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Behringer V-AMP3 [3/18] Important safety instructions
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3 VIRTUAL AMPLIFICATION V-AMP 3 User Manual
Important Safety
Instructions
LEGAL DISCLAIMER
LIMITED WARRANTY
Terminals marked with this symbol carry
electrical current of su cient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by quali ed service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories speci ed by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.
ALL RIGHTS RESERVED.
© 2013 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.
Содержание
- User manual 1
- Virtual amplification v amp 3 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Audio connections 4
- Basic operation 4
- Controls and connectors 5
- Front panel 5
- Rear side panel 6
- Operating modes 7
- Edit mode 8
- Live mode 1 2 and 3 8
- Presets 8
- Amp speaker simulation 9
- American this virtual amp is modeled on the fender bassman 4 x 10 combo originally designed as a bass amp it soon became a standard amp of blues legends such as steve ray vaughan and billy gibbons due to its characteristic distortion as you would expect it packs a solid punch in the bass range but is still flexible enough in the mid and treble ranges 10
- Amp descriptions 10
- Bank a preset b preset c preset d preset e preset 10
- Black twin this simulation was modeled on a fender blackface twin from 1965 in the 60s this amp was used by jazz country and even rock guitarists the blackface twin was unique for being exceptionally loud while the amount of distortion remained relatively low 10
- California clean this model is based on the clean channel of the mesa boogie mark ii c it sounds like a fender but has more punch in the midrange 10
- Classic clean back in the 80s the roland jc 120 was the preferred sound of buzzy feiten guitarist for the dave weckl band the unique quality of this amp is the way its brilliance cuts through any mix it is ideal for the new wave sound of the 80s that is making a comeback today 10
- Clean v amp here we have managed to simulate the sound of a roland jc 120 and combine it with our brit classic model the result blends the brilliance of a transistor amp with the cutting power of a marshall plexi the marshall cut appears when you turn the gain control clockwise 10
- Custom clean this model simulates the clean channel from a dumble an expensive boutique amp the clean sound really cuts through especially when used with compressor attack settings around 2 milliseconds 10
- Deluxe blues a synthesis of a 1960 fender blackface deluxe and a 50s fender bassman the result is a crystal clear sound that still simulates the edge of the vintage amps the eq controls on this model give you even greater scope than the eq controls on the original amp 10
- Fuzz box this sound is not actually based on any one amp but instead simulates a particular fuzz box jimi hendrix was one of the first guitarists to recognize the potential in this legendary broadband transistor distortion the humming distortion sound of the fuzz box has returned to popularity with alternative rock and grunge 10
- Small combo this model is based on one of the most simple yet effective guitar amps of all time the fender champ being as small as it is you can easily take it beyond its clean range and the champ rewards you with compression and rich distortion originally designed for beginners the amp soon became a favorite of many guitar aficionados due to its amazing distortion at manageably low volume 10
- Tube preamp sound engineers were quick to recognize the appeal of tubes they used tube amps to add warmth to all kinds of sounds by default this amp model does not use a speaker simulation and can be used with vocals but adding a speaker cab produces good clean tones for guitar as well 10
- Tweed combo this was jeff beck s favorite when he recorded the albums blow by blow and wired this amp was not actually designed for heavy distortion but due to its low power it is ideal for uncompromising overdrive the tweed champ had a volume control but no eq control if you want to get the most authentic sound out of this amp keep the eq on your v amp 3 in the mid position 10
- V amp 3 preset chart 10
- V amp drive this simulation is based on the mesa boogie mark iii a more modern high gain lead amp this model produces a smooth and precise tone with plenty of drive making it ideal for lead guitar work 10
- Virtual amplification v amp 3 user manual 10
- Speaker descriptions 11
- A great complement to the selection of amps and speaker cabinets is the built in multi effects processor you may select from 16 high quality effects such as chorus flanger delay auto wah and many others these effects can be used to thicken up your guitar tone in a subtle way or create extreme and experimental sounds that push your creative limits the standard operating mode of the multi effects processor is stereo but other options are available see configurations section 12
- Amps 1 16 category speaker simulation cabinet 12
- Cabinets 12
- Control with tap 12
- Effect effect effect control 12
- Effects 12
- Effects processor 12
- Push button 12
- Tap push button 12
- Virtual amplification v amp 3 user manual 12
- You can adjust up to 3 parameters for each available effect two of these parameters are adjusted using the effects knob with or without the tap button held down tempo based parameters are adjusted by pressing the tap button at least twice in sync with the music the following table displays the parameter controls for each effect 12
- Effects descriptions 13
- Separate reverb effect 13
- Setting reference pitch a 13
- Tuning your guitar 13
- Wah wah 13
- Activate the midi function and briefly tap the midi button the preset data is transmitted and first filed in the temporary buffer of the receiving v amp 3 14
- Midi connections 14
- Midi in this receives midi controller data the receiving channel can be adjusted in edit mode by pressing the a button and then using the arrow keys 14
- Midi out thru this sends data to a computer or any other device you can transmit both preset data and parameter changes if set to midi thru the v amp 3 does not send its own midi information but passes on the signal received at the midi in connector the tap led lights when the v amp 3 is set to midi thru see the edit mode section for details 14
- Sending receiving midi sysex data 14
- Store the new information in the preset position of your choice using the store function 14
- Switch the transmitting v amp 3 to edit mode by pressing the bank up and down buttons simultaneously 14
- The midi connectors are international standard 5 pin din connectors to connect your device to other midi equipment you will need dedicated midi cables they are commercially available in various standard lengths 14
- The midi standard musical instrument digital interface was developed in the early 80s to enable different makes of electronic instruments to communicate with each other over the years the range of midi applications has constantly expanded and today it is standard practice to network entire recording studios using the midi standard the heart of such a network is a computer with sequencer software that controls not only all the keyboards but also affects other peripheral devices in such a studio setup you can control the v amp 3 in real time from a computer for live performances in particular you can also use a midi foot controller to control both effect parameters and preset changes 14
- The v amp 3 can receive system exclusive data from other midi devices provided that the midi function button a has been activated in edit mode however this means that all presets on your device will be overwritten automatically you can also transmit midi data from your v amp 3 to other devices total dump by switching to edit mode and holding the midi button a until the display reads d the total dump function can be useful for transferring all the stored data from your device to a midi sequencer and storing it there 14
- To exchange individual presets with other devices such as another v amp 3 or a pc 14
- Application 15
- Jamming with a pc using uca222 15
- Latency free home recording using uca222 15
- Live performance with a guitar amplifer 15
- Live performance without a guitar amplifer 15
- Studio recording 15
- Virtual amplification v amp 3 user manual 15
- Online registration 16
- Shipment 16
- Specifications 16
- Federal communications commission compliance information 17
- Virtual amplification v amp 3 17
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