![Behringer DJX900USB PRO MIXER [6/11] Microphone channel](/img/pdf.png)
Behringer DJX900USB PRO MIXER [6/11] Microphone channel
![Behringer DJX900USB PRO MIXER [6/11] Microphone channel](/views2/2008136/page6/bg6.png)
6 PRO MIXER DJX900USB User Manual
2. Microphone Channel
(7) The MIC IN connector is the balanced XLR input for your
dynamicmicrophone.
(8) Set the volume of the microphone signal with the GAIN control in the
MICsection.
(9) There is a 3-band equalizer (HI, MID and LOW, no kill characteristic)
in the microphone section. This allows you to ne-tune your voice to adapt
perfectly to your sound.
(10) Activate the microphone channel using the MIC ON switch. The channel is
active when the corresponding LED is lit.
(11) The DJX900USB is equipped with a talkover function, which works very
simply: if you speak into the microphone while a track is running, the volume
of the music is automatically reduced, so that your voice is always “in front”.
The TALK control allows you to determine how much the music volume is
lowered (max. -24 dB). This function can come in handy when your own voice
needs to be prominently heard, as in when making an announcement etc.
3. Monitor Section
The MONITOR signal is your headphones signal, allowing you to listen to music
without aecting the MASTER output signal.
(12) When the MODE switch is in the “Split” position, channel PFL is located on
the left side of the headphones, while the MASTER signal is on the right side.
In this case, the MIX control (see below) serves no function. While in “Stereo”
mode, you can use the MIX control to alternate between MASTER signal
andPFL.
(13) When in “Stereo” mode, the MIX control lets you determine which signal
can be heard via the headphones. When the control is turned to its left-most
position (CUE), you hear the PFL signal only; when the control is turned to its
right-most position, you hear the MASTER signal only. Alternating the MIX
control between the two end positions lets you determine the relative ratio
between the two signals in your headphones.
(14) The LEVEL control determines the volume of the headphones signal.
(15) Connect your headphones using the PHONES OUT stereo connector.
Yourheadphones should have a minimum impedance of 32 Ohms.
(16) To select the PFL signal for the headphones, use the MONITOR CUE keys
(CH-1 to CH-4, MASTER, FX). You can also select multiple signal sources and
listen to them simultaneously. LEDs on corresponding keys are lit when a
channel is routed to the headphones.
4. Master Section
(17) The LEVEL METER displays the level of the MASTER signal.
(18) The MASTER fader allows you to adjust the output volume at the MASTER
output (see (44)).
(19) The MASTER BALANCE control for the MASTER output is for setting the
stereoimage.
(20) The BOOTH LEVEL control adjusts the output level of the BOOTH output
(see(45)).
5. Crossfader Section
(21) ASSIGN A and ASSIGN B selectors let you determine which input signals are
routed to CROSSFADER sides A and B. You can also alternate between these
two signals by using the CROSSFADER (see below).
(22) The CROSSFADER is used to fade between the channels you have selected
(see (21)).
(23) The TIME OFFSET LED indicates the synchronization of tracks
(seechapter2.7).
(24) The TEMPO DIFFERENCE LED displays tempo dierences between the
tracks (see chapter 2.7).
(25) A 3-band kill switch is available for use with both the left and the right side
of the crossfader (KILL A and KILL B respectively). Kill switches are used to
lower three separate frequency ranges (LOW, MID and HIGH) up to -32 dB.
When using the kill switch, the equalizer of ordinary DJ mixers usually loses
its functionality. Not the case with the DJX900USB: the EQs can be used to
achieve an even more pronounced lowering of a particular frequency range.
(26) The CF CURVE control lets you alter the control characteristic of the
crossfader between a smooth blend to a steep cut in an innite number of
steps. When set to smooth blend (far left), one source fades in gradually
while the other fades out at the same rate. When set to steep cut (far right),
the sources quickly fade in and out at the far edges of the crossfader's range.
For example, with the CF CURVE knob set to the far right and the crossfader
set to the far left, only source A is audible. As the crossfader moves to the
right, source B quickly fades to full volume. Both sources remain at full
volume for most of the middle range until source A quickly fades out just
before the crossfader reaches its far right position.
6. XPQ 3D Surround Eect
The XPQ 3D surround function is a built-in eect that puts the nishing touch
to your music and turns every gig into a real experience. The widening of the
stereo base makes for a livelier, more transparent sound. You can determine the
intensity of the eect by using the SURROUND control (27), while the XPQ ON
switch (28) turns the XPQ eect on (the respective LED is lit).
7. Auto BPM Counter
The integrated auto BPM counter is an extremely useful feature. It ensures
smooth transition from one track to the next, taking a lot of the guesswork out.
It can calculate the various tempos of tracks in bpm (beats per minute). Both BPM
counter sections are identical and both show the BPM value of the two signals
routed to the crossfader. The LEDs located above the DISPLAYs 1 - 4 (29) indicate
which of the four input channels are routed to the respective BPM counter.
The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is
shown in the respective Display (30). Several tempo changes in one track would
produce a constant display of various BPM values and thus lead to unnecessary
confusion. That’s why the beat counter sections each have a SYNC LOCK button
(31) that can be used during the song to limit the range of possible tempo values.
Thismakes sense if the counter has already calculated a realistic value. You can
do the same thing manually with the BEAT ASSIST button (32). Pushing this
button at least three times in sync with the song’s tempo results in the calculated
tempo appearing in the DISPLAY. The Beat Assist and SYNC LOCK buttons are each
equipped with a LED.
Содержание
- Pro mixer djx usb 1
- User manual 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- 1 3 2 5 4 5
- 20 26 25 24 23 22 21 5
- Stereo channels 1 to 4 5
- Auto bpm counter 6
- Crossfader section 6
- Master section 6
- Microphone channel 6
- Monitor section 6
- Xpq 3d surround effect 6
- Activate the effect signal by pressing the fx on switch 7
- Below that displays the signal a and b synchronisation should the middle led light up the tracks are synchronised should the display move to the left or right the channels are not synchronised the tempo difference and time offset displays are only active if the tempi of both channels have been fixed in one of the ways described 7
- Bpm beats per minute the selectable range is from 80 to 160 bpm the display only shows two digits and so values of 100 and above are represented with a dot behind the number for example 120 bpm is displayed as 20 7
- Connections 7
- Display shows only dashes when the signal is present but can not be identified the display shows 160 bpm and then shows the said dashes the beat counter then attempts to get another readout therefore 160 bpm is no usable value rather it is simply an error message when the signal can not be analyzed 7
- Etc unlike other channels channel 1 features two line inputs 7
- External effects device the monitor signal is taken at the send output and routed for example to a reverb processor thus the signal at the send connector is identical to the headphones signal and is selected with the monitor cue buttons 7
- Internal effects processor 7
- Of the selected effect can be modified 7
- Presets of the multi effects processor 7
- Press and hold the program control for about 2 seconds to load the selected preset 7
- Press the program control one more time to use it for selecting effects again 7
- Rear panel connectors 7
- Return connectors the effect signal volume may only be adjusted at the output control of the effects device itself 7
- The connectors ground the turntables 7
- The djx900usb features an integrated effects loop for the connection of an 7
- The djx900usb features an internal digital effects processor into which you can feed your master signal the signals of the input channels or the mic signal the module provides a number of standard effects such as reverb delay and echo as well as various filter and modulation effects 7
- The extent of the difference in tempo is indicated by a corresponding swing to the right signal a is slower or to the left signal b is slower when the middle led lights up the tempi are the same the time offset led 7
- The externally processed signal is added to the master output signal via the 7
- The parameter values of the delay and echo effects are displayed in 7
- The phono inputs 2 to 4 to line level this allows you to connect a tape deck or a cd player to the phono inputs 7
- The phono inputs for channels 2 to 4 are for connecting a turntable 7
- These are the line i e cd inputs to connect a tape deck cd or md player 7
- To change the effect s parameters the parameter value is shown on the display 7
- To determine the volume level of the effect signal 7
- To exit the sync lock or beat assist modes simply push the sync lock button once more on both channels 7
- To select an effect the corresponding program number appears on the program display 7
- To select the signal to be processed use the source selector 7
- Turn the program control 7
- Use the level control 7
- View the table column ajustable parameter to see which parameter 7
- When no signal is present or when the signal level is too low the bpm 7
- When the new effect has been loaded turn the program control 7
- When you have limited the tempo of the tracks on both channels with the sync lock or beat assist buttons the difference in tempo from both channels is illustrated in the form of a nine character message on the tempo difference led 7
- With the phono line switch it is possible to switch the input sensitivity of 7
- 47 44 45 46 42 43 39 38 8
- 50 41 48 8
- Caution 8
- Initial operation 8
- Online registration 9
- Shipment 9
- Specifications 10
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