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Цифровой микшер
Si Performer 2
Руководство по эксплуатации Страница: 52

Soundcraft Si Performer 2 [52/135] Fx busses

User Manual

6.5: FX BUSSES

CHANNELS & BUSSES > FX Busses

6.5: FX BUSSES

The FX Send busses (FX 1-4) are used exclusively to feed the internal Lexicon FX units. They receive input

from the Input Channels. Those contributions are accessed via the FX 1-4 tOTEM (FADER FOLLOW) buttons.

Management of the Lexicon FX is done via the LEXICON button group the FX button (Lexicon FX setup).

Please see section 10 for more details.

Содержание

For soundcraft si performer 1 2 3 1
Incorporating software version 1 1
User guide 1
Important please read this manual carefully before using your mixer for the first time 2
Information 2
User manual 2
Contents 3
Usermanual 3
Introduction 4
Introduction to performer 4
The soundcraft si performer is a compact digital console optimised for live sound it is designed to be powerful yet simple to use with intuitive controls consistent colour coded feedback and rapid parameter access features such as motorised faders the assignable channel strip acs totem fader follow buttons vcas and incorporated dmx512 control mean that any aspect of the performance can be served to the surface in an instant with analogue style control of its comprehensive feature set 4
User manual 4
Welcome to performer 4
For your own safety and to avoid invalidation of the warranty please read this section carefully 5
Important symbols 5
Safety 5
Safety notices 5
User manual 5
Safety 6
User manual 6
Warnings 6
Safety 7
User manual 7
Warnings 7
User manual 8
Warranty 8
Specifications 9
User manual 9
Geting started 10
Getting started 10
Starting off an introduction to this manual 10
User manual 10
Overview 11
User manual 11
Parts of the console 12
User manual 12
Parts of the console 13
User manual 13
Faderglow 14
The si performer faderglow colours are 14
User manual 14
Assignable controls 15
At the heart of the si performer is a group of assignable controls that make the console easier and faster to navigate and operate assignable controls work by changing the function of sections of the console surface in this way a single control can do several jobs depending on the mode the console is working in it is important that you understand the assignable controls on the console in order to use it effectively especially the way in which the faders and fader follow buttons together determine the functionality of the control channels and faders 15
User manual 15
Fader layers 16
The are four main fader layers on the expression console selected by the faders button a b c and d group to the right of the control channels the additional buttons in this group assign graphic eq bands across the faders for convenient control 16
User manual 16
Control channels 17
User manual 17
Assign mono inputs 18
Assignment 18
Control channel assignment 18
Fader bank 18
Slot number 18
User manual 18
Control channel assignment 19
User manual 19
Assignment 20
Control channel assignment 20
Insert a blank control channel into the currently selected control channel slot and shift the others to the left or right 20
Insert blank 20
Shift the currently selected channel allocation to the left or the right as long as there is an unassigned slot available 20
User manual 20
Global encoder mode 21
User manual 21
Assignable channel strip 22
User manual 22
Totem fader follow 23
User manual 23
Touch screen 24
User manual 24
Copy paste 25
Main menu 25
Security 25
The touch screen main menu can be accessed at any time by pressing the menu button next to the touch screen from here you can navigate to any of the settings menus 25
User manual 25
Assign dsp channels to control channel slots 26
Brightness settings and d o g s system direct out gain stabiliser on off 26
Fader setup 26
Insert 26
Main menu 26
Setup and patching of the four available insert sends and returns 26
Solo system settings 26
System 26
System information hiqnet and ip addressing selective console reset functions and the event log 26
User manual 26
Graphic representation of the eq for the selected channel 27
Input channel or vca master specific settings 27
Inputs vca 27
Main menu 27
Monitor 27
Output channel or dmx specific settings 27
Outputs dmx 27
Settings and operations for the built in oscillator 27
Settings for the monitoring systems 27
User manual 27
Inputs and outputs 28
Inputs outputs 28
User manual 28
Patching 29
User manual 29
Patching 30
User manual 30
Soundweb 31
Soundweb control 31
User manual 31
Disable enable soundweb london preamp control for this patch 32
External control status 32
Input card 32
Input channel 32
Node address 32
Select an input card on the soundweb london device 32
Select an input channel on the selected card and device 32
Set the soundweb london devices node address to send and receive hiqnet values to your si console 32
Soundweb 32
Soundweb control 32
User manual 32
Default patching 33
User manual 33
User manual 34
Visi connect 34
User manual 35
Visi connect cards 35
User manual 36
Visi connect cards 36
Stageboxes 37
User manual 37
Channels busses 38
User manual 38
Input channels 39
Input channels receive either external input from instruments microphones and so on or they receive input from the internal lexicon fx units in which case they are an fx return 39
User manual 39
Input channels 40
User manual 40
An input channel can either be mono linked or stereo 41
Input setup 41
Isolate 41
Isolate this channel from automation playback 41
Name the selected input channel 41
Pan mode 41
Set pan mode for this channel to lr left right or lcr left centre right 41
There are various input specific options found via the touch screen main menu inputs button these offer channel naming linking lr or lcr panning routing pre post routing options for mix busses and direct out puts and physical input and direct output patching 41
User manual 41
Choose an analogue or digital input for this input channel 42
Choose an analogue or digital output for this channel s direct output 42
Choose whether the direct output patch is sourced pre filter or post filter 42
Directout patch 42
Directout pre post 42
Input patch 42
Input setup 42
Lcr pan width 42
Mix 1 14 pre post 42
Set a global pre or post fader routing for all mix bus contributions from the input channel 42
Set global post pre 42
Set individual pre or post fade routing to mix busses 1 14 42
Set the proportion of centre channel signal sent to left and right 42
User manual 42
All contributions to a mix bus are summed into mix bus master dsp channels mix 1 14 they have various uses including feeding auxiliary effects as monitoring mixes or creating unique mixes for zoned areas contribution to the main mix and more 43
Mix outputs 43
User manual 43
Mix outputs 44
User manual 44
Isolate 45
Mix outputs setup 45
Mix width 45
Outputs setup 45
Pan mode 45
User manual 45
Choose specific analogue or digital outputs for this dsp channel 46
Lcr pan width 46
Mix outputs setup 46
Output patching 46
Outputs setup 46
Pre fader source 46
Select which pre fader tap source is used to supply this mix bus 46
Set all contributions to the mix bus pre or post fade 46
Set mix sends pre post 46
Set the proportion of centre channel signal sent to left and right 46
User manual 46
Matrix outputs 47
The matrix busses feed the matrix master channels matrix busses can be used for many things including a convenient way to send the same mix to several monitor destinations at differing levels or to use as an alternative main mix of mix groups to feed additional front of house zones 47
User manual 47
Matrix outputs 48
User manual 48
Choose mono or stereo type for the matrix master output 49
Choose specific analogue or digital outputs for the master output channel 49
Isolate 49
Isolate the matrix master dsp channel from automation playback 49
Matrix outputs setup 49
Matrix width 49
Name the selected matrix bus 49
Patching 49
There are various matrix output specific options found via the touch screen main menu outputs button these offer naming isolate width and physical output patching 49
User manual 49
Main mix out 50
Main mix outputs 50
The main left right and mono centre busses and master channels are used for the main mix output and receive their inputs from the input channels and mix bus master channels the mono bus is the centre bus when the panning mode of contributing channels is set to lcr and mono routing is enabled 50
User manual 50
Choose specific analogue and digital outputs for this dsp channel 51
Isolate 51
Isolate the main output master dsp channel from automation playback 51
Main mix outputs setup 51
Name the selected main output bus 51
Patching 51
There are various main lr and m specific options found via the touch screen main menu outputs dmx button these offer naming isolate and physical output patching 51
User manual 51
Fx busses 52
User manual 52
Channel elements 53
Dsp elements 53
User manual 53
Function focus 54
User manual 54
Acs elements 55
The assignable channel strip acs follows the currently selected dsp channel and provides al most all of the controls relating to that it is broken down in to small colour coded sections making it easy to identify control groups and functions at a glance 55
User manual 55
Acs input section 56
Metering 56
The input section mainly provides the features required for input channels such as phantom power and mic line level metering is applicable to all dsp channel types and hpf high pass filter is available in mix bus master channels 56
User manual 56
V phantom power 56
Acs input section 57
Adjust mic gain or line trim for input channels 57
Adjust the cut off 3db frequency of the high pass filter 57
Gain trim 57
Hpf frequency 57
Hpf on off 57
Invert signal phase 180 degrees 57
Phase invert 57
Switches the high pass filter on and off 57
User manual 57
Acs gate section 58
Attack 58
Release 58
User manual 58
Acs gate section 59
User manual 59
Acs compressor section 60
Attack 60
Compressor 60
Release 60
User manual 60
Acs compressor section 61
Adjust the make up gain of the compressor 61
Adjust the ratio value for the compressor 61
Adjust the threshold level of the compressor 61
Comp on off 61
Compressor 61
Gain reduction meter 61
Indicates amount of gain reduction currently being applied by the compression process 61
Switch the compression process on or off 61
Threshold 61
User manual 61
Acs equaliser section 62
Equaliser 62
Hf freq 62
Hf level 62
User manual 62
Acs equaliser section 63
Adjust the boost attenuation of the hi mid filter 63
Adjust the boost attenuation of the lo mid filter 63
Adjust the centre frequency of the hi mid filter 63
Adjust the q of the hi mid filter 63
Equaliser 63
Hi mid freq 63
Hi mid level 63
Hi mid q 63
Lo mid freq 63
Lo mid level 63
User manual 63
Acs equaliser section 64
Adjust the boost attenuation of the lf bell filter 64
Adjust the cut off frequency of the lf bell filter 64
Adjust the q of the hi mid filter and switch bell shelf mode 64
Adjust the q of the lo mid filter 64
Eq on off 64
Equaliser 64
Lf freq 64
Lf level 64
Lo mid q 64
Switch the eq process for this channel on and off 64
User manual 64
Acs output section 65
Output 65
User manual 65
Acs output section 66
User manual 66
Control channel 67
Control channels contain the primary performance controls and indicators layers of control channels assigned to various actual channels are selected using the faders fader layers button group control channel positions are assigned to channels using the touch screen fader setup menu see section 3 67
Encoder 67
User manual 67
Channel name function 68
Control channel 68
Gain reduction meter 68
Gate closed x 68
Indicates audio level for the selected channel dbfs 68
Indicates gain reduction for the selected channel 68
Indicates the selected channel s gate is closed 68
Level meter 68
On key function is dependant on the channel type and selected fader layer momentary latch ing behaviour available from software version 1 see below 68
Text screen plus status colour 68
User manual 68
Adjust signal level 69
Control channel 69
Press to solo this dsp channel input channel mix bus master matrix master 69
Select this control channel 69
User manual 69
Graphic eq geq 70
User manual 70
A channel s graphic eq setting does not affect the touch screen eq response graphic eq main menu button 71
Clr geq 71
Geq hi 71
Geq lo 71
Graphic eq geq 71
On red 71
User manual 71
When a band is moved from its zero position 0db the control channel on button will light red to show that band is active you can press a red on button to zero that band 71
Mix features 72
Mute groups 72
User manual 72
Mute group master 73
Mute groups 73
Mute groups enable group muting of selected channels at any time create up to eight mute groups operated from the mute vca group masters button group 1 8 mute groups can be cumulative while not in vca or mute setup modes the buttons are always mute group masters 73
Mute mute group setup 73
User manual 73
Alt clr 74
Clear all 74
Clear selection 74
Mute groups 74
Mute status indication 74
Select control channels 74
User manual 74
Mute groups 75
User manual 75
Vca groups 75
User manual 76
Vca group master 76
Vca groups 76
Vca vca group setup 76
Alt clr 77
Clear all 77
Clear selection 77
Offset the level of vca group member channels 77
User manual 77
Vca group mute status indication 77
Vca groups 77
Vca master fader 77
Copy and paste 78
Copy paste 78
Paste hold 78
This facility allows almost any processing section to be copied easily and quickly from a channel or bus and pasted to another channel or bus you can also copy and paste the internal lexicon fx settings and aux fx send and matrix mixes 78
User manual 78
Copy and paste 79
User manual 79
Audio interrogate 80
Audio interrogate is a powerful method of checking and changing a particular switch status across all channels on the currently selected fader layer for example you can check at a glance which channels are routed to the main lr mix bus and change that status rapidly for all visible channels 80
Interrogate 80
User manual 80
Solo provides a way of monitoring and checking individual channels and groups of channels quickly by routing only the soloed channels either to the monitoring system normal operation or to the main mix outputs solo in place sip 81
Solo system 81
User manual 81
Access solo settings menu 82
Highlight level 82
Indicators light to show solo mode status 82
Press to clear any active solos 82
Press to solo the assigned channel 82
Solo clr 82
Solo in place 82
Solo status indicators 82
Solo system 82
Solo touch screen 82
Switch solo in place sip mode on or off 82
The attenuation level of the unhighlighted soloed channels while highlight is active 82
User manual 82
10db of trim to the level of the solo bus to the monitor system 83
Allow input solos to temporarily override an output afl 83
Blend level 83
Enable or disable select follows solo mode 83
Input priority 83
Input solo mode 83
Select follows solo 83
Set the input solo mode to auto afl or pfl 83
Solo system 83
Solo trim 83
The attenuation level of the primary monitor source while a pfl or afl is active 83
User manual 83
Mon level 84
Monitoring 84
Monitors 84
The si performer monitoring system is comprehensive yet simple the monitoring source active monitor signal will normally be the main lr mix though will switch to any selection made in the solo system afl or pfl busses 84
User manual 84
Delay time samples milliseconds 85
L r monitor speaker 85
Monitor l r out patch 85
Monitoring 85
Mono check 85
User manual 85
Clr alt clr 86
Clr functions 86
The alt button above right of lrm mix faders can be used in conjunction with the clr button to clear or reset parameters channels and bus mixes across the whole of the console 86
The clr clear button located to the right of the channel faders area is used in conjunction with individual input channels output channels channel parameters and mutes to clear or reset to default 86
User manual 86
Alt clr functions 87
Clr alt clr 87
User manual 87
Clr alt clr 88
Other alt button functions 88
User manual 88
Shows cuelist and snapshots 89
Shows cuelist snapshots 89
User manual 89
Delete 90
New show 90
User manual 90
Global isolate filters 91
Initiate the load show process 91
Initiate the process of saving the current show 91
Name the current show 91
Re establish the system configuration 91
Reset config 91
Save as 91
Select and isolate parameters from recall by the automation system 91
Show name 91
User manual 91
Cuelist snapshots 92
User manual 92
Alt next 93
Bring up the cuelist screen in the console touch screen 93
Cue list 93
Cuelist snapshots 93
Load the currently highlighted cue 93
Load the next cue 93
Load the previous cue 93
Recall 93
Store the current snapshot in the cuelist 93
User manual 93
Cuelist snapshots 94
Delete 94
Delete the currently highlighted cue 94
Edit cue 94
Edit the cue details in the touch screen 94
Move down 94
Move the currently highlighted cue down one in the cue list 94
Move the currently highlighted cue up one in the cue list 94
Move up 94
Update 94
Update the currently active cue with the current snapshot 94
User manual 94
Cuelist snapshots 95
User manual 95
Cue name 96
Cue type 96
Edit cue 96
User manual 96
Edit cue 97
User manual 97
Edit cue 98
User manual 98
Lexicon fx 99
The console comes with four lexicon fx processors each with 29 available algorithms each fx unit has its own dedicated fx send bus and stereo return path 99
User manual 99
Adjust scroll touch screen control 100
Fx encoders 100
Lexicon fx 100
User manual 100
Chamber reverb 101
Plate reverbs 101
Reverbs 101
User manual 101
Ambience reverb 102
Reverbs 102
Reverse reverb 102
Room reverb 102
Spring reverb 102
User manual 102
Adjust the amount of time before reverb early reflections occur 103
Adjust the amount of time the mid range reverb can be heard 103
Adjust the level of early reflections within the reverb 103
Adjust time delay between the source signal and the onset of reverberation 103
Build up rate of diffusion after the initial period which is controlled by diffusion 103
Er level early reflections level 103
Er time early reflections time 103
Mid rt mid range reverb time 103
Pre dly pre delay 103
Reverb parameters 103
Rt hc sets the frequency above which a 6db octave low pass filter attenuates the reverberated signal 103
Rt high cut 103
User manual 103
Adjust reverb onset and sustain 104
Adjust the amount of high frequency content in the reverberation tails 104
Adjust the contour of the reverberation envelope 104
Bass bst bass boost 104
Boost or cut frequencies below the bass boost frequency the transition point from mid rt to low rt 104
Diff diffusion 104
Hi cut 104
Initial echo density 104
Reverb parameters 104
Rt hi cut reverb time high cut 104
Set the frequency of a 6db octave low pass filter on the reverberated signal 104
Spread 104
User manual 104
Delays 105
Modulated delay 105
Mono delay 105
Pong delay 105
Reverse delay 105
Studio delay 105
Tap delay 105
Tape delay 105
User manual 105
Controls the length of the delay time relative to tempo 106
Controls the number of delay repeats by feeding the delay output signal back into the delay input 106
Delay parameters 106
Dly time delay time 106
Duck lvl duck level 106
Duck thr duck threshold 106
Ducking attenuation amount 106
Feedback 106
Frequencies above this are filtered removed 106
Frequencies below this are filtered removed 106
Hi pass 106
Lo pass 106
Set the input signal level at which ducking occurs 106
User manual 106
Adjust the pan positions in the stereo field of tap 1 and tap 2 107
Control the intensity of modulation or depth in the modulated delay 107
Controls the tap ratio of left and right outputs relative to the delay time 107
Delay parameters 107
Depth modulation depth 107
Ducking attenuation amount 107
Pan tap pan 107
Ratio of wet to dry signal 107
Ratio tap ratio 107
Swap tap swap 107
Swaps the delay time tap offset set by the tap ratio 107
User manual 107
Chorus 108
Detune 108
Flanger 108
Misc fx 108
Phaser 108
Pitch shift 108
Rotary 108
Tremolo 108
User manual 108
Vibrato 108
Misc fx parameters 109
User manual 109
Misc fx parameters 110
User manual 110
Misc fx parameters 111
User manual 111
Misc fx parameters 112
User manual 112
Preferences system security 113
System settings 113
User manual 113
Preferences 114
User manual 114
Preferences 115
User manual 115
System menu 116
User manual 116
System menu 117
User manual 117
Choose an internal external or option card wordclock reference 118
Ip address 118
Ip address resolution 118
Mac address 118
Set ip resolution to dhcp dynamic or manual 118
Subnet mask 118
System menu 118
System time 118
The ip address of this console on the network 118
The media access control address read only 118
Used to specify the subnet for this device 118
User manual 118
Wordclock 118
System menu 119
User manual 119
Add user 120
Edit user 120
Security menu 120
User manual 120
Security menu 121
User manual 121
Add edit user 122
User manual 122
Add edit user 123
User manual 123
Delete profile 124
New profile 124
Profiles 124
User manual 124
Profiles 125
User manual 125
Software update 126
User manual 126
Reset console 127
The following procedure will restore the console back to the factory defaults and re format the internal sd card do not do this is you wish to keep saved data shows 127
User manual 127
Oscillator 128
Route to all 128
Route to mix mtx 128
User manual 128
Oscillator 129
User manual 129
User manual 130
Alt fader layer button 131
User manual 131
Adjust dimmer level or master level 132
Dmx channel master name outputs dmx 132
Dmx fader 132
Dmx on 132
Dmx sel 132
Edit cue 132
Flash the dmx channel 132
Select a cue type 132
Select a dmx control channel 132
Set a dimmer fade time for dmx cue transitions 132
Set a name for the selected dmx channel or master 132
User manual 132
A troubleshooting guide one of the most common problems experienced with mixing consoles is finding that an input isn t appearing at an output there are many possible reasons for this but the best way to troubleshoot it is to first make sure the control channel is set up correctly and to go through the signal path and workout where the break is 133
Appendix 01 no sound 133
Are solos inactive 133
Are the control channel input channel and input patch correct 133
Are they in phase 133
Is there anything on the meters 133
No sound 133
User manual 133
You can check the exact audio path of any signal by referring to the signal path diagrams in chapter 6 133
Appendix 01 no sound 134
If there is an insert point assigned is the signal returned 134
Is the channel on and unmuted 134
Is the channel panned to a valid output 134
Is the fader up 134
Is the gate shut 134
No sound 134
User manual 134
Almost exactly the same checks as above can be done on the output master channel whether it s a mix matrix or lr m master 135
Appendix 01 no sound 135
Is the output master channel path valid 135
Is the output patch valid 135
Is the signal routed to a valid output bus or channel 135
No sound 135
Routing can cover lr and mono routing as well as mix bus routing 135
To check the physical output patch select the relevant bus master channel and then go to the outputs menu in the touch screen 135
User manual 135

Soundcraft Si Performer 2 [52/135] Fx busses

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