![M-Audio Pro Tools M-Powered 7 [5/22] Home stereo systems often use rca connec tors you can use an adaptor or a special ca ble to convert from the trs or ts connectors used on some m audio interfaces to the rca connectors on your home stereo](/img/pdf.png)
M-Audio Pro Tools M-Powered 7 [5/22] Home stereo systems often use rca connec tors you can use an adaptor or a special ca ble to convert from the trs or ts connectors used on some m audio interfaces to the rca connectors on your home stereo
![M-Audio Pro Tools M-Powered 7 [5/22] Home stereo systems often use rca connec tors you can use an adaptor or a special ca ble to convert from the trs or ts connectors used on some m audio interfaces to the rca connectors on your home stereo](/views2/1789448/page5/bg5.png)
Getting Sound In and Out of your M-Audio Interface
3
When connecting to a stereo system, connect
the left channel (often the white plug) to the
first output, and right channel (often the red
plug) to the second output.
The first and second outputs play the audio that
is routed to analog outputs 1 and 2 within
Pro Tools.
Connecting Audio Inputs
Depending on which M-Audio interface you
have, the inputs will be 1/4-inch, RCA, or a 1/4-
inch and XLR combination plug for micro-
phones
and
for instruments that usually have a
lower level (such as guitars).
For information about connecting specific au-
dio sources, see “Connecting a Microphone to
Your M-Audio Interface” on page 4, and “Con-
necting Instruments to an M-Audio Interface”
on page 6.
For stereo inputs, use the first input for the left
input, and the second input for the right input.
For additional stereo inputs, use subsequent in-
put pairs, if available.
Home stereo systems often use RCA connec-
tors. You can use an adaptor or a special ca-
ble to convert from the TRS or TS connectors
(used on some M-Audio interfaces) to the
RCA connectors on your home stereo.
1/4-inch stereo outputs on a FireWire 1814
1/4-inch stereo (monitor) outputs on an Audiophile 192
RCA stereo outputs on an Audiophile 2496
Output 2
(right output)
Output 1
(left output)
Monitor Left
(left output)
Monitor Right
(right output)
Analog Out 2
(right output)
Analog Out 1
(left output)
Содержание
- Basics 1
- Pro tools m powered 1
- Copyright 2
- Introduction 3
- M powered basics requirements 3
- Online resources 3
- Connecting a sound system 4
- Connecting headphones 4
- Getting sound in and out of your m audio interface 4
- Connecting audio inputs 5
- Home stereo systems often use rca connec tors you can use an adaptor or a special ca ble to convert from the trs or ts connectors used on some m audio interfaces to the rca connectors on your home stereo 5
- Connecting a microphone 6
- Connecting a microphone to your m audio interface 6
- Mic cables and connectors 6
- Phantom power 6
- If your m audio interface has a mic line se lector press it to its out position 7
- If your m audio interface has a mic line switch press it to its out position 7
- If your m audio interface has a signal gain control carefully turn the input control to the right to increase the input level of your micro phone signal 7
- If your microphone requires phantom power make sure the microphone is connected then press the phantom power switch on your m au dio interface this switch sends 48v to 7
- Mic input the phantom power led on your m au dio interface will light when phantom power is being supplied 7
- Plug the 1 4 inch connector from your micro phone into one of the mic or mic inst 1 4 inch inputs on your m audio interface 7
- To use a microphone that has a 1 4 inch connector 7
- Connecting instruments 8
- Connecting instruments to an m audio interface 8
- A mono instrument uses one input on an m audio interface and a stereo instrument uses two creating a stereo track in pro tools will not make a mono instrument into a stereo instrument if a mono instru ment is recorded on a stereo track one of the sides of the stereo track will show no signal 10
- Recording a pro tools session 10
- Click play in the transport window or press the spacebar to start playback 11
- Click record enable in the transport window to arm pro tools for recording the record but ton flashes red to indicate that pro tools is ready to record 11
- Click stop in the transport window or press the spacebar to stop playback 11
- Click stop in the transport window or press the spacebar when you are finished recording 11
- Click the track record enable button 11
- Clipping occurs when you feed a signal to an audio device that is louder than the circuitry can accept to avoid clipping adjust the signal gain control if any if the m audio interface has front panel clip leds adjust the gain to a level where the peak leds do not light 11
- From the pop up menu select the interface in put you want to record for example select mic line 1 if your audio source is plugged into the first input of your m audio interface 11
- If the track s record enable button is lit click on it to take it out of record mode 11
- Play the instrument or sound source at the volume you will record 11
- Record your performance 11
- To play back a recorded track 11
- To record an audio track 11
- Transport to display the transport window click return to zero to go to the beginning of the session 11
- Use the signal gain controls on your m audio interface if any to maximize the signal going into pro tools while avoiding clipping 11
- When you are ready to start recording click play or press the spacebar 11
- Importing audio from a cd 12
- Bouncing audio to disk 14
- Creating an audio cd from a pro tools session 14
- Burning a cd 15
- Make certain that you configure your cd burning application to create an audio cd rather than a data cd 15
- M powered and midi 16
- Other m audio interfaces such as audio phile 192 include midi ports 16
- Recording midi on an instrument track 16
- Refer to your m audio interface guide for details 16
- Some m audio interfaces such as ozone and ozonic are also a midi keyboard with midi ports 16
- What is midi 16
- If your connected midi device does not ap pear check that you have configured your computer and its midi settings for more information refer to the 17
- Computers with slower cpus may not be able to use the 128 sample buffer size with out encountering performance errors 20
- Controlling delay latency during monitoring 20
- If you are monitoring the recording source with an external mixer before it is routed to pro tools you will not hear any latency 20
- M audio control panel mixer 20
- Pro tools hardware buffer 20
- You can leave the m audio control panel open while working in pro tools m powered 21
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