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M-Audio Wizoo Latigo [31/34] Style information
![M-Audio Wizoo Latigo [31/34] Style information](/views2/1019687/page31/bg1f.png)
Latigo • User Guide 4
33
English
< Toms
A drum kit will normally include some rack toms mounted above the kick drum
ranging in size from 6-18 inches and a floor tom from14-20 inches which is
supported by it’s own legs. Toms are cylindrical drums with either one or two
heads and are generally used for fills or occasional rhythmic patterns.
< Crash
A crash is a metallic cymbal ranging in size from 6-22 inches and is usually
played in fills or to accentuate important beats. Most drum kits include a
number of crashes of various sizes and tones.
Style Information
“Iqaà” means rhythm and rhythms play a very important role in the Arab, Turkish and Nubian cultures. Whether
it’s work, celebration, mourning, dancing, praying, religious rites or ceremonies everything in everyday life has
a connection with rhythm.
Style Category Original Tempo Scenes Additional Info
Afro-Cuban Mix Afro-Cuban 120 Afro-Cuban
6/8
These are variations of the 6/8 and 12/8
rhythms of Afro-Cuban heritage. Some rhythms
emphasize the 6/8 feel, some a 12/8 feel and
some players will feel the emphasis of the 1/4
notes, musicians usually refer to the general
triplet feel as a “6/8 feel”.
Palo A rhythm commonly used for sacred
ceremonies in the Afro Cuban religion of “Palo”
and “Lucumi”.
Abacua Commonly used for sacred ceremonies of the
Afro Cuban “Abacua” religion.
Afro-Cuban
12/8
As above in Afro-Cuban 6/8.
Mongo Dedicated to Mongo Santamaria.
Bembe Often played for the party of the “Orichas”,
Gods of the Afro Cuban religion in the “Yoruba”
language.
Columbia Afro-Cuban 100 Columbia An Afro Cuban rhythm played as a 6/8 type
feel. One of the three main Rumba styles.
Comparsa Afro-Cuban 120 Comparsa These are from a musical gathering, dance or
parade taking place primarily during the Cuban
‘Carnival’. Comparsa can also refer to the
specific musical group which plays the ‘Conga”
during Carnival.
Cucuye Afro-Cuban 120 Cucuye Traditional Afro-Cuban dance and music used
in the carnivals, particularly in Cuba’s eastern
region.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to latigo 1
- Installing latigo mac 2
- Installing latigo pc 2
- Product certification 2
- Product certification 2
- To install latigo on a macintosh 2
- To install latigo on a pc 2
- To uninstall latigo on a macintosh 2
- To uninstall latigo on a pc 2
- Uninstalling latigo mac 2
- Uninstalling latigo pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- Off line certification 3
- On line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing latigo s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- What is a pattern 15
- Working in surround 15
- Arranging with latigo 16
- Moving patterns 16
- Naming a pattern 16
- The pattern selector 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Setting play modes 17
- Using key commands 17
- Using the mouse wheel 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Selecting parts 18
- Special options in the part menu 18
- English 19
- The part parameters 19
- Performing with latigo 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Clay ostwald 25
- Default midi cc assignments 25
- Edwin bonilla 25
- English 25
- Olbin burgos 25
- Percussion 25
- Producer 25
- Save as defaults 25
- The producer and percussionists 25
- Agogos 26
- Bongos 26
- Cabasa 26
- Caxixi 26
- The instruments 26
- Claves 27
- Congas including quinta 27
- Cowbell 27
- Djembe 27
- English 27
- Maracas 28
- Pandeiros 28
- Quinta 28
- Reco reco 28
- English 29
- Repenique 29
- Samba whistle 29
- Shaker 29
- Shekere 29
- Tambora 29
- Timbales 29
- Drum kit 30
- Hi hat 30
- Sticks 30
- Triangle 30
- Wataki 30
- A crash is a metallic cymbal ranging in size from 6 22 inches and is usually played in fills or to accentuate important beats most drum kits include a number of crashes of various sizes and tones 31
- A drum kit will normally include some rack toms mounted above the kick drum ranging in size from 6 18 inches and a floor tom from14 20 inches which is supported by it s own legs toms are cylindrical drums with either one or two heads and are generally used for fills or occasional rhythmic patterns 31
- English 31
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 31
- Latigo user guide 31
- Style information 31
- English 32
- English 33
- Latigo user guide 33
- Additional graphic design 34
- Audio preparation 34
- Credits 34
- D instrument rendering 34
- Head of development 34
- Percussion recordings 34
- Producers 34
- Support 34
- Trademarks 34
- User interface design and 34
- Virtual instrument 34
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