configuring the hdspe madi fx 13
- Settings dialog 13
- Settings dialog pitch 17
- Clock modes synchronisation 18
- Operation and usage 19
- Playback 19
- Dvd playback ac 3 dts 20
- Multi client operation 21
- Notes on wdm 21
- Digital recording 22
- General 23
- Known problems 23
- Operation under asio 23
- Digicheck windows 24
- Using multiple hdspe madi fx 24
- Hotline troubleshooting 25
- Driver installation and operation mac os x 27
- Hdspe madi fx 27
- User s guide 27
- De installing the drivers 28
- Driver and flash update 28
- Driver installation 28
- Firmware update 28
- Configuring the hdspe madi fx 29
- Settings dialog 29
- Clock modes synchronisation 31
- Mac os x faq 32
- Midi doesn t work 32
- Repairing disk permissions 32
- Supported sample rates 32
- Various information 32
- Digicheck mac 33
- Using multiple hdspe madi fx 33
- Hotline troubleshooting 34
- Hdspe madi fx 35
- Inputs and outputs 35
- User s guide 35
- Aes ebu 36
- Connections 36
- Madi i o 36
- Line headphones 37
- Word clock 38
- Word clock input and output 38
- Technical description and usage 39
- Cabling and termination 40
- Hdspe madi fx 41
- Totalmix fx 41
- User s guide 41
- Overview 42
- Totalmix routing and monitoring 42
- The user interface 44
- The channels 45
- Settings 47
- Equalizer 48
- Dynamics 50
- Section control room 51
- The control strip 52
- View options 53
- Channel layout layout presets 54
- Snapshots groups 54
- Scroll location markers 56
- Reverb and echo 57
- Preferences 60
- Store for current or all users windows 61
- Mixer page 62
- Settings 62
- Midi page 63
- Osc page 64
- Aux devices 65
- Hotkeys and usage 66
- Menu options 67
- Elements of the matrix view 68
- Operation 68
- Overview 68
- The matrix 68
- Asio direct monitoring windows 69
- Copy a submix 69
- Delete a submix 69
- Doubling the output signal 69
- Tips and tricks 69
- Recording a submix loopback 70
- Ms processing 71
- Mapping 72
- Midi remote control 72
- Overview 72
- Operation 73
- Midi control 74
- Loopback detection 75
- Osc open sound control 75
- Hdspe madi fx 77
- Technical reference 77
- User s guide 77
- Inputs 78
- Outputs 78
- Technical specifications 78
- Digital 79
- Madi basics 80
- Technical background 80
- Lock and synccheck 81
- Latency and monitoring 82
- Ds double speed 83
- Qs quad speed 84
- Steadyclock 85
- Terminology 86
- Connector pinout 87
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