Alto ALTOGATE [6/15] Passages and decrease the volume during loud passages unfortunately even the great houdini would not

Alto ALTOGATE [6/15] Passages and decrease the volume during loud passages unfortunately even the great houdini would not
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Chart. 1 The dynamic range capabilities of various devices
Chart. 2 The interactive relationship between the operating level and the headroom
Clipping Signal heavily distortedClipping Signal heavily distorted
Low level signal drowned out by noiseLow level signal drowned out by noise
Clipping Area
Noise Area
So the operating level must be as high as possible but not high enough to generate distortion.
There is a very easy way to obtain this. With the volume knob in hand you increase the volume during low
passages and decrease the volume during loud passages. Unfortunately even the Great Houdini would not
be fast enough to monitor carefully the speed of the musical signal and it would be impossible to detect signal
peaks and consequently levelling them out. Manual control is therefore out of question. The answer is AGC
(automatic gain control); a device that will monitor the signal in real time and that will adjust the gain for the
best S/N ratio without producing distortion.
Usable dynamic range
2.1.3 More about noise: Expanders and Noise-Gates
Now, we do not need dramatic expansion of a signal across the range; This would generate a resulting
dynamic range of over 150dB. For this reason the amplitude control will be applied only to those audio
signals which are below a set threshold. Those audio signals above the set threshold will not be affected.
Noise-gate can be regarded as a simple Expander. But the Expander will attenuate the audio signal contin
-uously below the set threshold while the noise-gate will simply dramatically cut-off the audio signal completely.
But if you sing into your microphone more gently in a soft passage, the level of the signal generated by your
voice will get much closer to the floor noise level and such floor noise will become disturbing. In order to kill
this problem Expanders and noise-gates are used. An expander is the opposite of a compressor: attenuating
the signal when the amplitude drops, they can limit the floor noise.
A lot of instruments such as microphones, amplifiers, guitar pickups, etc generate some noise, either at low
frequencies (hum) or at high frequencies (hiss). Such noise will inevitably interfere with the quality of your
audio signal. Now, if you scream into a microphone you will not hear the noise generated by such microphone
because such noise will be "masked" by the higher level of the signal, your voice in this case.
2.2 Voltage Controlled Amplifier (VCA)
The VCA is the soul of the LTO GATE and it is one of the best components available today in his category
thanks to its excellent performances in terms of distortion, linearity, noise and temperature stability.

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