RME M-16 AD [36/57] Latency and monitoring
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User’s Guide M-32 AD © RME
16.3 Latency and Monitoring
The term Zero Latency Monitoring has been introduced by RME in 1998 for the DIGI96 series
and describes the ability to pass-through the computer's input signal at the interface directly to
the output. Since then, the idea behind has become one of the most important features of mod-
ern hard disk recording. In the year 2000, RME published two ground-breaking Tech Infos on
the topics Low Latency Background, which are still up-to-date: Monitoring, ZLM and ASIO, and
Buffer and Latency Jitter, found on the RME website.
How much Zero is Zero?
From a technical view there is no zero. Even the analog pass-through is subject to phase er-
rors, equalling a delay between input and output. However, delays below certain values can
subjectively be claimed to be a zero-latency. This applies to analog routing and mixing, and in
our opinion also to RME's Zero Latency Monitoring. RME's digital receiver's buffer and the out-
put via the transmitter cause a typical delay of 3 samples. At 44.1 kHz this equals about 68 µs
(0.000068 s), at 192 kHz only 15 µs.
Oversampling
While the delays of digital interfaces can be disregarded altogether, the analog inputs and out-
puts do cause a significant delay. Modern converter chips operate with 64 or 128 times over-
sampling plus digital filtering, in order to move the error-prone analog filters away from the au-
dible frequency range as far as possible. This typically generates a delay of about 40 samples,
equalling one millisecond. A playback and re-record of the same signal via DA and AD (loop-
back) then causes an offset of the newly recorded track of about 2 ms.
The exact delays of the M-32 AD are:
Sample rate kHz 44.1 48 88.2 96 176.4 192
AD (37 x 1/fs) ms 0.84 0.77 0.42 0.38
AD (9.5 x 1/fs) ms 0.054 0.05
Содержание
- I o steadycloc 1
- M 16 ad 1
- M 32 ad 1
- Madi i o 1
- Professional 32 16 channel a d converter fully symmetrical circuit design analog limiter 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 ad 5
- M 32 ad 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 ad 13
- M 32 ad 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi input 14
- Madi out 14
- Madi output 14
- Clock section 15
- Limiter 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 ad 21
- M 32 ad 21
- User s guide 21
- Analog inputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 ad 29
- M 32 ad 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog inputs 33
- Trs jacks analog inputs outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 ad 40
- Block diagram m 16 ad 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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