![Rode Classic II [10/16] Setting the polar pattern](/img/pdf.png)
Rode Classic II [10/16] Setting the polar pattern
![Rode Classic II [10/16] Setting the polar pattern](/views2/2008464/page10/bga.png)
Setting the Polar Pattern
- 10 -
Your Classic II can be adjusted to any of nine polar
patterns from omni, through cardioid to fi gure of
eight. This fl exibility allows recording of most
instruments and/or voices with absolute control.
• Select the preferred polar pattern. This is done
with the middle dial on the front of the Classic II
Power Supply. (The most commonly used pattern
for vocal recording is Cardioid – at the 12 o’clock
position).
• When the cardioid position is selected, the
microphone picks up sound from in front of the
microphone, and rejects sound from the rear.
• When in the omni position (fully anti-clockwise),
the microphone picks up sound from all around
the microphone and there is no proximity effect as
found in cardioid mode.
5
-5
-15
-25
-35
-45
-55
-60
-50
-40
-30
-20
-10
0
0
30
60
90
120
150
180
210
240
270
300
330
250 Hz
1 kHz
4 kHz
Front is picked up
Rear is rejected
Содержание
- Introduction 2
- Specifi cations 3
- Cardioid 4
- Frequency response 4
- Polar response 4
- Specifi cations 4
- 10 year warranty 5
- Aluminum flight case 5
- Custom spec 1 dual diaphragm capsule 5
- Double shielded oxygen free 9m 30 cable 5
- Features 5
- Figure 8 5
- Hand polished body 5
- Heavy duty plugs and sockets 5
- Jensen output transformer 5
- Machined from solid brass 5
- Made in australia 5
- Nine polar patterns 5
- Online product registration required 5
- Specifi cations 5
- Variable pad filter 5
- Vintage twin triode ge jan 6072 valve 5
- Accessories 6
- Before using the classic ii 7
- Connecting the classic ii 8
- Connecting the classic ii 9
- Eight this fl exibility allows recording of most 10
- For vocal recording is cardioid at the 12 o clock 10
- Found in cardioid mode 10
- Front is picked up 10
- Hz 1 khz 4 khz 10
- Instruments and or voices with absolute control 10
- Microphone and rejects sound from the rear 10
- Microphone picks up sound from in front of the 10
- Patterns from omni through cardioid to fi gure of 10
- Position 10
- Power supply the most commonly used pattern 10
- Rear is rejected 10
- Select the preferred polar pattern this is done 10
- Setting the polar pattern 10
- The microphone and there is no proximity effect as 10
- The microphone picks up sound from all around 10
- When in the omni position fully anti clockwise 10
- When the cardioid position is selected the 10
- With the middle dial on the front of the classic ii 10
- Your classic ii can be adjusted to any of nine polar 10
- Behind and rejects sound from the other two 11
- Frequencies when the sound source is close to 11
- Front is picked up 11
- Hz 1 khz 4 khz 11
- Natural sound when close miking instruments 11
- Or in conjunction with a cardioid microphone to use 11
- Proximity effect is an increase in lower 11
- Rear and sides are picked up 11
- Rear is picked up 11
- Setting the polar pattern 11
- Sides are rejected 11
- Sides this pattern is commonly used for interviews 11
- The microphone picks up sound from in front and 11
- The microphone the omni pattern is commonly 11
- The ms mid side stereo recording technique 11
- Two people with the microphone between them 11
- Used for room ambient miking or to record a more 11
- When in the figure 8 position fully clockwise 11
- Using the classic ii 12
- Storage 13
- Using the classic ii 13
- Do not disconnect the microphone cable while the system is powered as this may result in damage to the microphone 14
- Important notice 14
- Auf keinen fall dürfen sie selbst das gehäuse offnen 15
- Bajo ninguna circunstancia abra vd la unidad 15
- Do not under any circumstance open the unit yourself 15
- Heading 15
- Important notice 15
- Non aprite in ogni caso i unità in quanto pericoloso 15
- Vous ne devez sous aucun prétexte ouvrir i alimentation vous même 15
- For technical support 16
- Microphones 16
- Warranty 16
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