Yamaha PSR-500 [20/47] The single finger mode the fingered mode

Содержание

• Congratulations p.2
• Psr 500 is a high quality musical instrument that incorporates ad vanced yamaha digital technology and many versatile features in order to obtain maximum performance and enjoyment from your psr 400 psr 500 we urge you to read this owner s guide thoroughly while trying out the various features described keep the owner s guide in a safe place for later reference p.2
• Contents p.2
• Feature reference p.2
• Preparation p.2
• Quick operation guide p.2
• You are the proud owner of a yamaha psr 400 psr 500 your psr p.2
• Page 4 p.3
• The appendices p.3
• Quick operation guide p.3
• Page 6 p.3
• Page 1 o p.3
• How to use the mahual p.3
• Feature reference p.3
• This operation manual is divided into three main sections p.3
• Preparation p.3
• Top panel controls p.4
• Nomenclature p.4
• О о g ф ф фф p.4
• Yamaha p.4
• Psr 400 p.4
• Psr 500 p.5
• Song memory p.5
• Rear panel connectors p.5
• Others p.5
• Multi pad p.5
• Drum pad p.5
• Voice memory p.5
• This section contains information about setting up your psr p.6
• Using batteries p.6
• Using an optional ac power adaptor p.6
• Psr 500 and preparing to play be sure to go through this section carefully before using your psr 400 psr 500 p.6
• Preparation p.6
• Power supply p.6
• Caution p.6
• Using headphones or an external sound system p.7
• Thefootpedal p.7
• The music stand p.7
• Psr 500 only p.8
• The most basic psr 400 psr 500 features refer to the page numbers listed for details about each feature and more advanced capabilities p.8
• Select play voices p.8
• Quick operation guide p.8
• Add reverb p.8
• This section provides brief outlines of the procedures for operating several of p.8
• The split mode p.9
• The dual voice mode p.9
• Quick operation guide p.9
• Play two voices across the entire keyboard p.9
• Play different left and right hand voices p.9
• Quick operation guide p.10
• Play with auto accompaniment p.10
• Quick operation guide p.11
• Play with auto harmony p.11
• The feature reference provides full details on each of the psr 400 psr p.12
• Power button mode p.12
• Overall control p.12
• Features the features are presented as they appear on the psr 400 psr 500 panel organized into functional groups such as overall control auto ac companiment and voice to find information about a particular control or fea ture either go directly to the section in which that control or feature is found or look up the name of the control or feature in the index at the end of the manual p.12
• Feature reference p.12
• Auto power off p.12
• Single finger p.13
• Pitch bend p.13
• Master volume p.13
• Fingered p.13
• Feature reference p.13
• Accompaniment volume p.13
• U u n n p.14
• Tuning p.14
• Transpose p.14
• Setting the pitch bend range p.14
• Feature reference p.14
• Recording p.15
• Page memory p.15
• Feature reference p.15
• 0 split point change p.15
• But not recorded including such operations as completing a song memory recording those changes will be lost if a page memory is recalled p.16
• To recall a page memory setting p.16
• Simply press the appropriate page memory button the corresponding indicator will light and the required panel settings will be recalled p.16
• Recall p.16
• Overall control p.16
• List of initial page memory settings p.16
• If the panel settings are changed p.16
• Feature reference p.16
• Page memory midi bulk dump p.17
• Feature reference p.17
• Style select accompaniment control p.18
• Starting the accompaniment p.18
• Feature reference p.18
• Auto accompaniment p.18
• Starting the accompaniment with an introduction p.19
• Feature reference p.19
• Auto accompaniment p.19
• Adding fill ins p.19
• The normal and bridge variations p.19
• Stopping the accompaniment p.19
• The single finger mode the fingered mode p.20
• Playing minor seventh and minor seventh chords in the single finger mode p.20
• Feature reference p.20
• Feature reference p.21
• Orchestration p.21
• Custom style p.21
• Auto accompaniment p.21
• Auto accompaniment p.22
• Quantization p.22
• I j ji hi p.22
• Feature reference p.22
• Keyboard percussion p.23
• Feature reference p.23
• Voice selection method 2 p.23
• Voice selection method 1 p.23
• Voice select p.23
• Psr 500 p.23
• Psr 400 p.23
• Feature reference p.24
• Drum percussion instrument key assignments p.24
• Volume p.25
• The split mode p.25
• Reverb depth p.25
• Feature reference p.25
• Changing the right and left hand voices p.25
• 500 only p.25
• Octave midi channel p.26
• Feature reference p.26
• Dual voice p.26
• Voice memory p.27
• Recording p.27
• Recall p.27
• Feature reference p.27
• Auto harmony p.27
• Song memory p.28
• Recording a melody p.28
• Feature reference p.28
• In the following data can be recorded by the song memory melody banks p.29
• In addition to notes played on the keyboard changes p.29
• Feature reference p.29
• Example 2 p.29
• Example 1 p.29
• Data edit mode p.29
• Control start stop or ending button or the song memory play stop button p.29
• A specific track by pressing the appropriate melody track button twice while holding the record button the indicator of the selected track will flash slowly indi cating that the track is in the edit ready mode press a key or the play stop button and the track will play you can now change the parameters while listening to the result changes affect that last occurrence of the corre sponding parameter in the track as shown in the exam ples below the last parameter change takes priority press the play stop button to exit when you re fin ished editing p.29
• Stop recording by pressing the accompaniment p.29
• Recording will begin as soon as you play a note on the p.29
• Play the melody using the entire keyboard if the nor p.29
• Mal mode is selected or the keys to the right of the split point if the split fingered or single finger mode is selected p.29
• Keyboard or press the song memory play stop button or the accompaniment con trol start stop button p.29
• It is possible to change any of the above parameters for p.29
• Song memory p.30
• Recording a chord sequence p.30
• Jtnjyiw p.30
• Feature reference p.30
• Data edit mode p.30
• Playback p.31
• Melody and chord p.31
• Feature reference p.31
• Recording p.32
• Playback p.32
• Feature reference p.32
• The conductor p.32
• Song memory p.32
• Themultif p.33
• The multi pads psr 500 p.33
• Recording p.33
• Playback p.33
• Feature reference p.33
• The drum pads p.34
• Recording p.34
• Playback p.34
• The remote control mode mode 00 p.35
• Receive channel clock p.35
• Feature reference p.35
• Feature reference p.36
• Data received in the multi voice mode p.36
• The multi voice mode mode 99 p.36
• System exclusive reception p.36
• Iz r r p.36
• Control change data value specifica p.37
• Number of the selected voice is transmitted when a voice is selected p.37
• Transmitted note numbers are affected by the trans p.37
• Midi control change messages corresponding to reverb p.37
• Transmitted note numbers are affected by the octave p.37
• Midi channel button described on page 24 p.37
• Transmitted if the dual function is engaged turn dual off if you want this data to be transmitted p.37
• In the split mode the left and right hand voices are transmitted on their respective transmit channels p.37
• Transmitted data p.37
• The transmit channel for each voice is set using the p.37
• In the fingered or single finger mode only data p.37
• The midi program change number corresponding to the p.37
• Feature reference p.37
• The following data is transmitted via the midi out p.37
• Determined by the pitch bend range setting if the pitch bend range is set to 12 for example data from ooh ooh to 7fh 7fh will be transmitted if the pitch bend range is set to 1 data from зсн 3ah to 20h 45h will be transmit ted p.37
• Style custom style demo multi pad psr 500 drum p.37
• Corresponding to notes played on the right hand section of the keyboard is transmitted p.37
• Setting p.37
• Rhythm or accompaniment is started and a midi stop message is transmitted whenever the rhythm or accom paniment is stopped the same applies to demo and song memory start stop operations p.37
• Connector when either the remote control or multi voice mode is selected p.37
• Receive and transmit both modes p.37
• Change and control change data corresponding to that voice is transmitted the previous panel data is transmitted when a voice memory is turned off p.37
• Psr 500 only pan volume and sustain are transmitted when these functions are operated for details refer to below p.37
• All notes played on the keyboard including velocity data p.37
• Program change and control change data will not be p.37
• A midi start message is transmitted whenever the p.37
• Pose setting p.37
• Pitch bend data the actual pitch bend data range is p.37
• Pad psr 400 notes added by the auto harmony func tion and song memory playback are not transmitted p.37
• When a voice memory button is pressed the program p.37
• Feature reference p.38
• The psr 400 psr 500 midi connectors p.39
• Simple midi control p.39
• Midi sequence recording p.39
• Midi bulk dump p.39
• Appendix a midi basics p.39
• И i i p.40
• Voice polyphony list p.40
• The psr 400 and psr 500 feature a maximum polyphony p.40
• Some of the psr 400 psr 500 s voices are actually combi p.40
• Of 28 notes so up to 28 notes can be played on simultane ously this 28 note maximum applies to all psr 400 psr 500 features including automatic accompaniment song memory the multi pads etc if more than 28 notes are played at any one time the extra notes will not sound and cfull will appear on the multi display to indicate that the maximum po lyphony has been exceeded p.40
• Nations of two or more voices these voices therefore only allow half or less the normal 28 note maximum the follow ing is a list of the number of voices used by each of the psr 400 psr 500 voices p.40
• Appendix в polyphony p.40
• Appendix d maintenance p.41
• Appendix c troubleshooting p.41
• Yamaha is not responsible for damage caused by improper use p.41
• Service and modifications p.41
• Problem p.41
• Location p.41
• Interference through electromagnetic fields p.41
• Handling p.41
• Cleaning p.41
• Dimensions w x p.42
• Demonstrations p.42
• Cause the psr 400 psr 500 system to lock up or malfunc tion normally simply turning the power off and then on again will solve the problem if turning the power off and on docs not restore normal operation use the system reset proce dure described below all page memory data is initialized when a system reset is executed see page 14 p.42
• Batteries p.42
• Weight p.42
• Auxiliary jacks p.42
• Voices p.42
• Appendix e system reset specifications p.42
• Turn the power on while holding both the custom p.42
• Accompaniment styles p.42
• Turn the power off p.42
• Ac power adaptor p.42
• The multi display should appear as shown below p.42
• Abnormal operation procedures and other problems can p.42
• Supplied accessories p.42
• Speakers 4 p.42
• Record end and clear buttons p.42
• Rated voltage p.42
• Other controls p.42
• Main amplifiers p.42
• Keyboard p.42
• Indicating that the system reset has been successful p.42
• О о о p.44
• Midi implementation chart p.44
• Do not remove any enclosure components p.45
• Warning chemical content notice p.45
• Important notice do not modify this unit p.45
• Important message p.45
• Important p.45
• Fcc information u s a p.45
• The netherland p.46
• Norway p.46
• Yamaha scandinavia ab p.46
• Yamaha corporation electronic musical instrument division p.46
• Pour plus de détails sur les produits veuillez vous adresser au concessionnaire distributeur pris dans la liste suivante le plus proche de chez vous p.46
• Middle east asia p.46
• Yamaha musique france division claviers p.46
• Europe p.46
• Yamaha corporation asia oceania group p.46
• Portugal p.46
• Mexico p.46
• Yamaha musical do brasil ltda p.46
• East european countries except hungary p.46
• Yamaha canada music ltd p.46
• Philippines p.46
• Malaysia p.46
• Yamaha musica italia s p a home keyboard division p.46
• Die einzelheiten zu produkten sind bei unseren unten aufge führten niederlassungen und vertragshändlern in den jeweiligen bestimmungsländern erhältlich p.46
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• Para detalles sobre los productos póngase en contacto con nuestra subsidiaria o distribuidor autorizado enumerados a continuación p.46
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• Inkel corporation ltd p.46
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• For details of products please contact our nearest subsidiary or the authorized distributor listed below p.46
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• Important p.47

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FEATURE REFERENCE AUTO ACCOMPANIMENT THE SINGLE FINGER MODE The SINGLE FINGER mode is selected via the MODE button in the OVERALL CONTROL section see page 10 MODE THE FINGERED MODE The FINGERED mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the Auto Accompaniment feature MODE ONORMAL ONORMAL O SPLIT O SPLIT SINGLE FINGER SINGLE FINGER n OFINGERED FINGERED SINGLE FINGER accompaniment makes it simple to produce beautifully orchestrated accompaniment using major seventh minor and minor seventh chords by press ing a minimum number of keys in the left hand section of the keyboard The accompaniment produced is perfectly matched to the currently selected accompaniment style If you press a C key in the left hand section of the keyboard for example a C major accompaniment will be played Press another key in the left hand section of the keyboard to select a new chord The key you press will always determine the root of the chord played i e C for a C chord Playing Minor Seventh and Minor seventh Chords in the Single finger Mode For a minor chord press the root key and a black key to its left For a seventh chord press the root key and a white key to its left For a minor seventh chord press the root key and both a white and black key to its left The automatic accompaniment will continue playing even if you lift your fingers from the Auto Accompaniment keys You only need to press the Auto Accompaniment keys when changing chords If the SINGLE FINGER mode is used while the accompaniment is stopped the appropriate bass and chord sound will be pro duced when any left hand keys are pressed The bass voice is the same as the accompaniment bass voice The chord voice can be selected using the VOICE SELECT buttons after a key in the left hand section of the keyboard has been pressed REVERB DEPTH PSR 500 only VOLUME OCTAVE and PAN settings will affect the chord voice but the DUAL VOICE mode cannot be used 18 The PSR 400 PSR 500 will accept the following chord types Chord Abbreviation Major Minor Major seventh Suspended fourth Minor sixth Minor seventh Minor seventh flatted fifth Minor major seventh Seventh Seventh flatted fifth Seventh suspended fourth Augmented seventh Diminished seventh M m M7 sus4 m6 m7 m7 5 mM7 7 7 5 7sus4 aug dim Normal Voicing 1 3 5 143 5 1 3 5 7 1 4 5 143 5 6 l43 5 47 1434547 l43 5 7 1 3 5 47 1 34547 1 4 547 1 345 k7 l4345 6 Notes in parentheses may be omitted Minor sixth chords will only be properly detected if they are played in root position Seventh flatted fifth chords will be recognized as long as either the root or flatted seventh is the lowest note For diminished and augmented chords the lowest key pressed is assumed to be the root If you play two notes one octave apart on the left hand section of the keyboard that note will be taken as the root and the accom paniment will use only that note If you play the root and fifth the accompaniment will use only the root and fifth If you play three adjacent keys at once semitone intervals All accompaniment parts except for rhythm will be muted If the FINGERED mode is used while the accompaniment is stopped the appropriate bass note will be produced when a left hand chord is detected and the chord will sound as played The chord voice can be selected using the VOICE SELECT buttons after a key in the left hand section of the keyboard has been pressed REVERB DEPTH PSR 500 only VOLUME OC TAVE and PAN settings will affect the chord voice but the DUAL VOICE mode cannot be used