M-Audio Wizoo Latigo [23/34] Mute mode
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Latigo • User Guide 4
25
English
Mute Mode
The Mute Keys (the yellow keys on the Color Keyboard) are very valuable performance and mixing tools and
can behave in various ways.
• Toggle: In Toggle mode Tracks are alternately muted and unmuted
each time a Mute Key is played.
• Held: In Held mode Tracks are only muted for the length of time that
a Mute Key is depressed and held.
• Released: All Tracks are muted by default and only play when a Mute
Key is depressed and held.
• Velocity: When a Mute Key is played via your MIDI keyboard with a
velocity of less than 64 the Track is muted and remains muted until a
value of more than 64 is played on that Mute Key.
Sync Mode
The Sync Mode setting determines how Latigo responds to your host application and MIDI notes played.
• Off: Latigo immediately plays from beat one at your host application
tempo when a MIDI note or Color Keyboard note is received.
Although your host application and Latigo run at the same tempo
their song and beat positions are not in sync.
• Self: As in the Off mode, Latigo syncs to your host application tempo
but not to it’s bar position. Once Latigo is playing, sync between
Patterns is maintained, rather than triggering from the start of each
note received.
• Host: Latigo syncs to the host application’s tempo and bars/beats.
Pattern Change
The two options under this headline determine how Latigo changes patterns and places fills.
< Quantize
This option determines how quickly Latigo will change Patterns when
you “play” a pattern change – i.e. by sending a MIDI note or click the
Color Keyboard. With a setting of 4th Latigo will wait until the next
quarter note of the bar before continuing with the new Pattern.
< Bar Length
It’s theoretically possible - and can by the way yield very interesting
results – to combine parts of different time signatures. In such a case,
Latigo needs to know which time signature it is supposed to use globally
– it uses this information for operations such as pattern changes or
determining length of fills.
By changing this parameter, you can define one of the available time
signatures as the global time signature, this way forcing all above
mentioned operations to the signature you’ve set.
The Bar Length setting applies for the current style only – when you load
a new style, it will be updated with this styles’ setting.
This parameter is “hidden away” on the Setup page because it is a
very sensitive parameter that you should leave unchanged unless you
perfectly know what you’re doing and only when you create your own
user styles.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to latigo 1
- Installing latigo mac 2
- Installing latigo pc 2
- Product certification 2
- Product certification 2
- To install latigo on a macintosh 2
- To install latigo on a pc 2
- To uninstall latigo on a macintosh 2
- To uninstall latigo on a pc 2
- Uninstalling latigo mac 2
- Uninstalling latigo pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- Off line certification 3
- On line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing latigo s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- What is a pattern 15
- Working in surround 15
- Arranging with latigo 16
- Moving patterns 16
- Naming a pattern 16
- The pattern selector 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Setting play modes 17
- Using key commands 17
- Using the mouse wheel 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Selecting parts 18
- Special options in the part menu 18
- English 19
- The part parameters 19
- Performing with latigo 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Clay ostwald 25
- Default midi cc assignments 25
- Edwin bonilla 25
- English 25
- Olbin burgos 25
- Percussion 25
- Producer 25
- Save as defaults 25
- The producer and percussionists 25
- Agogos 26
- Bongos 26
- Cabasa 26
- Caxixi 26
- The instruments 26
- Claves 27
- Congas including quinta 27
- Cowbell 27
- Djembe 27
- English 27
- Maracas 28
- Pandeiros 28
- Quinta 28
- Reco reco 28
- English 29
- Repenique 29
- Samba whistle 29
- Shaker 29
- Shekere 29
- Tambora 29
- Timbales 29
- Drum kit 30
- Hi hat 30
- Sticks 30
- Triangle 30
- Wataki 30
- A crash is a metallic cymbal ranging in size from 6 22 inches and is usually played in fills or to accentuate important beats most drum kits include a number of crashes of various sizes and tones 31
- A drum kit will normally include some rack toms mounted above the kick drum ranging in size from 6 18 inches and a floor tom from14 20 inches which is supported by it s own legs toms are cylindrical drums with either one or two heads and are generally used for fills or occasional rhythmic patterns 31
- English 31
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 31
- Latigo user guide 31
- Style information 31
- English 32
- English 33
- Latigo user guide 33
- Additional graphic design 34
- Audio preparation 34
- Credits 34
- D instrument rendering 34
- Head of development 34
- Percussion recordings 34
- Producers 34
- Support 34
- Trademarks 34
- User interface design and 34
- Virtual instrument 34
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