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Soundcraft Si Performer 2 [65/135] Acs output section
![Soundcraft Si Performer 2 [65/135] Acs output section](/views2/2008001/page65/bg41.png)
User Manual
7.2.5: ACS OUTPUT SECTION
DSP ELEMENTS > ACS > OUTPUT
7.2.4: DSP ELEMENTS > ACS > OUTPUT
The outputs section contains features
specic to the outputs of all channels.
Delay and Pan (or balance) are applicable
to all channel types, while LR and MONO/
CENTRE routing is specic to input and
Mix Bus Master output channels (not Matrix
master channels).
DELAY
Adjust the delay applied to this DSP Channel.
ACS units are milliseconds, though the Touch Screen will show feet and meters as well, with the Function Focus
feature.
PAN
Adjust the Pan (or balance for stereo channels) of the DSP Channel or Bus routing to the main
LR bus.
The Pan control operates for channel-to-Left/Right, Mix Bus-to-Left/Right, or as a balance control when the Left/
Right Master Channel is selected. Note: Pan from a channel to a mix or a mix to matrix feed is always controlled by
the global mode encoders when a tOTEM (FOLLOW FADER) key is active.
Содержание
- For soundcraft si performer 1 2 3 1
- Incorporating software version 1 1
- User guide 1
- Important please read this manual carefully before using your mixer for the first time 2
- Information 2
- User manual 2
- Contents 3
- Usermanual 3
- Introduction 4
- Introduction to performer 4
- The soundcraft si performer is a compact digital console optimised for live sound it is designed to be powerful yet simple to use with intuitive controls consistent colour coded feedback and rapid parameter access features such as motorised faders the assignable channel strip acs totem fader follow buttons vcas and incorporated dmx512 control mean that any aspect of the performance can be served to the surface in an instant with analogue style control of its comprehensive feature set 4
- User manual 4
- Welcome to performer 4
- For your own safety and to avoid invalidation of the warranty please read this section carefully 5
- Important symbols 5
- Safety 5
- Safety notices 5
- User manual 5
- Safety 6
- User manual 6
- Warnings 6
- Safety 7
- User manual 7
- Warnings 7
- User manual 8
- Warranty 8
- Specifications 9
- User manual 9
- Geting started 10
- Getting started 10
- Starting off an introduction to this manual 10
- User manual 10
- Overview 11
- User manual 11
- Parts of the console 12
- User manual 12
- Parts of the console 13
- User manual 13
- Faderglow 14
- The si performer faderglow colours are 14
- User manual 14
- Assignable controls 15
- At the heart of the si performer is a group of assignable controls that make the console easier and faster to navigate and operate assignable controls work by changing the function of sections of the console surface in this way a single control can do several jobs depending on the mode the console is working in it is important that you understand the assignable controls on the console in order to use it effectively especially the way in which the faders and fader follow buttons together determine the functionality of the control channels and faders 15
- User manual 15
- Fader layers 16
- The are four main fader layers on the expression console selected by the faders button a b c and d group to the right of the control channels the additional buttons in this group assign graphic eq bands across the faders for convenient control 16
- User manual 16
- Control channels 17
- User manual 17
- Assign mono inputs 18
- Assignment 18
- Control channel assignment 18
- Fader bank 18
- Slot number 18
- User manual 18
- Control channel assignment 19
- User manual 19
- Assignment 20
- Control channel assignment 20
- Insert a blank control channel into the currently selected control channel slot and shift the others to the left or right 20
- Insert blank 20
- Shift the currently selected channel allocation to the left or the right as long as there is an unassigned slot available 20
- User manual 20
- Global encoder mode 21
- User manual 21
- Assignable channel strip 22
- User manual 22
- Totem fader follow 23
- User manual 23
- Touch screen 24
- User manual 24
- Copy paste 25
- Main menu 25
- Security 25
- The touch screen main menu can be accessed at any time by pressing the menu button next to the touch screen from here you can navigate to any of the settings menus 25
- User manual 25
- Assign dsp channels to control channel slots 26
- Brightness settings and d o g s system direct out gain stabiliser on off 26
- Fader setup 26
- Insert 26
- Main menu 26
- Setup and patching of the four available insert sends and returns 26
- Solo system settings 26
- System 26
- System information hiqnet and ip addressing selective console reset functions and the event log 26
- User manual 26
- Graphic representation of the eq for the selected channel 27
- Input channel or vca master specific settings 27
- Inputs vca 27
- Main menu 27
- Monitor 27
- Output channel or dmx specific settings 27
- Outputs dmx 27
- Settings and operations for the built in oscillator 27
- Settings for the monitoring systems 27
- User manual 27
- Inputs and outputs 28
- Inputs outputs 28
- User manual 28
- Patching 29
- User manual 29
- Patching 30
- User manual 30
- Soundweb 31
- Soundweb control 31
- User manual 31
- Disable enable soundweb london preamp control for this patch 32
- External control status 32
- Input card 32
- Input channel 32
- Node address 32
- Select an input card on the soundweb london device 32
- Select an input channel on the selected card and device 32
- Set the soundweb london devices node address to send and receive hiqnet values to your si console 32
- Soundweb 32
- Soundweb control 32
- User manual 32
- Default patching 33
- User manual 33
- User manual 34
- Visi connect 34
- User manual 35
- Visi connect cards 35
- User manual 36
- Visi connect cards 36
- Stageboxes 37
- User manual 37
- Channels busses 38
- User manual 38
- Input channels 39
- Input channels receive either external input from instruments microphones and so on or they receive input from the internal lexicon fx units in which case they are an fx return 39
- User manual 39
- Input channels 40
- User manual 40
- An input channel can either be mono linked or stereo 41
- Input setup 41
- Isolate 41
- Isolate this channel from automation playback 41
- Name the selected input channel 41
- Pan mode 41
- Set pan mode for this channel to lr left right or lcr left centre right 41
- There are various input specific options found via the touch screen main menu inputs button these offer channel naming linking lr or lcr panning routing pre post routing options for mix busses and direct out puts and physical input and direct output patching 41
- User manual 41
- Choose an analogue or digital input for this input channel 42
- Choose an analogue or digital output for this channel s direct output 42
- Choose whether the direct output patch is sourced pre filter or post filter 42
- Directout patch 42
- Directout pre post 42
- Input patch 42
- Input setup 42
- Lcr pan width 42
- Mix 1 14 pre post 42
- Set a global pre or post fader routing for all mix bus contributions from the input channel 42
- Set global post pre 42
- Set individual pre or post fade routing to mix busses 1 14 42
- Set the proportion of centre channel signal sent to left and right 42
- User manual 42
- All contributions to a mix bus are summed into mix bus master dsp channels mix 1 14 they have various uses including feeding auxiliary effects as monitoring mixes or creating unique mixes for zoned areas contribution to the main mix and more 43
- Mix outputs 43
- User manual 43
- Mix outputs 44
- User manual 44
- Isolate 45
- Mix outputs setup 45
- Mix width 45
- Outputs setup 45
- Pan mode 45
- User manual 45
- Choose specific analogue or digital outputs for this dsp channel 46
- Lcr pan width 46
- Mix outputs setup 46
- Output patching 46
- Outputs setup 46
- Pre fader source 46
- Select which pre fader tap source is used to supply this mix bus 46
- Set all contributions to the mix bus pre or post fade 46
- Set mix sends pre post 46
- Set the proportion of centre channel signal sent to left and right 46
- User manual 46
- Matrix outputs 47
- The matrix busses feed the matrix master channels matrix busses can be used for many things including a convenient way to send the same mix to several monitor destinations at differing levels or to use as an alternative main mix of mix groups to feed additional front of house zones 47
- User manual 47
- Matrix outputs 48
- User manual 48
- Choose mono or stereo type for the matrix master output 49
- Choose specific analogue or digital outputs for the master output channel 49
- Isolate 49
- Isolate the matrix master dsp channel from automation playback 49
- Matrix outputs setup 49
- Matrix width 49
- Name the selected matrix bus 49
- Patching 49
- There are various matrix output specific options found via the touch screen main menu outputs button these offer naming isolate width and physical output patching 49
- User manual 49
- Main mix out 50
- Main mix outputs 50
- The main left right and mono centre busses and master channels are used for the main mix output and receive their inputs from the input channels and mix bus master channels the mono bus is the centre bus when the panning mode of contributing channels is set to lcr and mono routing is enabled 50
- User manual 50
- Choose specific analogue and digital outputs for this dsp channel 51
- Isolate 51
- Isolate the main output master dsp channel from automation playback 51
- Main mix outputs setup 51
- Name the selected main output bus 51
- Patching 51
- There are various main lr and m specific options found via the touch screen main menu outputs dmx button these offer naming isolate and physical output patching 51
- User manual 51
- Fx busses 52
- User manual 52
- Channel elements 53
- Dsp elements 53
- User manual 53
- Function focus 54
- User manual 54
- Acs elements 55
- The assignable channel strip acs follows the currently selected dsp channel and provides al most all of the controls relating to that it is broken down in to small colour coded sections making it easy to identify control groups and functions at a glance 55
- User manual 55
- Acs input section 56
- Metering 56
- The input section mainly provides the features required for input channels such as phantom power and mic line level metering is applicable to all dsp channel types and hpf high pass filter is available in mix bus master channels 56
- User manual 56
- V phantom power 56
- Acs input section 57
- Adjust mic gain or line trim for input channels 57
- Adjust the cut off 3db frequency of the high pass filter 57
- Gain trim 57
- Hpf frequency 57
- Hpf on off 57
- Invert signal phase 180 degrees 57
- Phase invert 57
- Switches the high pass filter on and off 57
- User manual 57
- Acs gate section 58
- Attack 58
- Release 58
- User manual 58
- Acs gate section 59
- User manual 59
- Acs compressor section 60
- Attack 60
- Compressor 60
- Release 60
- User manual 60
- Acs compressor section 61
- Adjust the make up gain of the compressor 61
- Adjust the ratio value for the compressor 61
- Adjust the threshold level of the compressor 61
- Comp on off 61
- Compressor 61
- Gain reduction meter 61
- Indicates amount of gain reduction currently being applied by the compression process 61
- Switch the compression process on or off 61
- Threshold 61
- User manual 61
- Acs equaliser section 62
- Equaliser 62
- Hf freq 62
- Hf level 62
- User manual 62
- Acs equaliser section 63
- Adjust the boost attenuation of the hi mid filter 63
- Adjust the boost attenuation of the lo mid filter 63
- Adjust the centre frequency of the hi mid filter 63
- Adjust the q of the hi mid filter 63
- Equaliser 63
- Hi mid freq 63
- Hi mid level 63
- Hi mid q 63
- Lo mid freq 63
- Lo mid level 63
- User manual 63
- Acs equaliser section 64
- Adjust the boost attenuation of the lf bell filter 64
- Adjust the cut off frequency of the lf bell filter 64
- Adjust the q of the hi mid filter and switch bell shelf mode 64
- Adjust the q of the lo mid filter 64
- Eq on off 64
- Equaliser 64
- Lf freq 64
- Lf level 64
- Lo mid q 64
- Switch the eq process for this channel on and off 64
- User manual 64
- Acs output section 65
- Output 65
- User manual 65
- Acs output section 66
- User manual 66
- Control channel 67
- Control channels contain the primary performance controls and indicators layers of control channels assigned to various actual channels are selected using the faders fader layers button group control channel positions are assigned to channels using the touch screen fader setup menu see section 3 67
- Encoder 67
- User manual 67
- Channel name function 68
- Control channel 68
- Gain reduction meter 68
- Gate closed x 68
- Indicates audio level for the selected channel dbfs 68
- Indicates gain reduction for the selected channel 68
- Indicates the selected channel s gate is closed 68
- Level meter 68
- On key function is dependant on the channel type and selected fader layer momentary latch ing behaviour available from software version 1 see below 68
- Text screen plus status colour 68
- User manual 68
- Adjust signal level 69
- Control channel 69
- Press to solo this dsp channel input channel mix bus master matrix master 69
- Select this control channel 69
- User manual 69
- Graphic eq geq 70
- User manual 70
- A channel s graphic eq setting does not affect the touch screen eq response graphic eq main menu button 71
- Clr geq 71
- Geq hi 71
- Geq lo 71
- Graphic eq geq 71
- On red 71
- User manual 71
- When a band is moved from its zero position 0db the control channel on button will light red to show that band is active you can press a red on button to zero that band 71
- Mix features 72
- Mute groups 72
- User manual 72
- Mute group master 73
- Mute groups 73
- Mute groups enable group muting of selected channels at any time create up to eight mute groups operated from the mute vca group masters button group 1 8 mute groups can be cumulative while not in vca or mute setup modes the buttons are always mute group masters 73
- Mute mute group setup 73
- User manual 73
- Alt clr 74
- Clear all 74
- Clear selection 74
- Mute groups 74
- Mute status indication 74
- Select control channels 74
- User manual 74
- Mute groups 75
- User manual 75
- Vca groups 75
- User manual 76
- Vca group master 76
- Vca groups 76
- Vca vca group setup 76
- Alt clr 77
- Clear all 77
- Clear selection 77
- Offset the level of vca group member channels 77
- User manual 77
- Vca group mute status indication 77
- Vca groups 77
- Vca master fader 77
- Copy and paste 78
- Copy paste 78
- Paste hold 78
- This facility allows almost any processing section to be copied easily and quickly from a channel or bus and pasted to another channel or bus you can also copy and paste the internal lexicon fx settings and aux fx send and matrix mixes 78
- User manual 78
- Copy and paste 79
- User manual 79
- Audio interrogate 80
- Audio interrogate is a powerful method of checking and changing a particular switch status across all channels on the currently selected fader layer for example you can check at a glance which channels are routed to the main lr mix bus and change that status rapidly for all visible channels 80
- Interrogate 80
- User manual 80
- Solo provides a way of monitoring and checking individual channels and groups of channels quickly by routing only the soloed channels either to the monitoring system normal operation or to the main mix outputs solo in place sip 81
- Solo system 81
- User manual 81
- Access solo settings menu 82
- Highlight level 82
- Indicators light to show solo mode status 82
- Press to clear any active solos 82
- Press to solo the assigned channel 82
- Solo clr 82
- Solo in place 82
- Solo status indicators 82
- Solo system 82
- Solo touch screen 82
- Switch solo in place sip mode on or off 82
- The attenuation level of the unhighlighted soloed channels while highlight is active 82
- User manual 82
- 10db of trim to the level of the solo bus to the monitor system 83
- Allow input solos to temporarily override an output afl 83
- Blend level 83
- Enable or disable select follows solo mode 83
- Input priority 83
- Input solo mode 83
- Select follows solo 83
- Set the input solo mode to auto afl or pfl 83
- Solo system 83
- Solo trim 83
- The attenuation level of the primary monitor source while a pfl or afl is active 83
- User manual 83
- Mon level 84
- Monitoring 84
- Monitors 84
- The si performer monitoring system is comprehensive yet simple the monitoring source active monitor signal will normally be the main lr mix though will switch to any selection made in the solo system afl or pfl busses 84
- User manual 84
- Delay time samples milliseconds 85
- L r monitor speaker 85
- Monitor l r out patch 85
- Monitoring 85
- Mono check 85
- User manual 85
- Clr alt clr 86
- Clr functions 86
- The alt button above right of lrm mix faders can be used in conjunction with the clr button to clear or reset parameters channels and bus mixes across the whole of the console 86
- The clr clear button located to the right of the channel faders area is used in conjunction with individual input channels output channels channel parameters and mutes to clear or reset to default 86
- User manual 86
- Alt clr functions 87
- Clr alt clr 87
- User manual 87
- Clr alt clr 88
- Other alt button functions 88
- User manual 88
- Shows cuelist and snapshots 89
- Shows cuelist snapshots 89
- User manual 89
- Delete 90
- New show 90
- User manual 90
- Global isolate filters 91
- Initiate the load show process 91
- Initiate the process of saving the current show 91
- Name the current show 91
- Re establish the system configuration 91
- Reset config 91
- Save as 91
- Select and isolate parameters from recall by the automation system 91
- Show name 91
- User manual 91
- Cuelist snapshots 92
- User manual 92
- Alt next 93
- Bring up the cuelist screen in the console touch screen 93
- Cue list 93
- Cuelist snapshots 93
- Load the currently highlighted cue 93
- Load the next cue 93
- Load the previous cue 93
- Recall 93
- Store the current snapshot in the cuelist 93
- User manual 93
- Cuelist snapshots 94
- Delete 94
- Delete the currently highlighted cue 94
- Edit cue 94
- Edit the cue details in the touch screen 94
- Move down 94
- Move the currently highlighted cue down one in the cue list 94
- Move the currently highlighted cue up one in the cue list 94
- Move up 94
- Update 94
- Update the currently active cue with the current snapshot 94
- User manual 94
- Cuelist snapshots 95
- User manual 95
- Cue name 96
- Cue type 96
- Edit cue 96
- User manual 96
- Edit cue 97
- User manual 97
- Edit cue 98
- User manual 98
- Lexicon fx 99
- The console comes with four lexicon fx processors each with 29 available algorithms each fx unit has its own dedicated fx send bus and stereo return path 99
- User manual 99
- Adjust scroll touch screen control 100
- Fx encoders 100
- Lexicon fx 100
- User manual 100
- Chamber reverb 101
- Plate reverbs 101
- Reverbs 101
- User manual 101
- Ambience reverb 102
- Reverbs 102
- Reverse reverb 102
- Room reverb 102
- Spring reverb 102
- User manual 102
- Adjust the amount of time before reverb early reflections occur 103
- Adjust the amount of time the mid range reverb can be heard 103
- Adjust the level of early reflections within the reverb 103
- Adjust time delay between the source signal and the onset of reverberation 103
- Build up rate of diffusion after the initial period which is controlled by diffusion 103
- Er level early reflections level 103
- Er time early reflections time 103
- Mid rt mid range reverb time 103
- Pre dly pre delay 103
- Reverb parameters 103
- Rt hc sets the frequency above which a 6db octave low pass filter attenuates the reverberated signal 103
- Rt high cut 103
- User manual 103
- Adjust reverb onset and sustain 104
- Adjust the amount of high frequency content in the reverberation tails 104
- Adjust the contour of the reverberation envelope 104
- Bass bst bass boost 104
- Boost or cut frequencies below the bass boost frequency the transition point from mid rt to low rt 104
- Diff diffusion 104
- Hi cut 104
- Initial echo density 104
- Reverb parameters 104
- Rt hi cut reverb time high cut 104
- Set the frequency of a 6db octave low pass filter on the reverberated signal 104
- Spread 104
- User manual 104
- Delays 105
- Modulated delay 105
- Mono delay 105
- Pong delay 105
- Reverse delay 105
- Studio delay 105
- Tap delay 105
- Tape delay 105
- User manual 105
- Controls the length of the delay time relative to tempo 106
- Controls the number of delay repeats by feeding the delay output signal back into the delay input 106
- Delay parameters 106
- Dly time delay time 106
- Duck lvl duck level 106
- Duck thr duck threshold 106
- Ducking attenuation amount 106
- Feedback 106
- Frequencies above this are filtered removed 106
- Frequencies below this are filtered removed 106
- Hi pass 106
- Lo pass 106
- Set the input signal level at which ducking occurs 106
- User manual 106
- Adjust the pan positions in the stereo field of tap 1 and tap 2 107
- Control the intensity of modulation or depth in the modulated delay 107
- Controls the tap ratio of left and right outputs relative to the delay time 107
- Delay parameters 107
- Depth modulation depth 107
- Ducking attenuation amount 107
- Pan tap pan 107
- Ratio of wet to dry signal 107
- Ratio tap ratio 107
- Swap tap swap 107
- Swaps the delay time tap offset set by the tap ratio 107
- User manual 107
- Chorus 108
- Detune 108
- Flanger 108
- Misc fx 108
- Phaser 108
- Pitch shift 108
- Rotary 108
- Tremolo 108
- User manual 108
- Vibrato 108
- Misc fx parameters 109
- User manual 109
- Misc fx parameters 110
- User manual 110
- Misc fx parameters 111
- User manual 111
- Misc fx parameters 112
- User manual 112
- Preferences system security 113
- System settings 113
- User manual 113
- Preferences 114
- User manual 114
- Preferences 115
- User manual 115
- System menu 116
- User manual 116
- System menu 117
- User manual 117
- Choose an internal external or option card wordclock reference 118
- Ip address 118
- Ip address resolution 118
- Mac address 118
- Set ip resolution to dhcp dynamic or manual 118
- Subnet mask 118
- System menu 118
- System time 118
- The ip address of this console on the network 118
- The media access control address read only 118
- Used to specify the subnet for this device 118
- User manual 118
- Wordclock 118
- System menu 119
- User manual 119
- Add user 120
- Edit user 120
- Security menu 120
- User manual 120
- Security menu 121
- User manual 121
- Add edit user 122
- User manual 122
- Add edit user 123
- User manual 123
- Delete profile 124
- New profile 124
- Profiles 124
- User manual 124
- Profiles 125
- User manual 125
- Software update 126
- User manual 126
- Reset console 127
- The following procedure will restore the console back to the factory defaults and re format the internal sd card do not do this is you wish to keep saved data shows 127
- User manual 127
- Oscillator 128
- Route to all 128
- Route to mix mtx 128
- User manual 128
- Oscillator 129
- User manual 129
- User manual 130
- Alt fader layer button 131
- User manual 131
- Adjust dimmer level or master level 132
- Dmx channel master name outputs dmx 132
- Dmx fader 132
- Dmx on 132
- Dmx sel 132
- Edit cue 132
- Flash the dmx channel 132
- Select a cue type 132
- Select a dmx control channel 132
- Set a dimmer fade time for dmx cue transitions 132
- Set a name for the selected dmx channel or master 132
- User manual 132
- A troubleshooting guide one of the most common problems experienced with mixing consoles is finding that an input isn t appearing at an output there are many possible reasons for this but the best way to troubleshoot it is to first make sure the control channel is set up correctly and to go through the signal path and workout where the break is 133
- Appendix 01 no sound 133
- Are solos inactive 133
- Are the control channel input channel and input patch correct 133
- Are they in phase 133
- Is there anything on the meters 133
- No sound 133
- User manual 133
- You can check the exact audio path of any signal by referring to the signal path diagrams in chapter 6 133
- Appendix 01 no sound 134
- If there is an insert point assigned is the signal returned 134
- Is the channel on and unmuted 134
- Is the channel panned to a valid output 134
- Is the fader up 134
- Is the gate shut 134
- No sound 134
- User manual 134
- Almost exactly the same checks as above can be done on the output master channel whether it s a mix matrix or lr m master 135
- Appendix 01 no sound 135
- Is the output master channel path valid 135
- Is the output patch valid 135
- Is the signal routed to a valid output bus or channel 135
- No sound 135
- Routing can cover lr and mono routing as well as mix bus routing 135
- To check the physical output patch select the relevant bus master channel and then go to the outputs menu in the touch screen 135
- User manual 135
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