Soundcraft EPM12 [15/36] Mic input
![Soundcraft EPM12 [15/36] Mic input](/views2/1011484/page15/bgf.png)
15
MONO INPUT CHANNEL
1 Mic Input
The MIC input accepts XLR-type connectors and is designed to suit a wide range of
BALANCED or UNBALANCED signals. Professional dynamic, condenser or ribbon mics
are best because these will be LOW IMPEDANCE. You can use low-cost HIGH
IMPEDANCE mics, but the level of background noise will be higher. If you turn the
PHANTOM POWER on (top right-hand side of the mixer) the socket provides a suitable
powering voltage for professional condenser mics.
TAKE CARE when using unbalanced sources, which may be damaged by the phantom
power voltage on pins 2 & 3 of the XLR connector.
Unplug any mics if you want to use the LINE Input. The input level is set using the GAIN
knob.
2 Line Input
Accepts 3-pole ‘A’ gauge (TRS) jacks. Use this input for sources other than mics, such
as keyboards, drum machines, synths, tape machines or DI’d guitars. The input is
BALANCED for low noise and top quality from professional equipment, but you can use
UNBALANCED sources by wiring up the jacks as shown below, although you should
then keep cable lengths as short as possible. Unplug anything in the MIC input if you
want to use this socket. Set the input level using the GAIN knob.
3 Insert Point
The unbalanced, pre-EQ insert point is a break in the channel signal path, allowing
limiters, compressors, special EQ or other signal processing units to be added in the
signal path. The Insert is a 3-pole ‘A’ gauge jack socket which is normally bypassed.
When a jack is inserted, the signal path is broken, just before the EQ section.
The Send may also be tapped off as an alternative pre-fade, pre-EQ direct output if
required, using a lead with tip and ring shorted together so that the signal path is not
interrupted (see below).
4 Gain
This knob sets how much of the source signal is sent to the rest of the mixer. Too high,
and the signal will distort as it overloads the channel. Too low, and the level of any
ONLY connect condenser microphones with the
+48V powering OFF, and ONLY turn the +48V
powering on or off with all output faders DOWN, to
prevent damage to the mixer or external devices.
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Contents contents contents contents contents 3
- User guide 1 3
- Important safety instructions 4
- Safety symbol guide 6
- Overview 7
- The 60 second guide 7
- Advice for those who push the boundaries 9
- Introduction 9
- Do not use unbalanced sources with the phantom power switched on the voltage on pins 2 3 of the xlr connector may cause serious damage balanced dynamic mics may normally be used with phantom power switched on contact your microphone manufacturer for guidance 10
- Insert point 10
- Line input 10
- Mic input 10
- Warning start with the input gain knob turned fully anticlockwise when plugging high level sources into the line input to avoid overloading the input channel or giving you a very load surprise 10
- Wiring up 10
- Aux outputs 11
- Headphones 11
- Mix inserts 11
- Mix outputs 11
- Stereo inputs stereo 1 2 11
- Grounding and shielding 12
- Polarity phase 12
- Warning under no circumstances must the ac power mains earth be disconnected from the mains lead 12
- Out of warranty products 13
- Problem solving 13
- Products under warranty 13
- Block diagram 14
- Insert point 15
- Line input 15
- Mic input 15
- Mono input channel 15
- Only connect condenser microphones with the 48v powering off and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 15
- Aux sends 16
- Equaliser 16
- Input channel fader 17
- Peak led 17
- Aux sends 18
- Balance 18
- Equaliser 18
- Inputs stereo 1 2 18
- Stereo input channels 18
- Channel peak led 19
- Bargraph meters 20
- Master faders 20
- Master section 20
- Mix outputs inserts 20
- Phantom power 20
- Power indicator 20
- Aux outputs 1 2 21
- Aux pre post switches 21
- Headphones jack 21
- Monitor 2 track 21
- Monitor level 21
- Monitor outputs 21
- Phones level 21
- Record outputs 21
- Track to mix 21
- Initial setup 22
- Microphone placement 22
- Using your epm console 22
- Fitting optional rackmount ears 24
- Applications 25
- Application 3 places of worship 26
- Glossary 28
- Typical connecting leads 30
- Mark up sheets 32
- Typical specifications 34
- Warranty 35
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