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Behringer V-AMP3 [9/18] Amp speaker simulation
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9 VIRTUAL AMPLIFICATION V-AMP 3 User Manual
• CABINETS – Enter EDIT mode and press the C button to select one of the
speaker CABINETS. Press the BANK UP and DOWN buttons to select one of the
15 available speaker cabs.
• REVERB – Enter EDIT mode and press the D button to edit REVERB settings.
Press the BANK UP and DOWN buttons to select one of the 9 reverb types.
You may use the REVERB knob to adjust the amount of reverb while in
EDIT mode.
• NOISE GATE – Enter EDIT mode and press the E button to edit NOISE GATE
settings. Press the BANK UP and DOWN buttons to select a noise gate level
(0 = o, 15 = maximum gating eect).
When you have made your adjustments, press the TUNER button to exit EDIT
mode and return to normal operation.
Storing presets
As soon as you make any change to a preset, be it a new amp model,
eectselection, or EQ adjustment, the preset LED will ash. The ashing LED
informs you that in order to keep this new sound, you must save the preset.
Tosave the preset, simply hold the current preset button down for approximately
2 seconds. When the LED stops ashing, you have saved your current settings in
that preset location.
You do not necessarily have to save an altered preset to its current location.
Youmay select another preset in that bank, or use the BANK UP and
DOWN buttons to choose another bank and save to one of those 5 presets.
Again, hold the targeted preset button down for approximately 2 seconds until
the LED stops ashing.
Discarding an edited preset/restoring a single
factory preset
If you edit a preset, but decide that you do not like your changes and would
rather return to the original setting, you may simply select another preset
without saving. This way when you return to that preset, it will recall the settings
as they were before you started editing. This method works as long as you do not
save your unwanted edit.
If you do save an edit and would like to return to the original factory preset that
was stored there, hold down the two arrow keys (BANK UP and DOWN) until the
display reads “Pr.” If you would like to keep the original factory setting for this
preset, hold down the preset button for approximately 2 seconds to save.
Restoring all factory presets
All factory presets can be restored as follows:
•
While holding buttons D and E, power on the unit. “CL” appears in the display.
• Release the D and E buttons.
• Press the arrow keys (BANK UP and DOWN) simultaneously.
This erases all saved edits and returns all presets to their factory settings.
Refer to the MIDI chapter for information on saving your settings via MIDI.
Amp/Speaker Simulation
The heart of the V-AMP 3’s sound lies in its amp and speaker simulation.
With 32 amp simulations and 15 interchangeable speaker cabinets,
you’reguaranteed to nd a tone to t any situation. Not only this, but the
V-AMP 3 eliminates the need to mic an actual speaker, which is dicult to do
properly and creates a lot of excess noise. Any style from jazz to heavy metal can
easily be accommodated, and are further enhanced by the eects and reverb
options. You’re sure to nd many sounds that spur your creativity and allow you
to explore new sonic possibilities.
When you power on the V-AMP 3, it automatically loads the last selected preset.
The LED ring around the AMPS knob shows which amp is currently selected.
Ifthe “17-32” LED is lit inside the display, the second amp model (written in grey)
nextto the AMPS LED is active. To select another amp, simply turn the AMPS
knob. Hold the TAP button while turning the AMPS knob to select one of the
17-32 models. You may further edit the sound of the amp by turning the VOLUME,
GAIN, BASS, MID, and TREBLE knobs. Hold the TAP button while turning the
TREBLE knob to adjust the PRESENCE lter.
Each amp has an adjustable DRIVE function that acts similar to changing channels
on an amp. The simulation is still the same, but when switched to distortion
mode (default for most ROCK and METAL amps), the gain setting is signicantly
higher. This feature enables all 32 amps to produce clean or distorted tones,
much like the actual amps themselves would. See ‘Edit Mode’ under the Presets
section for details on changing an amp’s DRIVE setting.
You should always select an amp model rst, then change the cabinet simulation
(if necessary), followed by an eect. To give you a better overview of the
extensive range of amp simulations, we have compiled the following descriptions
of the dierent types of amps.
Содержание
- User manual 1
- Virtual amplification v amp 3 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Audio connections 4
- Basic operation 4
- Controls and connectors 5
- Front panel 5
- Rear side panel 6
- Operating modes 7
- Edit mode 8
- Live mode 1 2 and 3 8
- Presets 8
- Amp speaker simulation 9
- American this virtual amp is modeled on the fender bassman 4 x 10 combo originally designed as a bass amp it soon became a standard amp of blues legends such as steve ray vaughan and billy gibbons due to its characteristic distortion as you would expect it packs a solid punch in the bass range but is still flexible enough in the mid and treble ranges 10
- Amp descriptions 10
- Bank a preset b preset c preset d preset e preset 10
- Black twin this simulation was modeled on a fender blackface twin from 1965 in the 60s this amp was used by jazz country and even rock guitarists the blackface twin was unique for being exceptionally loud while the amount of distortion remained relatively low 10
- California clean this model is based on the clean channel of the mesa boogie mark ii c it sounds like a fender but has more punch in the midrange 10
- Classic clean back in the 80s the roland jc 120 was the preferred sound of buzzy feiten guitarist for the dave weckl band the unique quality of this amp is the way its brilliance cuts through any mix it is ideal for the new wave sound of the 80s that is making a comeback today 10
- Clean v amp here we have managed to simulate the sound of a roland jc 120 and combine it with our brit classic model the result blends the brilliance of a transistor amp with the cutting power of a marshall plexi the marshall cut appears when you turn the gain control clockwise 10
- Custom clean this model simulates the clean channel from a dumble an expensive boutique amp the clean sound really cuts through especially when used with compressor attack settings around 2 milliseconds 10
- Deluxe blues a synthesis of a 1960 fender blackface deluxe and a 50s fender bassman the result is a crystal clear sound that still simulates the edge of the vintage amps the eq controls on this model give you even greater scope than the eq controls on the original amp 10
- Fuzz box this sound is not actually based on any one amp but instead simulates a particular fuzz box jimi hendrix was one of the first guitarists to recognize the potential in this legendary broadband transistor distortion the humming distortion sound of the fuzz box has returned to popularity with alternative rock and grunge 10
- Small combo this model is based on one of the most simple yet effective guitar amps of all time the fender champ being as small as it is you can easily take it beyond its clean range and the champ rewards you with compression and rich distortion originally designed for beginners the amp soon became a favorite of many guitar aficionados due to its amazing distortion at manageably low volume 10
- Tube preamp sound engineers were quick to recognize the appeal of tubes they used tube amps to add warmth to all kinds of sounds by default this amp model does not use a speaker simulation and can be used with vocals but adding a speaker cab produces good clean tones for guitar as well 10
- Tweed combo this was jeff beck s favorite when he recorded the albums blow by blow and wired this amp was not actually designed for heavy distortion but due to its low power it is ideal for uncompromising overdrive the tweed champ had a volume control but no eq control if you want to get the most authentic sound out of this amp keep the eq on your v amp 3 in the mid position 10
- V amp 3 preset chart 10
- V amp drive this simulation is based on the mesa boogie mark iii a more modern high gain lead amp this model produces a smooth and precise tone with plenty of drive making it ideal for lead guitar work 10
- Virtual amplification v amp 3 user manual 10
- Speaker descriptions 11
- A great complement to the selection of amps and speaker cabinets is the built in multi effects processor you may select from 16 high quality effects such as chorus flanger delay auto wah and many others these effects can be used to thicken up your guitar tone in a subtle way or create extreme and experimental sounds that push your creative limits the standard operating mode of the multi effects processor is stereo but other options are available see configurations section 12
- Amps 1 16 category speaker simulation cabinet 12
- Cabinets 12
- Control with tap 12
- Effect effect effect control 12
- Effects 12
- Effects processor 12
- Push button 12
- Tap push button 12
- Virtual amplification v amp 3 user manual 12
- You can adjust up to 3 parameters for each available effect two of these parameters are adjusted using the effects knob with or without the tap button held down tempo based parameters are adjusted by pressing the tap button at least twice in sync with the music the following table displays the parameter controls for each effect 12
- Effects descriptions 13
- Separate reverb effect 13
- Setting reference pitch a 13
- Tuning your guitar 13
- Wah wah 13
- Activate the midi function and briefly tap the midi button the preset data is transmitted and first filed in the temporary buffer of the receiving v amp 3 14
- Midi connections 14
- Midi in this receives midi controller data the receiving channel can be adjusted in edit mode by pressing the a button and then using the arrow keys 14
- Midi out thru this sends data to a computer or any other device you can transmit both preset data and parameter changes if set to midi thru the v amp 3 does not send its own midi information but passes on the signal received at the midi in connector the tap led lights when the v amp 3 is set to midi thru see the edit mode section for details 14
- Sending receiving midi sysex data 14
- Store the new information in the preset position of your choice using the store function 14
- Switch the transmitting v amp 3 to edit mode by pressing the bank up and down buttons simultaneously 14
- The midi connectors are international standard 5 pin din connectors to connect your device to other midi equipment you will need dedicated midi cables they are commercially available in various standard lengths 14
- The midi standard musical instrument digital interface was developed in the early 80s to enable different makes of electronic instruments to communicate with each other over the years the range of midi applications has constantly expanded and today it is standard practice to network entire recording studios using the midi standard the heart of such a network is a computer with sequencer software that controls not only all the keyboards but also affects other peripheral devices in such a studio setup you can control the v amp 3 in real time from a computer for live performances in particular you can also use a midi foot controller to control both effect parameters and preset changes 14
- The v amp 3 can receive system exclusive data from other midi devices provided that the midi function button a has been activated in edit mode however this means that all presets on your device will be overwritten automatically you can also transmit midi data from your v amp 3 to other devices total dump by switching to edit mode and holding the midi button a until the display reads d the total dump function can be useful for transferring all the stored data from your device to a midi sequencer and storing it there 14
- To exchange individual presets with other devices such as another v amp 3 or a pc 14
- Application 15
- Jamming with a pc using uca222 15
- Latency free home recording using uca222 15
- Live performance with a guitar amplifer 15
- Live performance without a guitar amplifer 15
- Studio recording 15
- Virtual amplification v amp 3 user manual 15
- Online registration 16
- Shipment 16
- Specifications 16
- Federal communications commission compliance information 17
- Virtual amplification v amp 3 17
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