Behringer V-AMP3 [10/18] Amp descriptions
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Behringer V-AMP3 [10/18] Amp descriptions

Behringer V-AMP3 [10/18] Amp descriptions
10 VIRTUAL AMPLIFICATION V-AMP 3 User Manual
V-AMP 3 Preset Chart
Bank A Preset B Preset C Preset D Preset E Preset
Single-coil
pickups
1 acoustic ambienc 1 clean reverb 2 blackface dry 3 calif. compressed 4 clean comp+CH+RV 5
2 crunch rhythm 6 windmill rhythm 7 EL34power crunch 8 british crunch 9 british solo 10
3 tight rhythm 11 tight hi octane 12 80s metallic 13 90s metallic 14 80s harmonics 15
4 break da blues 16 crunch a blues 17 blisteringblue 18 american hot 19 brit rotary 20
Humbucker
pickups
5 ACOUSTIC AMBIENC 21 CLEAN REVERB 22 BLACKFACE DRY 23
CALIF.
COMPRESSED
24
CLEAN
COMP+CH+RV
25
6 CRUNCH RHYTHM 26 WIND MILL RHYTHM 27 EL34 POWR CRUNCH 28 BRITISH CRUNCH 29 BRITISH SOLO 30
7 TIGHT RHYTHM 31 TIGHT HI OCTANE 32 80s METALLIC 33 90s METALLIC 34 80s HARMONICS 35
8 BREAK da BLUES 36 CRUNCH a BLUES 37 BLISTERING BLUE 38 AMERICAN HOT 39 BRIT ROTARY 40
Single-coil
pickups
9 acoustic ambienc 41 clean reverb 42 blackface dry 43 calif. compressed 44 clean comp+CH+RV 45
10 crunch rhythm 46 windmill rhythm 47 EL34power crunch 48 british crunch 49 british solo 50
11 tight rhythm 51 tight hi octane 52 80s metallic 53 90s metallic 54 80s harmonics 55
12 break da blues 56 crunch a blues 57 blisteringblue 58 american hot 59 brit rotary 60
Humbucker
pickups
13 ACOUSTIC AMBIENC 61 CLEAN REVERB 62 BLACKFACE DRY 63
CALIF.
COMPRESSED
64
CLEAN
COMP+CH+RV
65
14 CRUNCH RHYTHM 66 WIND MILL RHYTHM 67 EL34 POWR CRUNCH 68 BRITISH CRUNCH 69 BRITISH SOLO 70
15 TIGHT RHYTHM 71 TIGHT HI OCTANE 72 80s METALLIC 73 90s METALLIC 74 80s HARMONICS 75
16 BREAK da BLUES 76 CRUNCH a BLUES 77 BLISTERING BLUE 78 AMERICAN HOT 79 BRIT ROTARY 80
Acoustic
guitars
17 acoustic 1 81 acoustic 2 82 acoustic 3 83 acoustic 4 84 acoustic 5 85
18 acoustic 6 86 acoustic 7 87 acoustic 8 88 acoustic 9 89 acoustic 10 90
Bass guitars
19 BASS 1 91 BASS 2 92 BASS 3 93 BASS 4 94 BASS 5 95
20 BASS 6 96 BASS 7 97 BASS 8 98 BASS 9 99 BASS 10 100
Studio
session
21 StudioRockStack 101 StudioRockStack+ 102 StudioRockStack2 103 StudioRockStack3 104 StudioRockStack4 105
22 StudioRockStaFX 106 StudioRockStaFX+ 107 StudioRockStaFX2 108 StudioRockStaFX3 109 StudioRockStaFX4 110
23 SessionCombo1 111 SessionCombo2 112 SessionCombo3 113 SessionCombo4 114 SessionCombo5 115
24 SessionComFX1 116 SessionComFX2 117 SessionComFX3 118 SessionComFX4 119 SessionComFX5 120
Extreme
sounds
25 weirdo 1 121 weirdo 2 122 weirdo 3 123 weirdo 4 124 weirdo 5 125
Amp Descriptions
CLEAN
TUBE PREAMP: Sound engineers were quick to recognize the appeal of
tubes. They used tube amps to add warmth to all kinds of sounds. By default,
thisamp model does not use a speaker simulation, and can be used with vocals,
butadding a speaker cab produces good clean tones for guitar as well.
SMALL COMBO: This model is based on one of the most simple yet eective
guitar amps of all time, the Fender Champ. Being as small as it is, you can easily
take it beyond its clean range, and the Champ rewards you with compression
and rich distortion. Originally designed for beginners, the amp soon became a
favorite of many guitar acionados due to its amazing distortion at manageably
low volume.
CLASSIC CLEAN: Back in the 80s, the Roland JC-120 was the preferred sound of
Buzzy Feiten, guitarist for the Dave Weckl Band. The unique quality of this amp is
the way its brilliance cuts through any mix. It is ideal for the New Wave sound of
the 80s that is making a comeback today.
TWEED COMBO: This was Je Beck’s favorite when he recorded the albums
Blow by Blow and Wired. This amp was not actually designed for heavy
distortion, butdue to its low power, it is ideal for uncompromising overdrive.
The Tweed Champ had a volume control, but no EQ control. If you want to get
the most authentic sound out of this amp, keep the EQ on your V-AMP 3 in the
mid position.
CLEAN V-AMP: Here we have managed to simulate the sound of a Roland JC-120
and combine it with our BRIT CLASSIC model. The result blends the brilliance of
a transistor amp with the cutting power of a Marshall Plexi. The Marshall cut
appears when you turn the GAIN control clockwise.
CALIFORNIA CLEAN: This model is based on the clean channel of the Mesa
Boogie Mark II C. It sounds like a Fender, but has more punch in the midrange.
BLACK TWIN: This simulation was modeled on a Fender Blackface Twin from
1965. In the ‘60s, this amp was used by jazz, country, and even rock guitarists.
The Blackface Twin was unique for being exceptionally loud while the amount of
distortion remained relatively low.
CUSTOM CLEAN: This model simulates the clean channel from a Dumble,
anexpensive boutique amp. The clean sound really cuts through, especially when
used with compressor attack settings around 2 milliseconds.
BLUES
AMERICAN: This virtual amp is modeled on the Fender Bassman 4 x 10 Combo.
Originally designed as a bass amp, it soon became a standard amp of blues
legends such as Steve Ray Vaughan and Billy Gibbons due to its characteristic
distortion. As you would expect, it packs a solid punch in the bass range,
but is still exible enough in the mid and treble ranges.
FUZZ BOX: This sound is not actually based on any one amp, but instead
simulates a particular fuzz box. Jimi Hendrix was one of the rst guitarists
to recognize the potential in this legendary broadband transistor distortion.
Thehumming distortion sound of the FUZZ BOX has returned to popularity with
Alternative Rock and Grunge.
DELUXE BLUES: A synthesis of a 1960 Fender Blackface Deluxe and a ‘50s Fender
Bassman. The result is a crystal clear sound that still simulates the edge of the
vintage amps. The EQ controls on this model give you even greater scope than the
EQ controls on the original amp.
V-AMP DRIVE: This simulation is based on the Mesa Boogie Mark III, a more
modern high-gain lead amp. This model produces a smooth and precise tone
with plenty of drive, making it ideal for lead guitar work.

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