RME M-16 AD [37/57] Ds double speed
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User’s Guide M-32 AD © RME
37
16.4 DS - Double Speed
When activating the Double Speed mode the M-32 AD operates at double sample rate. The
internal clock 44.1 kHz turns to 88.2 kHz, 48 kHz to 96 kHz. The internal resolution is still 24 bit.
Sample rates above 48 kHz were not always taken for granted, and are still not widely used
because of the CD format (44.1 kHz) dominating everything. Before 1998 there were no re-
ceiver/transmitter circuits available that could receive or transmit more than 48 kHz. Therefore a
work-around was used: instead of two channels, one AES line only carries one channel, whose
odd and even samples are being distributed to the former left and right channels. By this, you
get the double amount of data, i. e. also double sample rate. Of course in order to transmit a
stereo signal two AES/EBU ports are necessary then.
This transmission mode is called Double Wire in the professional studio world, and is also
known as S/MUX (Sample Multiplexing) in connection with the ADAT format.
Not before February 1998, Crystal shipped the first 'single wire' receiver/transmitters that could
also work with double sample rate. It was then possible to transmit two channels of 96 kHz data
via one AES/EBU port.
But Double Wire is still far from being dead. On one hand, there are still many devices which
can't handle more than 48 kHz, e. g. digital tape recorders. But also other common interfaces
like ADAT or TDIF are still using this technique.
Because the ADAT interface does not allow for sampling frequencies above 48 kHz (a limitation
of the interface hardware), the M-32 AD automatically uses Sample Multiplexing in DS mode.
One channel's data is distributed to two channels according to the following table:
Analog In 1 2 3 4 5 6 7 8
DS Signal
ADAT Port
1/2
1
3/4
1
5/6
1
7/8
1
1/2
2
3/4
2
5/6
2
7/8
2
As the transmission of double rate signals is done at standard sample rate (Single Speed), the
ADAT outputs still deliver 44.1 kHz or 48 kHz.
16.5 QS – Quad Speed
An implementation of the ADAT format as double S/MUX (S/MUX4) results in only two channels
per optical output. There are few devices using this method.
In Quad Speed mode the M-32 AD automatically uses Sample Multiplexing. One channel's data
is distributed to four channels according to the following table:
Analog In 1 2 3 4 5 6 7 8
QS Signal
ADAT Port
1/2/3/4
1
5/6/7/8
1
1/2/3/4
2
5/6/7/8
2
1/2/3/4
3
5/6/7/8
3
1/2/3/4
4
5/6/7/8
4
As the transmission of quad rate signals is done at standard sample rate (Single Speed), the
ADAT output still delivers 44.1 kHz or 48 kHz.
Содержание
- I o steadycloc 1
- M 16 ad 1
- M 32 ad 1
- Madi i o 1
- Professional 32 16 channel a d converter fully symmetrical circuit design analog limiter 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 ad 5
- M 32 ad 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 ad 13
- M 32 ad 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi input 14
- Madi out 14
- Madi output 14
- Clock section 15
- Limiter 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 ad 21
- M 32 ad 21
- User s guide 21
- Analog inputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 ad 29
- M 32 ad 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog inputs 33
- Trs jacks analog inputs outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 ad 40
- Block diagram m 16 ad 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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