![Behringer V-AMP3 [5/18] Controls and connectors](/img/pdf.png)
Behringer V-AMP3 [5/18] Controls and connectors
![Behringer V-AMP3 [5/18] Controls and connectors](/views2/2008353/page5/bg5.png)
5 VIRTUAL AMPLIFICATION V-AMP 3 User Manual
Controls and Connectors
Front panel
(1) GAIN: Adjusts the distortion level of an amp simulation.
(2) TREBLE: Adjusts the upper frequencies of the guitar tone.
(3) MID: Adjusts the mid range frequencies.
(4) BASS: Adjusts the low frequencies.
(5) VOLUME: Adjusts the volume level of the current preset. This will allow you
to keep the volume even between various presets.
(6) MASTER: Adjusts the overall output to the PHONES and LINE OUT.
(7) AMPS: Selects the amp simulation. Hold the TAP button while turning the
AMPS knob to select one of the 17-32 amp models (grey lettering).
• Each LED ring around the VOLUME, BASS, MID, TREBLE, GAIN,
EFFECTS and REVERB knobs has nine LEDs. Either one LED or two
neighboring LEDs (in between position) will light on each ring,
indicating a total of 17 positions per knob.
• If the TAP button is held down, the TREBLE knob functions as a
PRESENCE control. This allows you to add or remove a high-end
“shimmer” in the amp tone.
(8) PRESET BUTTONS: Recall saved presets within a bank. These buttons also
select various categories in EDIT mode and allow access to Conguration
mode. (see EDIT mode and Conguration mode sections)
(9) DISPLAY: Displays current bank and preset in play mode. Other LEDs give the
following information:
• TUNER: Displays the pitch of the instrument connected to the unit.
(see TUNING section for more details)
• 17-32: Lights when one of the amp simulations 17-32 is selected.
(10) BANK UP and DOWN: In play mode, use these buttons to scroll through
the banks of presets. Press both buttons simultaneously to enter EDIT mode.
After an edit category has been selected (buttons A – E), use the BANK UP
and DOWN buttons to edit parameters.
(11) TAP: Performs seven functions:
• Tap: Tap this button to the rhythm of the music and the selected
effect will adapt its parameter to the tempo.
• Presence: While holding down the TAP button, use the TREBLE
knob to adjust the PRESENCE setting of the amp simulation.
• 2nd parameter: While holding down the TAP button, use the
EFFECTS knob to adjust the 2nd effects parameter of the selected
effect.
• Amp models 17 – 32: While holding down the TAP button, use the
AMPS knob to select one of the second set of amps (written in grey
lettering).
• MIDI Thru: In EDIT MIDI mode, press the TAP button to change
MIDI OUT to MIDI THRU. (See the MIDI chapter.)
• Drive: In EDIT DRIVE mode, hold the TAP button while turning
the EFFECTS knob to adjust the Wah-Wah effect’s resonance
character.
• Input Gain: in Configuration mode, hold the TAP button
while turning the GAIN knob to adjust the overall input gain.
(See Conguration mode.)
(12) TUNER: Press this button to access the tuner. During tuning mode,
theoutput signal is muted (depending on the VOLUME setting). During EDIT
mode, press this button to exit and return to play mode.
(13) EFFECTS: Selects the eect for the current preset.
(14) EFFECTS SELECT: Adjusts the rst parameter for the selected eect.
Hold the TAP button while turning the EFFECTS knob to adjust the 2nd
eects parameter.
(2)
(3)
(4)
(5)
(6) (9)
(7) (1) (8)
(13)
(14)
(15)
(10)
(12)(11)
Содержание
- User manual 1
- Virtual amplification v amp 3 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Audio connections 4
- Basic operation 4
- Controls and connectors 5
- Front panel 5
- Rear side panel 6
- Operating modes 7
- Edit mode 8
- Live mode 1 2 and 3 8
- Presets 8
- Amp speaker simulation 9
- American this virtual amp is modeled on the fender bassman 4 x 10 combo originally designed as a bass amp it soon became a standard amp of blues legends such as steve ray vaughan and billy gibbons due to its characteristic distortion as you would expect it packs a solid punch in the bass range but is still flexible enough in the mid and treble ranges 10
- Amp descriptions 10
- Bank a preset b preset c preset d preset e preset 10
- Black twin this simulation was modeled on a fender blackface twin from 1965 in the 60s this amp was used by jazz country and even rock guitarists the blackface twin was unique for being exceptionally loud while the amount of distortion remained relatively low 10
- California clean this model is based on the clean channel of the mesa boogie mark ii c it sounds like a fender but has more punch in the midrange 10
- Classic clean back in the 80s the roland jc 120 was the preferred sound of buzzy feiten guitarist for the dave weckl band the unique quality of this amp is the way its brilliance cuts through any mix it is ideal for the new wave sound of the 80s that is making a comeback today 10
- Clean v amp here we have managed to simulate the sound of a roland jc 120 and combine it with our brit classic model the result blends the brilliance of a transistor amp with the cutting power of a marshall plexi the marshall cut appears when you turn the gain control clockwise 10
- Custom clean this model simulates the clean channel from a dumble an expensive boutique amp the clean sound really cuts through especially when used with compressor attack settings around 2 milliseconds 10
- Deluxe blues a synthesis of a 1960 fender blackface deluxe and a 50s fender bassman the result is a crystal clear sound that still simulates the edge of the vintage amps the eq controls on this model give you even greater scope than the eq controls on the original amp 10
- Fuzz box this sound is not actually based on any one amp but instead simulates a particular fuzz box jimi hendrix was one of the first guitarists to recognize the potential in this legendary broadband transistor distortion the humming distortion sound of the fuzz box has returned to popularity with alternative rock and grunge 10
- Small combo this model is based on one of the most simple yet effective guitar amps of all time the fender champ being as small as it is you can easily take it beyond its clean range and the champ rewards you with compression and rich distortion originally designed for beginners the amp soon became a favorite of many guitar aficionados due to its amazing distortion at manageably low volume 10
- Tube preamp sound engineers were quick to recognize the appeal of tubes they used tube amps to add warmth to all kinds of sounds by default this amp model does not use a speaker simulation and can be used with vocals but adding a speaker cab produces good clean tones for guitar as well 10
- Tweed combo this was jeff beck s favorite when he recorded the albums blow by blow and wired this amp was not actually designed for heavy distortion but due to its low power it is ideal for uncompromising overdrive the tweed champ had a volume control but no eq control if you want to get the most authentic sound out of this amp keep the eq on your v amp 3 in the mid position 10
- V amp 3 preset chart 10
- V amp drive this simulation is based on the mesa boogie mark iii a more modern high gain lead amp this model produces a smooth and precise tone with plenty of drive making it ideal for lead guitar work 10
- Virtual amplification v amp 3 user manual 10
- Speaker descriptions 11
- A great complement to the selection of amps and speaker cabinets is the built in multi effects processor you may select from 16 high quality effects such as chorus flanger delay auto wah and many others these effects can be used to thicken up your guitar tone in a subtle way or create extreme and experimental sounds that push your creative limits the standard operating mode of the multi effects processor is stereo but other options are available see configurations section 12
- Amps 1 16 category speaker simulation cabinet 12
- Cabinets 12
- Control with tap 12
- Effect effect effect control 12
- Effects 12
- Effects processor 12
- Push button 12
- Tap push button 12
- Virtual amplification v amp 3 user manual 12
- You can adjust up to 3 parameters for each available effect two of these parameters are adjusted using the effects knob with or without the tap button held down tempo based parameters are adjusted by pressing the tap button at least twice in sync with the music the following table displays the parameter controls for each effect 12
- Effects descriptions 13
- Separate reverb effect 13
- Setting reference pitch a 13
- Tuning your guitar 13
- Wah wah 13
- Activate the midi function and briefly tap the midi button the preset data is transmitted and first filed in the temporary buffer of the receiving v amp 3 14
- Midi connections 14
- Midi in this receives midi controller data the receiving channel can be adjusted in edit mode by pressing the a button and then using the arrow keys 14
- Midi out thru this sends data to a computer or any other device you can transmit both preset data and parameter changes if set to midi thru the v amp 3 does not send its own midi information but passes on the signal received at the midi in connector the tap led lights when the v amp 3 is set to midi thru see the edit mode section for details 14
- Sending receiving midi sysex data 14
- Store the new information in the preset position of your choice using the store function 14
- Switch the transmitting v amp 3 to edit mode by pressing the bank up and down buttons simultaneously 14
- The midi connectors are international standard 5 pin din connectors to connect your device to other midi equipment you will need dedicated midi cables they are commercially available in various standard lengths 14
- The midi standard musical instrument digital interface was developed in the early 80s to enable different makes of electronic instruments to communicate with each other over the years the range of midi applications has constantly expanded and today it is standard practice to network entire recording studios using the midi standard the heart of such a network is a computer with sequencer software that controls not only all the keyboards but also affects other peripheral devices in such a studio setup you can control the v amp 3 in real time from a computer for live performances in particular you can also use a midi foot controller to control both effect parameters and preset changes 14
- The v amp 3 can receive system exclusive data from other midi devices provided that the midi function button a has been activated in edit mode however this means that all presets on your device will be overwritten automatically you can also transmit midi data from your v amp 3 to other devices total dump by switching to edit mode and holding the midi button a until the display reads d the total dump function can be useful for transferring all the stored data from your device to a midi sequencer and storing it there 14
- To exchange individual presets with other devices such as another v amp 3 or a pc 14
- Application 15
- Jamming with a pc using uca222 15
- Latency free home recording using uca222 15
- Live performance with a guitar amplifer 15
- Live performance without a guitar amplifer 15
- Studio recording 15
- Virtual amplification v amp 3 user manual 15
- Online registration 16
- Shipment 16
- Specifications 16
- Federal communications commission compliance information 17
- Virtual amplification v amp 3 17
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