![Rode Classic II [9/16] Connecting the classic ii](/img/pdf.png)
Rode Classic II [9/16] Connecting the classic ii
![Rode Classic II [9/16] Connecting the classic ii](/views2/2008464/page9/bg9.png)
- 9 -
• Now connect an XLR microphone cable to the
output socket on the rear of the power supply,
taking that output to your mixer/pre-amplifi er.
• We suggest the use of a high quality cable,
preferably with gold plated contacts. Use as short
a cable as possible, as long cables can adversely
affect sound quality.
• Now you can connect the power supply to the
mains supply and begin using the Classic II
microphone.
• It is recommended to allow several minutes to
allow the microphone to stabilise. This will also
extend the life of the microphone valve.
Connecting the Classic II
Содержание
- Introduction 2
- Specifi cations 3
- Cardioid 4
- Frequency response 4
- Polar response 4
- Specifi cations 4
- 10 year warranty 5
- Aluminum flight case 5
- Custom spec 1 dual diaphragm capsule 5
- Double shielded oxygen free 9m 30 cable 5
- Features 5
- Figure 8 5
- Hand polished body 5
- Heavy duty plugs and sockets 5
- Jensen output transformer 5
- Machined from solid brass 5
- Made in australia 5
- Nine polar patterns 5
- Online product registration required 5
- Specifi cations 5
- Variable pad filter 5
- Vintage twin triode ge jan 6072 valve 5
- Accessories 6
- Before using the classic ii 7
- Connecting the classic ii 8
- Connecting the classic ii 9
- Eight this fl exibility allows recording of most 10
- For vocal recording is cardioid at the 12 o clock 10
- Found in cardioid mode 10
- Front is picked up 10
- Hz 1 khz 4 khz 10
- Instruments and or voices with absolute control 10
- Microphone and rejects sound from the rear 10
- Microphone picks up sound from in front of the 10
- Patterns from omni through cardioid to fi gure of 10
- Position 10
- Power supply the most commonly used pattern 10
- Rear is rejected 10
- Select the preferred polar pattern this is done 10
- Setting the polar pattern 10
- The microphone and there is no proximity effect as 10
- The microphone picks up sound from all around 10
- When in the omni position fully anti clockwise 10
- When the cardioid position is selected the 10
- With the middle dial on the front of the classic ii 10
- Your classic ii can be adjusted to any of nine polar 10
- Behind and rejects sound from the other two 11
- Frequencies when the sound source is close to 11
- Front is picked up 11
- Hz 1 khz 4 khz 11
- Natural sound when close miking instruments 11
- Or in conjunction with a cardioid microphone to use 11
- Proximity effect is an increase in lower 11
- Rear and sides are picked up 11
- Rear is picked up 11
- Setting the polar pattern 11
- Sides are rejected 11
- Sides this pattern is commonly used for interviews 11
- The microphone picks up sound from in front and 11
- The microphone the omni pattern is commonly 11
- The ms mid side stereo recording technique 11
- Two people with the microphone between them 11
- Used for room ambient miking or to record a more 11
- When in the figure 8 position fully clockwise 11
- Using the classic ii 12
- Storage 13
- Using the classic ii 13
- Do not disconnect the microphone cable while the system is powered as this may result in damage to the microphone 14
- Important notice 14
- Auf keinen fall dürfen sie selbst das gehäuse offnen 15
- Bajo ninguna circunstancia abra vd la unidad 15
- Do not under any circumstance open the unit yourself 15
- Heading 15
- Important notice 15
- Non aprite in ogni caso i unità in quanto pericoloso 15
- Vous ne devez sous aucun prétexte ouvrir i alimentation vous même 15
- For technical support 16
- Microphones 16
- Warranty 16
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