M-Audio Wizoo Latigo [28/34] Maracas
![M-Audio Wizoo Latigo [28/34] Maracas](/views2/1019687/page28/bg1c.png)
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3 English
Guiro
The Guiro is a scraper traditionally made from a dried hollowed out calabash
gourd with parallel notches cut into one side. The stem end is removed to
allow the sound to escape and two holes are usually drilled into one side
to be used as a grip for the thumb and index finger. Rubbing a wooden
stick along the notched ribs of the Guiro produces the distinctive scraping
‘zipper’ sound. Guiro’s come in many shapes, sizes and materials including
the metallic Guira used in the Dominican Republic to play merengues, or the
Venezuelan Charrasca.
Maracas
A pair of rattles traditionally made from calabash gourds attached to wooden
handles with the dry seeds still loose inside, the Maracas of today can be
made from lathe-turned wood, coconuts, wood, pottery, plastic or leather
and can be filled with dried seeds, pebbles, beads or dried beans. One
Maraca is often pitched higher than the other (usually by altering the amount
of fill) and are shaken alternatively, because the seeds must travel some
distance before they strike the gourd, the player cannot shake them on the
beat, but must anticipate. Plastic shelled maracas tend to have a brighter,
cutting sound, the more popular stitched leather models (resembling large
baseballs) have a deeper, softer sound.
Pandeiros
Pandeiros are Brazilian frame drum tambourines, larger than western
tambourines, they have a tunable skin and large jingles (which are inverted
towards each other) and are made of soft metals producing a more subdued
tone than a usual tambourine. Similar to the Bongos, the Pandeiro playing
technique uses the hand’s palm, fingertips and thumb.
Quinta
See ‘Congas’ above.
Reco Reco
The Reco Reco is a Brazilian rasp or scratcher, similar to the Guiro and is
played by rubbing a metal bar across a pair of springs. Reco Reco’s can also
be made from a variety of other materials such as metal, bamboo or gourds.
The Reco Reco takes the offbeat, countering the Ganza.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to latigo 1
- Installing latigo mac 2
- Installing latigo pc 2
- Product certification 2
- Product certification 2
- To install latigo on a macintosh 2
- To install latigo on a pc 2
- To uninstall latigo on a macintosh 2
- To uninstall latigo on a pc 2
- Uninstalling latigo mac 2
- Uninstalling latigo pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- Off line certification 3
- On line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing latigo s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- What is a pattern 15
- Working in surround 15
- Arranging with latigo 16
- Moving patterns 16
- Naming a pattern 16
- The pattern selector 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Setting play modes 17
- Using key commands 17
- Using the mouse wheel 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Selecting parts 18
- Special options in the part menu 18
- English 19
- The part parameters 19
- Performing with latigo 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Clay ostwald 25
- Default midi cc assignments 25
- Edwin bonilla 25
- English 25
- Olbin burgos 25
- Percussion 25
- Producer 25
- Save as defaults 25
- The producer and percussionists 25
- Agogos 26
- Bongos 26
- Cabasa 26
- Caxixi 26
- The instruments 26
- Claves 27
- Congas including quinta 27
- Cowbell 27
- Djembe 27
- English 27
- Maracas 28
- Pandeiros 28
- Quinta 28
- Reco reco 28
- English 29
- Repenique 29
- Samba whistle 29
- Shaker 29
- Shekere 29
- Tambora 29
- Timbales 29
- Drum kit 30
- Hi hat 30
- Sticks 30
- Triangle 30
- Wataki 30
- A crash is a metallic cymbal ranging in size from 6 22 inches and is usually played in fills or to accentuate important beats most drum kits include a number of crashes of various sizes and tones 31
- A drum kit will normally include some rack toms mounted above the kick drum ranging in size from 6 18 inches and a floor tom from14 20 inches which is supported by it s own legs toms are cylindrical drums with either one or two heads and are generally used for fills or occasional rhythmic patterns 31
- English 31
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 31
- Latigo user guide 31
- Style information 31
- English 32
- English 33
- Latigo user guide 33
- Additional graphic design 34
- Audio preparation 34
- Credits 34
- D instrument rendering 34
- Head of development 34
- Percussion recordings 34
- Producers 34
- Support 34
- Trademarks 34
- User interface design and 34
- Virtual instrument 34
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