Yamaha PSR-500 [14/47] U u n n

Содержание

• Congratulations p.2
• Contents p.2
• Psr 500 is a high quality musical instrument that incorporates ad vanced yamaha digital technology and many versatile features in order to obtain maximum performance and enjoyment from your psr 400 psr 500 we urge you to read this owner s guide thoroughly while trying out the various features described keep the owner s guide in a safe place for later reference p.2
• Feature reference p.2
• Preparation p.2
• Quick operation guide p.2
• You are the proud owner of a yamaha psr 400 psr 500 your psr p.2
• The appendices p.3
• Quick operation guide p.3
• Page 6 p.3
• Page 4 p.3
• This operation manual is divided into three main sections p.3
• Preparation p.3
• Page 1 o p.3
• How to use the mahual p.3
• Feature reference p.3
• Nomenclature p.4
• Top panel controls p.4
• Psr 400 p.4
• О о g ф ф фф p.4
• Yamaha p.4
• Psr 500 p.5
• Song memory p.5
• Voice memory p.5
• Rear panel connectors p.5
• Others p.5
• Multi pad p.5
• Drum pad p.5
• This section contains information about setting up your psr p.6
• Using an optional ac power adaptor p.6
• Psr 500 and preparing to play be sure to go through this section carefully before using your psr 400 psr 500 p.6
• Preparation p.6
• Power supply p.6
• Caution p.6
• Using batteries p.6
• Using headphones or an external sound system p.7
• Thefootpedal p.7
• The music stand p.7
• Psr 500 only p.8
• This section provides brief outlines of the procedures for operating several of p.8
• The most basic psr 400 psr 500 features refer to the page numbers listed for details about each feature and more advanced capabilities p.8
• Select play voices p.8
• Quick operation guide p.8
• Add reverb p.8
• The split mode p.9
• The dual voice mode p.9
• Quick operation guide p.9
• Play two voices across the entire keyboard p.9
• Play different left and right hand voices p.9
• Play with auto accompaniment p.10
• Quick operation guide p.10
• Quick operation guide p.11
• Play with auto harmony p.11
• The feature reference provides full details on each of the psr 400 psr p.12
• Power button mode p.12
• Overall control p.12
• Features the features are presented as they appear on the psr 400 psr 500 panel organized into functional groups such as overall control auto ac companiment and voice to find information about a particular control or fea ture either go directly to the section in which that control or feature is found or look up the name of the control or feature in the index at the end of the manual p.12
• Feature reference p.12
• Auto power off p.12
• Single finger p.13
• Pitch bend p.13
• Master volume p.13
• Fingered p.13
• Feature reference p.13
• Accompaniment volume p.13
• Feature reference p.14
• U u n n p.14
• Tuning p.14
• Transpose p.14
• Setting the pitch bend range p.14
• Recording p.15
• Page memory p.15
• Feature reference p.15
• 0 split point change p.15
• To recall a page memory setting p.16
• Simply press the appropriate page memory button the corresponding indicator will light and the required panel settings will be recalled p.16
• Recall p.16
• Overall control p.16
• List of initial page memory settings p.16
• If the panel settings are changed p.16
• Feature reference p.16
• But not recorded including such operations as completing a song memory recording those changes will be lost if a page memory is recalled p.16
• Page memory midi bulk dump p.17
• Feature reference p.17
• Style select accompaniment control p.18
• Starting the accompaniment p.18
• Feature reference p.18
• Auto accompaniment p.18
• Starting the accompaniment with an introduction p.19
• The normal and bridge variations p.19
• Stopping the accompaniment p.19
• Feature reference p.19
• Auto accompaniment p.19
• Adding fill ins p.19
• The single finger mode the fingered mode p.20
• Playing minor seventh and minor seventh chords in the single finger mode p.20
• Feature reference p.20
• Feature reference p.21
• Auto accompaniment p.21
• Orchestration p.21
• Custom style p.21
• Auto accompaniment p.22
• Quantization p.22
• I j ji hi p.22
• Feature reference p.22
• Voice selection method 2 p.23
• Voice selection method 1 p.23
• Voice select p.23
• Psr 500 p.23
• Psr 400 p.23
• Keyboard percussion p.23
• Feature reference p.23
• Feature reference p.24
• Drum percussion instrument key assignments p.24
• Volume p.25
• The split mode p.25
• Reverb depth p.25
• Feature reference p.25
• Changing the right and left hand voices p.25
• 500 only p.25
• Octave midi channel p.26
• Feature reference p.26
• Dual voice p.26
• Voice memory p.27
• Recording p.27
• Recall p.27
• Feature reference p.27
• Auto harmony p.27
• Song memory p.28
• Recording a melody p.28
• Feature reference p.28
• Stop recording by pressing the accompaniment p.29
• Recording will begin as soon as you play a note on the p.29
• Play the melody using the entire keyboard if the nor p.29
• Mal mode is selected or the keys to the right of the split point if the split fingered or single finger mode is selected p.29
• Keyboard or press the song memory play stop button or the accompaniment con trol start stop button p.29
• It is possible to change any of the above parameters for p.29
• In the following data can be recorded by the song memory melody banks p.29
• In addition to notes played on the keyboard changes p.29
• Feature reference p.29
• Example 2 p.29
• Example 1 p.29
• Data edit mode p.29
• Control start stop or ending button or the song memory play stop button p.29
• A specific track by pressing the appropriate melody track button twice while holding the record button the indicator of the selected track will flash slowly indi cating that the track is in the edit ready mode press a key or the play stop button and the track will play you can now change the parameters while listening to the result changes affect that last occurrence of the corre sponding parameter in the track as shown in the exam ples below the last parameter change takes priority press the play stop button to exit when you re fin ished editing p.29
• Data edit mode p.30
• Song memory p.30
• Recording a chord sequence p.30
• Jtnjyiw p.30
• Feature reference p.30
• Playback p.31
• Melody and chord p.31
• Feature reference p.31
• Recording p.32
• The conductor p.32
• Song memory p.32
• Playback p.32
• Feature reference p.32
• The multi pads psr 500 p.33
• Recording p.33
• Playback p.33
• Feature reference p.33
• Themultif p.33
• The drum pads p.34
• Recording p.34
• Playback p.34
• The remote control mode mode 00 p.35
• Receive channel clock p.35
• Feature reference p.35
• The multi voice mode mode 99 p.36
• System exclusive reception p.36
• Iz r r p.36
• Feature reference p.36
• Data received in the multi voice mode p.36
• Control change data value specifica p.37
• Rhythm or accompaniment is started and a midi stop message is transmitted whenever the rhythm or accom paniment is stopped the same applies to demo and song memory start stop operations p.37
• Connector when either the remote control or multi voice mode is selected p.37
• Receive and transmit both modes p.37
• Change and control change data corresponding to that voice is transmitted the previous panel data is transmitted when a voice memory is turned off p.37
• Psr 500 only pan volume and sustain are transmitted when these functions are operated for details refer to below p.37
• All notes played on the keyboard including velocity data p.37
• Program change and control change data will not be p.37
• A midi start message is transmitted whenever the p.37
• Pose setting p.37
• Pitch bend data the actual pitch bend data range is p.37
• When a voice memory button is pressed the program p.37
• Pad psr 400 notes added by the auto harmony func tion and song memory playback are not transmitted p.37
• Transmitted note numbers are affected by the trans p.37
• Number of the selected voice is transmitted when a voice is selected p.37
• Transmitted note numbers are affected by the octave p.37
• Midi control change messages corresponding to reverb p.37
• Midi channel button described on page 24 p.37
• Transmitted if the dual function is engaged turn dual off if you want this data to be transmitted p.37
• In the split mode the left and right hand voices are transmitted on their respective transmit channels p.37
• Transmitted data p.37
• In the fingered or single finger mode only data p.37
• The transmit channel for each voice is set using the p.37
• Feature reference p.37
• The midi program change number corresponding to the p.37
• Determined by the pitch bend range setting if the pitch bend range is set to 12 for example data from ooh ooh to 7fh 7fh will be transmitted if the pitch bend range is set to 1 data from зсн 3ah to 20h 45h will be transmit ted p.37
• The following data is transmitted via the midi out p.37
• Corresponding to notes played on the right hand section of the keyboard is transmitted p.37
• Style custom style demo multi pad psr 500 drum p.37
• Setting p.37
• Feature reference p.38
• The psr 400 psr 500 midi connectors p.39
• Simple midi control p.39
• Midi sequence recording p.39
• Midi bulk dump p.39
• Appendix a midi basics p.39
• И i i p.40
• Voice polyphony list p.40
• The psr 400 and psr 500 feature a maximum polyphony p.40
• Some of the psr 400 psr 500 s voices are actually combi p.40
• Of 28 notes so up to 28 notes can be played on simultane ously this 28 note maximum applies to all psr 400 psr 500 features including automatic accompaniment song memory the multi pads etc if more than 28 notes are played at any one time the extra notes will not sound and cfull will appear on the multi display to indicate that the maximum po lyphony has been exceeded p.40
• Nations of two or more voices these voices therefore only allow half or less the normal 28 note maximum the follow ing is a list of the number of voices used by each of the psr 400 psr 500 voices p.40
• Appendix в polyphony p.40
• Yamaha is not responsible for damage caused by improper use p.41
• Service and modifications p.41
• Problem p.41
• Location p.41
• Interference through electromagnetic fields p.41
• Handling p.41
• Cleaning p.41
• Appendix d maintenance p.41
• Appendix c troubleshooting p.41
• Speakers 4 p.42
• Record end and clear buttons p.42
• Rated voltage p.42
• Other controls p.42
• Main amplifiers p.42
• Keyboard p.42
• Indicating that the system reset has been successful p.42
• Dimensions w x p.42
• Demonstrations p.42
• Cause the psr 400 psr 500 system to lock up or malfunc tion normally simply turning the power off and then on again will solve the problem if turning the power off and on docs not restore normal operation use the system reset proce dure described below all page memory data is initialized when a system reset is executed see page 14 p.42
• Weight p.42
• Batteries p.42
• Voices p.42
• Auxiliary jacks p.42
• Turn the power on while holding both the custom p.42
• Appendix e system reset specifications p.42
• Turn the power off p.42
• Accompaniment styles p.42
• The multi display should appear as shown below p.42
• Ac power adaptor p.42
• Abnormal operation procedures and other problems can p.42
• Supplied accessories p.42
• О о о p.44
• Midi implementation chart p.44
• Warning chemical content notice p.45
• Important notice do not modify this unit p.45
• Important message p.45
• Important p.45
• Fcc information u s a p.45
• Do not remove any enclosure components p.45
• Norway p.46
• Yamaha scandinavia ab p.46
• The netherland p.46
• Head office p.46
• Yamaha music asia pte ltd p.46
• Australia p.46
• Thailand p.46
• North america p.46
• Greece p.46
• Yamaha kemble music u k ltd p.46
• Africa oceania p.46
• Taiwan p.46
• New zealand p.46
• Germany switzerland p.46
• Yamaha hazen electronica musical s a p.46
• Sweden p.46
• Narud yamaha as p.46
• Yupangco music corporation p.46
• France p.46
• Yamaha europa gmbh p.46
• Singapore p.46
• Yamaha scandinavia filial danmark p.46
• For details of products please contact our nearest subsidiary or the authorized distributor listed below p.46
• Yamaha de panama s a p.46
• Siam music yamaha co ltd p.46
• Music houses of n z ltd p.46
• Finland p.46
• Yamaha de mexico s a de c v departamento de ventas p.46
• R b x international co ltd p.46
• Morocco p.46
• Yamaha musique france division export p.46
• Fazer music inc p.46
• Yamaha corporation of america p.46
• Pt nusantik p.46
• Middle south america p.46
• Yamaha musique france division claviers p.46
• Europe p.46
• Yamaha corporation electronic musical instrument division p.46
• Pour plus de détails sur les produits veuillez vous adresser au concessionnaire distributeur pris dans la liste suivante le plus proche de chez vous p.46
• Middle east asia p.46
• Yamaha musical do brasil ltda p.46
• East european countries except hungary p.46
• Yamaha corporation asia oceania group p.46
• Portugal p.46
• Mexico p.46
• Yamaha canada music ltd p.46
• Philippines p.46
• Malaysia p.46
• Yamaha musica italia s p a home keyboard division p.46
• Die einzelheiten zu produkten sind bei unseren unten aufge führten niederlassungen und vertragshändlern in den jeweiligen bestimmungsländern erhältlich p.46
• Valentim de carvalho ci sa p.46
• Philippe nakas s a p.46
• Kung hsue she trading co ltd p.46
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• Denmark p.46
• Union of soviet socialist republics p.46
• Para detalles sobre los productos póngase en contacto con nuestra subsidiaria o distribuidor autorizado enumerados a continuación p.46
• Israel p.46
• Yamaha music latin america corp p.46
• Countries and trust territories in pacific ocean p.46
• Tom lee music co ltd p.46
• Panama p.46
• Inkel corporation ltd p.46
• Yamaha music benelux b v verkoop administratie p.46
• Canada p.46
• The united kingdom ireland p.46
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• Indonesia p.46
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• Yamaha p.47
• Important p.47

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FEATURE REFERENCE OVERALL CONTROL Setting the Pitch Bend Range The maximum amount of pitch bend produced by the PITCH BEND wheel can be set anywhere from 1 semi tone to 12 semitones i e plus or minus one octave 1 To set the pitch bend range roll the PITCH BEND wheel all the way in either direction so that the current range value appears on the MULTI DISPLAY The transposition range is from 12 to 12 with 12 corresponding to downward transposition by 12 semitones one octave and 12 corresponding to upward transposi tion by 12 semitones 0 is the normal keyboard pitch value The normal transpose value 0 can be recalled at any time by pressing both the TRANSPOSE A and buttons at the same time The TRANSPOSE function will not work while any keys are held TRANSPOSE does not affect the percussion voices numbers 94 through 99 STYLE SPLIT VOICE VOICE STYLE SPLIT VOICE BEA 2 Use the ACCOMP VOLUME PITCH BEND RANGE A and buttons to set the desired range the pitch bend range value is displayed in semitones 12 through 12 If a minus setting is selected pitch bend wheel operation is reversed i e roll the wheel away from you to lower pitch When this parameter has been changed be sure to store the new data to a PAGE MEMORY see page 13 If this is not done the newly selected data will be lost when a different PAGE MEMORY is selected TUNING The PSR 400 PSR 500 TUNING buttons makes it possible to tune the pitch of the PSR 400 PSR 500 to match other instruments Tuning can be accomplished over a 50 cent range that s 100 cents total or one semi tone in 16 steps TUNING uunn I IUUI 427 5452 9 H 3 Release the PITCH BEND wheel When this parameter has been changed be sure to store the new data to a PAGE MEMORY see page 13 If this is not done the newly selected data will be lost when a different PAGE MEMORY is selected TRANSPOSE The PSR 400 PSR 500 TRANSPOSE buttons makes it possible to shift the pitch of the PSR 400 PSR 500 up or down in semitone intervals up to a maximum of 12 semi tones one octave Transposing the pitch of the PSR 400 PSR 500 keyboard makes it easier to play in difficult key signatures and you can simply match the pitch of the keyboard to the range of a singer or other instrumentalist STYLE SPLIT VOICE VOICE The TUNING A and buttons are used for tuning Press the A button to raise the pitch of the instrument or the button to lower the pitch The selected degree of tuning will be shown on the MULTI DISPLAY in Hertz while the TUNING A or button is pressed and for approximately 2 seconds after either TUNING button is released The tuning range is from 427 5 Hertz 50 cents to M 452 9 Hz 50 cents 440 0 Hertz 0 cents is the nor mal tuning value The normal tuning value 440 0 can be recalled at any time by pressing both the TUNING A and buttons at the same time TUNING does not affect the percussion voices numbers 94 through 99 When this parameter has been changed be sure to store the new data to a PAGE MEMORY see page 13 If this is not done the newly selected data will be lost when a different PAGE MEMORY is selected STYLE SPLIT VOICE SCAT The TRANSPOSE A and buttons are used for transposition Press the A button to increase the pitch of the keyboard or the button to lower the pitch The selected degree of transposition will be displayed on the center two digits of the MULTI DISPLAY while the TRANSPOSE A or button is pressed and for ap proximately 2 seconds after either TRANSPOSE button is released 12 TEMPO The TEMPO buttons control the tempo of the AUTO ACCOMPANIMENT the SONG MEMORY DEMO playback and the MULTI PADs on the PSR 500