Soundcraft EPM12 [12/36] Grounding and shielding
![Soundcraft EPM12 [12/36] Grounding and shielding](/views2/1011484/page12/bgc.png)
12
Polarity (Phase)
You will probably be familiar with the concept of polarity in electrical signals and this is of
particular importance to balanced audio signals. Just as a balanced signal is highly
effective at cancelling out unwanted interference, so two microphones picking up the
same signal can cancel out, or cause serious degradation of the signal if one of the
cables has the +ve and -ve wires reversed. This phase reversal can be a real problem
when microphones are close together and you should therefore always take care to
connect pins correctly when wiring audio cables.
Grounding and Shielding
For optimum performance use balanced connections where possible and ensure that all
signals are referenced to a solid, noise-free earthing point and that all signal cables have
their screens connected to ground. In some unusual circumstances, to avoid earth or
ground ‘loops’ ensure that all cable screens and other signal earths are connected to
ground only at their source and not at both ends.
If the use of unbalanced connections is unavoidable, you can minimise noise by following
these wiring guidelines:
• On INPUTS, unbalance at the source and use a twin screened cable as though
it were balanced.
• On OUTPUTS, connect the signal to the +ve output pin, and the ground of the
output device to -ve. If a twin screened cable is used, connect the screen only at
the mixer end.
• Avoid running audio cables or placing audio equipment close to thyristor
dimmer units or power cables.
• Noise immunity is improved significantly by the use of low impedance sources,
such as good quality professional microphones or the outputs from most modern
audio equipment. Avoid cheaper high impedance microphones, which may suffer
from interference over long cable runs, even with well-made cables.
Grounding and shielding is still seen as a black art, and the suggestions above are only
guidelines. If your system still hums, an earth/ground loop is the most likely cause. Two
examples of how an earth loop can occur are shown below.
Warning!
Under NO circumstances must the AC power mains
earth be disconnected from the mains lead.
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Contents contents contents contents contents 3
- User guide 1 3
- Important safety instructions 4
- Safety symbol guide 6
- Overview 7
- The 60 second guide 7
- Advice for those who push the boundaries 9
- Introduction 9
- Do not use unbalanced sources with the phantom power switched on the voltage on pins 2 3 of the xlr connector may cause serious damage balanced dynamic mics may normally be used with phantom power switched on contact your microphone manufacturer for guidance 10
- Insert point 10
- Line input 10
- Mic input 10
- Warning start with the input gain knob turned fully anticlockwise when plugging high level sources into the line input to avoid overloading the input channel or giving you a very load surprise 10
- Wiring up 10
- Aux outputs 11
- Headphones 11
- Mix inserts 11
- Mix outputs 11
- Stereo inputs stereo 1 2 11
- Grounding and shielding 12
- Polarity phase 12
- Warning under no circumstances must the ac power mains earth be disconnected from the mains lead 12
- Out of warranty products 13
- Problem solving 13
- Products under warranty 13
- Block diagram 14
- Insert point 15
- Line input 15
- Mic input 15
- Mono input channel 15
- Only connect condenser microphones with the 48v powering off and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 15
- Aux sends 16
- Equaliser 16
- Input channel fader 17
- Peak led 17
- Aux sends 18
- Balance 18
- Equaliser 18
- Inputs stereo 1 2 18
- Stereo input channels 18
- Channel peak led 19
- Bargraph meters 20
- Master faders 20
- Master section 20
- Mix outputs inserts 20
- Phantom power 20
- Power indicator 20
- Aux outputs 1 2 21
- Aux pre post switches 21
- Headphones jack 21
- Monitor 2 track 21
- Monitor level 21
- Monitor outputs 21
- Phones level 21
- Record outputs 21
- Track to mix 21
- Initial setup 22
- Microphone placement 22
- Using your epm console 22
- Fitting optional rackmount ears 24
- Applications 25
- Application 3 places of worship 26
- Glossary 28
- Typical connecting leads 30
- Mark up sheets 32
- Typical specifications 34
- Warranty 35
Похожие устройства
- Hertz ECX 130 Инструкция по эксплуатации
- Case Logic PBCI116G Grey Инструкция по эксплуатации
- Ariston FZ 612.2 Инструкция по эксплуатации
- Bosch MSM6B100 Инструкция по эксплуатации
- Gardena 51VDA 04051-20.000.00 Инструкция по эксплуатации
- Sony CDX-GT50UI Инструкция по эксплуатации
- Soundcraft EPM6 Инструкция по эксплуатации
- Timberk TOR 31.2509 EH I Инструкция по эксплуатации
- Hertz ECX 165 Инструкция по эксплуатации
- Ariston FZ 612.1 Инструкция по эксплуатации
- Scarlett SC 449 Инструкция по эксплуатации
- Mega 4720 XAT Инструкция по эксплуатации
- Ariston FZ 61.1 Инструкция по эксплуатации
- Hertz ECX 570 Инструкция по эксплуатации
- Timberk TOR 31.1706 EH I Инструкция по эксплуатации
- Soundcraft EPM8 Инструкция по эксплуатации
- Scarlett SC 1042 Инструкция по эксплуатации
- Ariston FZ 1022.1 IX Инструкция по эксплуатации
- Mega 5110 XAS Инструкция по эксплуатации
- Sony CDX-GT457UE Инструкция по эксплуатации
Скачать
Случайные обсуждения