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M-Audio Wizoo Latigo [32/34] English
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34
3 English
Style Category Original Tempo Scenes Additional Info
Guaguanco Afro-Cuban 95 Guaguanco
Timba
The Guaguanco is an Afro Cuban rhythm which
forms part of the Rumba family. This rhythm
section is unique in that it employs three conga
players: the Tumbadora, the Segundo and the
Quinto.
Salsa See ‘Guaguanco Above’.
Mambo See ‘Guaguanco Above’.
Mozambique A Carnival style Afro Cuban rhythm created
in Cuba during the early sixties by Pello el
Afrokan.
Bossa Nova Brazilian 100 Bossa Nova This musical style is a prime example of
modernization in Latin American popular music
and because of its impact on other countries,
most notably the United States.
Samba Fast Brazilian 115 Samba The word Samba is Portuguese and was
derived from “Sembe”, a word common to
many west African languages such as the
“Bantu” language brought to Brazil during the
17-19th centuries by the African slaves. The term
refers to praying or invoking the spirits of the
ancestors or gods with a cry, something like
the Blues.
Samba Slow Brazilian 90 Samba See ‘Samba Fast’.
Calypso Fast Caribbean 120 Calypso The indigenous music of the people of Trinidad
and Tobago. Calypso’s roots go back to the
African slaves brought to these Islands to work
on the large sugar plantations.
Calypso Slow Caribbean 85 Calypso See ‘Calypso Fast’.
Merengue Fast Caribbean 120 Merengue The Merengue is a music form for dance,
most typically associated with the Dominican
Republic.
Bolero CubanDance 85 Bolero An Afro Cuban ballad form with a slow tempo
and a mostly romantic lyric content. Pepe
Sanchez has been credited with creating the
Cuban Bolero in 1885 with a composition called
“Tristeza”.
Cha Cha Cha CubanDance 120 Cha Cha Cha A dance and musical style evolving from
the Danzon style. “Engañadora”, by Cuban
bandleader Enrique Jorrin, is generally
considered to be the first Cha Cha Cha in 1953.
Son Montuno The most influential Cuban style initiated in the
second half of the 19th century in the eastern
province of Oriente. It combines Spanish
elements and instruments of the “Cancion” style
with African rhythms and percussion.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to latigo 1
- Installing latigo mac 2
- Installing latigo pc 2
- Product certification 2
- Product certification 2
- To install latigo on a macintosh 2
- To install latigo on a pc 2
- To uninstall latigo on a macintosh 2
- To uninstall latigo on a pc 2
- Uninstalling latigo mac 2
- Uninstalling latigo pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- Off line certification 3
- On line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing latigo s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- What is a pattern 15
- Working in surround 15
- Arranging with latigo 16
- Moving patterns 16
- Naming a pattern 16
- The pattern selector 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Setting play modes 17
- Using key commands 17
- Using the mouse wheel 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Selecting parts 18
- Special options in the part menu 18
- English 19
- The part parameters 19
- Performing with latigo 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Clay ostwald 25
- Default midi cc assignments 25
- Edwin bonilla 25
- English 25
- Olbin burgos 25
- Percussion 25
- Producer 25
- Save as defaults 25
- The producer and percussionists 25
- Agogos 26
- Bongos 26
- Cabasa 26
- Caxixi 26
- The instruments 26
- Claves 27
- Congas including quinta 27
- Cowbell 27
- Djembe 27
- English 27
- Maracas 28
- Pandeiros 28
- Quinta 28
- Reco reco 28
- English 29
- Repenique 29
- Samba whistle 29
- Shaker 29
- Shekere 29
- Tambora 29
- Timbales 29
- Drum kit 30
- Hi hat 30
- Sticks 30
- Triangle 30
- Wataki 30
- A crash is a metallic cymbal ranging in size from 6 22 inches and is usually played in fills or to accentuate important beats most drum kits include a number of crashes of various sizes and tones 31
- A drum kit will normally include some rack toms mounted above the kick drum ranging in size from 6 18 inches and a floor tom from14 20 inches which is supported by it s own legs toms are cylindrical drums with either one or two heads and are generally used for fills or occasional rhythmic patterns 31
- English 31
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 31
- Latigo user guide 31
- Style information 31
- English 32
- English 33
- Latigo user guide 33
- Additional graphic design 34
- Audio preparation 34
- Credits 34
- D instrument rendering 34
- Head of development 34
- Percussion recordings 34
- Producers 34
- Support 34
- Trademarks 34
- User interface design and 34
- Virtual instrument 34
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