Yamaha PSR-500 [19/47] Starting the accompaniment with an introduction
Содержание
- Congratulations p.2
- Psr 500 is a high quality musical instrument that incorporates ad vanced yamaha digital technology and many versatile features in order to obtain maximum performance and enjoyment from your psr 400 psr 500 we urge you to read this owner s guide thoroughly while trying out the various features described keep the owner s guide in a safe place for later reference p.2
- Contents p.2
- Feature reference p.2
- Preparation p.2
- Quick operation guide p.2
- You are the proud owner of a yamaha psr 400 psr 500 your psr p.2
- The appendices p.3
- Quick operation guide p.3
- Page 6 p.3
- Page 4 p.3
- This operation manual is divided into three main sections p.3
- Preparation p.3
- Page 1 o p.3
- How to use the mahual p.3
- Feature reference p.3
- Top panel controls p.4
- Nomenclature p.4
- О о g ф ф фф p.4
- Yamaha p.4
- Psr 400 p.4
- Psr 500 p.5
- Song memory p.5
- Multi pad p.5
- Drum pad p.5
- Voice memory p.5
- Rear panel connectors p.5
- Others p.5
- This section contains information about setting up your psr p.6
- Using batteries p.6
- Using an optional ac power adaptor p.6
- Psr 500 and preparing to play be sure to go through this section carefully before using your psr 400 psr 500 p.6
- Preparation p.6
- Power supply p.6
- Caution p.6
- Using headphones or an external sound system p.7
- Thefootpedal p.7
- The music stand p.7
- Psr 500 only p.8
- Add reverb p.8
- This section provides brief outlines of the procedures for operating several of p.8
- The most basic psr 400 psr 500 features refer to the page numbers listed for details about each feature and more advanced capabilities p.8
- Select play voices p.8
- Quick operation guide p.8
- The split mode p.9
- The dual voice mode p.9
- Quick operation guide p.9
- Play two voices across the entire keyboard p.9
- Play different left and right hand voices p.9
- Quick operation guide p.10
- Play with auto accompaniment p.10
- Quick operation guide p.11
- Play with auto harmony p.11
- Feature reference p.12
- Auto power off p.12
- The feature reference provides full details on each of the psr 400 psr p.12
- Power button mode p.12
- Overall control p.12
- Features the features are presented as they appear on the psr 400 psr 500 panel organized into functional groups such as overall control auto ac companiment and voice to find information about a particular control or fea ture either go directly to the section in which that control or feature is found or look up the name of the control or feature in the index at the end of the manual p.12
- Single finger p.13
- Pitch bend p.13
- Master volume p.13
- Fingered p.13
- Feature reference p.13
- Accompaniment volume p.13
- U u n n p.14
- Tuning p.14
- Transpose p.14
- Setting the pitch bend range p.14
- Feature reference p.14
- 0 split point change p.15
- Recording p.15
- Page memory p.15
- Feature reference p.15
- To recall a page memory setting p.16
- Simply press the appropriate page memory button the corresponding indicator will light and the required panel settings will be recalled p.16
- Recall p.16
- Overall control p.16
- List of initial page memory settings p.16
- If the panel settings are changed p.16
- Feature reference p.16
- But not recorded including such operations as completing a song memory recording those changes will be lost if a page memory is recalled p.16
- Page memory midi bulk dump p.17
- Feature reference p.17
- Starting the accompaniment p.18
- Feature reference p.18
- Auto accompaniment p.18
- Style select accompaniment control p.18
- Starting the accompaniment with an introduction p.19
- The normal and bridge variations p.19
- Stopping the accompaniment p.19
- Feature reference p.19
- Auto accompaniment p.19
- Adding fill ins p.19
- The single finger mode the fingered mode p.20
- Playing minor seventh and minor seventh chords in the single finger mode p.20
- Feature reference p.20
- Feature reference p.21
- Orchestration p.21
- Custom style p.21
- Auto accompaniment p.21
- Auto accompaniment p.22
- Feature reference p.22
- Quantization p.22
- I j ji hi p.22
- Voice selection method 2 p.23
- Voice selection method 1 p.23
- Voice select p.23
- Psr 500 p.23
- Psr 400 p.23
- Keyboard percussion p.23
- Feature reference p.23
- Feature reference p.24
- Drum percussion instrument key assignments p.24
- The split mode p.25
- Reverb depth p.25
- Feature reference p.25
- Changing the right and left hand voices p.25
- 500 only p.25
- Volume p.25
- Octave midi channel p.26
- Feature reference p.26
- Dual voice p.26
- Voice memory p.27
- Recording p.27
- Recall p.27
- Feature reference p.27
- Auto harmony p.27
- Song memory p.28
- Recording a melody p.28
- Feature reference p.28
- Example 1 p.29
- Data edit mode p.29
- Control start stop or ending button or the song memory play stop button p.29
- A specific track by pressing the appropriate melody track button twice while holding the record button the indicator of the selected track will flash slowly indi cating that the track is in the edit ready mode press a key or the play stop button and the track will play you can now change the parameters while listening to the result changes affect that last occurrence of the corre sponding parameter in the track as shown in the exam ples below the last parameter change takes priority press the play stop button to exit when you re fin ished editing p.29
- Stop recording by pressing the accompaniment p.29
- Recording will begin as soon as you play a note on the p.29
- Play the melody using the entire keyboard if the nor p.29
- Mal mode is selected or the keys to the right of the split point if the split fingered or single finger mode is selected p.29
- Keyboard or press the song memory play stop button or the accompaniment con trol start stop button p.29
- It is possible to change any of the above parameters for p.29
- In the following data can be recorded by the song memory melody banks p.29
- In addition to notes played on the keyboard changes p.29
- Feature reference p.29
- Example 2 p.29
- Song memory p.30
- Recording a chord sequence p.30
- Jtnjyiw p.30
- Feature reference p.30
- Data edit mode p.30
- Feature reference p.31
- Playback p.31
- Melody and chord p.31
- Recording p.32
- The conductor p.32
- Song memory p.32
- Playback p.32
- Feature reference p.32
- Themultif p.33
- The multi pads psr 500 p.33
- Recording p.33
- Playback p.33
- Feature reference p.33
- The drum pads p.34
- Recording p.34
- Playback p.34
- Feature reference p.35
- The remote control mode mode 00 p.35
- Receive channel clock p.35
- The multi voice mode mode 99 p.36
- System exclusive reception p.36
- Iz r r p.36
- Feature reference p.36
- Data received in the multi voice mode p.36
- Control change data value specifica p.37
- The transmit channel for each voice is set using the p.37
- In the fingered or single finger mode only data p.37
- The midi program change number corresponding to the p.37
- Feature reference p.37
- The following data is transmitted via the midi out p.37
- Determined by the pitch bend range setting if the pitch bend range is set to 12 for example data from ooh ooh to 7fh 7fh will be transmitted if the pitch bend range is set to 1 data from зсн 3ah to 20h 45h will be transmit ted p.37
- Style custom style demo multi pad psr 500 drum p.37
- Corresponding to notes played on the right hand section of the keyboard is transmitted p.37
- Setting p.37
- Connector when either the remote control or multi voice mode is selected p.37
- Rhythm or accompaniment is started and a midi stop message is transmitted whenever the rhythm or accom paniment is stopped the same applies to demo and song memory start stop operations p.37
- Change and control change data corresponding to that voice is transmitted the previous panel data is transmitted when a voice memory is turned off p.37
- Receive and transmit both modes p.37
- All notes played on the keyboard including velocity data p.37
- Psr 500 only pan volume and sustain are transmitted when these functions are operated for details refer to below p.37
- A midi start message is transmitted whenever the p.37
- Program change and control change data will not be p.37
- Pose setting p.37
- Pitch bend data the actual pitch bend data range is p.37
- When a voice memory button is pressed the program p.37
- Pad psr 400 notes added by the auto harmony func tion and song memory playback are not transmitted p.37
- Transmitted note numbers are affected by the trans p.37
- Number of the selected voice is transmitted when a voice is selected p.37
- Transmitted note numbers are affected by the octave p.37
- Midi control change messages corresponding to reverb p.37
- Transmitted if the dual function is engaged turn dual off if you want this data to be transmitted p.37
- Midi channel button described on page 24 p.37
- Transmitted data p.37
- In the split mode the left and right hand voices are transmitted on their respective transmit channels p.37
- Feature reference p.38
- The psr 400 psr 500 midi connectors p.39
- Simple midi control p.39
- Midi sequence recording p.39
- Midi bulk dump p.39
- Appendix a midi basics p.39
- The psr 400 and psr 500 feature a maximum polyphony p.40
- Some of the psr 400 psr 500 s voices are actually combi p.40
- Of 28 notes so up to 28 notes can be played on simultane ously this 28 note maximum applies to all psr 400 psr 500 features including automatic accompaniment song memory the multi pads etc if more than 28 notes are played at any one time the extra notes will not sound and cfull will appear on the multi display to indicate that the maximum po lyphony has been exceeded p.40
- Nations of two or more voices these voices therefore only allow half or less the normal 28 note maximum the follow ing is a list of the number of voices used by each of the psr 400 psr 500 voices p.40
- Appendix в polyphony p.40
- И i i p.40
- Voice polyphony list p.40
- Yamaha is not responsible for damage caused by improper use p.41
- Service and modifications p.41
- Problem p.41
- Location p.41
- Interference through electromagnetic fields p.41
- Handling p.41
- Cleaning p.41
- Appendix d maintenance p.41
- Appendix c troubleshooting p.41
- Voices p.42
- Auxiliary jacks p.42
- Turn the power on while holding both the custom p.42
- Appendix e system reset specifications p.42
- Turn the power off p.42
- Accompaniment styles p.42
- The multi display should appear as shown below p.42
- Ac power adaptor p.42
- Supplied accessories p.42
- Abnormal operation procedures and other problems can p.42
- Speakers 4 p.42
- Record end and clear buttons p.42
- Rated voltage p.42
- Other controls p.42
- Main amplifiers p.42
- Keyboard p.42
- Indicating that the system reset has been successful p.42
- Dimensions w x p.42
- Demonstrations p.42
- Cause the psr 400 psr 500 system to lock up or malfunc tion normally simply turning the power off and then on again will solve the problem if turning the power off and on docs not restore normal operation use the system reset proce dure described below all page memory data is initialized when a system reset is executed see page 14 p.42
- Weight p.42
- Batteries p.42
- О о о p.44
- Midi implementation chart p.44
- Warning chemical content notice p.45
- Important notice do not modify this unit p.45
- Important message p.45
- Important p.45
- Fcc information u s a p.45
- Do not remove any enclosure components p.45
- The netherland p.46
- Norway p.46
- Yamaha scandinavia ab p.46
- Yamaha music latin america corp p.46
- Countries and trust territories in pacific ocean p.46
- Union of soviet socialist republics p.46
- Para detalles sobre los productos póngase en contacto con nuestra subsidiaria o distribuidor autorizado enumerados a continuación p.46
- Israel p.46
- Yamaha music benelux b v verkoop administratie p.46
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- Tom lee music co ltd p.46
- Panama p.46
- Inkel corporation ltd p.46
- Yamaha music benelux b v administration des ventes p.46
- Brasil p.46
- The united kingdom ireland p.46
- Pall h pälsson p.46
- Indonesia p.46
- The people s republic of china and other asian countries p.46
- Other latin american countries and caribbean countries p.46
- Iceland p.46
- Yamaha music austria gmbh p.46
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- Hong kong p.46
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- Head office p.46
- Yamaha music asia pte ltd p.46
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- Taiwan p.46
- North america p.46
- Greece p.46
- Yamaha kemble music u k ltd p.46
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- Sweden p.46
- New zealand p.46
- Germany switzerland p.46
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- For details of products please contact our nearest subsidiary or the authorized distributor listed below p.46
- Yamaha de panama s a p.46
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- Yamaha musique france division export p.46
- Fazer music inc p.46
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- Yamaha musique france division claviers p.46
- Europe p.46
- Yamaha corporation electronic musical instrument division p.46
- Pour plus de détails sur les produits veuillez vous adresser au concessionnaire distributeur pris dans la liste suivante le plus proche de chez vous p.46
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- East european countries except hungary p.46
- Yamaha corporation asia oceania group p.46
- Portugal p.46
- Yamaha musica italia s p a home keyboard division p.46
- Die einzelheiten zu produkten sind bei unseren unten aufge führten niederlassungen und vertragshändlern in den jeweiligen bestimmungsländern erhältlich p.46
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- Important p.47
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FEATURE REFERENCE AUTO ACCOMPANIMENT A different accompaniment style can be selected at any time while the accompaniment is playing The style number display will change as soon as the selection is made but the new style will begin playback from the top of the next measure The tempo will not change when the new style begins playing The NORMAL and BRIDGE Variations Each style has two main variations NORMAL and BRIDGE If the NORMAL or BRIDGE button is pressed while the rhythm is playing the corresponding variation will begin from the top of the next measure You can also select NORMAL or BRIDGE before starting the accompaniment o NOAMAL Adding Fill ins The PSR 400 and PSR 500 provide two types of fill ins rhythmic variations one which leads to the NORMAL variation and one which leads to the BRIDGE variation Press the FILL IN 1 button at any time while the accom paniment is playing to add a short fill in and go to or return to the NORMAL variation or press the FILL IN 2 button to add a short fill in and go to or return to the BRIDGE variation The NORMAL indicator will flash while FILL IN 1 plays and the BRIDGE indicator will flash while FILL IN 2 plays You can change the variation that will begin playing after the fill in by pressing the desired variation button while the indicator is still flashing BRIDGE Starting the Accompaniment with an Introduction Any of the PSR 400 PSR 500 accompaniment patterns can be started with an appropriate introduction by pressing the INTRO button and then the START STOP button o INTRO START STOP Once the INTRO button is pressed the INTRO indi cator will be lit continuously and the NORMAL or BRIDGE indicator will flash to indicate which variation will play when the introduction has finished You can change the destination variation by pressing the NOR MAL or BRIDGE button while its indicator is flashing When the introduction ends the INTRO indicator will go out and the NORMAL or BRIDGE indicator will light continuously It is possible to start the accompaniment from any variation even the ending by pressing the corresponding button prior to pressing the START STOP button The destination NORMAL or BRIDGE variation can be selected in the normal way If the INTRO FILL IN FILL IN 2 or ENDING pattern is selected prior to pressing the START STOP button and then the same button is pressed again or the currently flashing NOR MAL or BRIDGE button is pressed its indicator will go out and the destination NORMAL or BRIDGE pattern indicator will light continuously Once started the accompaniment will then begin directly from the NORMAL or BRIDGE pattern The INTRO button can be used to select the introduction pattern even while the accompaniment is playing If you hold the FILL IN 1 or FILL IN 2 button the fill in pattern will repeat until the button is released then the NORMAL or BRIDGE variation will begin from the beginning of the next measure If the FILL IN 1 or FILL IN 2 button is pressed during the last 1 4 note of a measure the fill in will begin from the first beat of the next measure If pressed at any other time the fill in will begin immediately It is also possible to start the accompaniment with a fill in by pressing the desired FILL IN button prior to pressing the START STOP button The destination NORMAL or BRIDGE variation can be selected in the normal way Stopping the Accompaniment An accompaniment in progress can be stopped immedi ately by pressing the START STOP button or the SYNC START ON OFF RHYTHM STOP button In the latter case the synchro start mode will be engaged when the accompaniment stops The accompaniment can also be stopped with an appropriate ending by pressing the ENDING button o E NDING iVNC SW ON OFF RHYTHM STOP STARI STOP The ending will begin from the first beat of the next measure If the FILL IN 1 or FILL IN 2 button is pressed while the ending pattern is playing a fill in will be played followed by a return to the normal or bridge pattern 17
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