CLAVIA DMI AB CLAVIA NORD Stage 2 EX HP76 [43/101] Mod envelope

CLAVIA DMI AB CLAVIA NORD Stage 2 EX HP76 [43/101] Mod envelope
Nord Stage EX v6.x 6. The Instruments: The Synth section
Page 41
Tip! The one-operator algorithm can be used to produce a perfect sine-wave, if the TIMBRE knob
(feedback) is set to zero.
D
IGITAL WAVEFORM CATEGORY
This category features 77 different digital waveforms with various tonal characteristics. The wave-
forms have been carefully designed and selected to provide rich and interesting timbres with a great
variety, for those exquisite sounds that could not be produced with the other algorithms. Advanced
wavetable synthesis techniques have been used to reproduce the waveforms perfectly over the whole
keyboard range.
Some waveforms have a number of peaks high up in the spectrum, making them suitable for voice-
like sounds (e.g. 3, 7, 8, 12), while others are combinations of several overlapping spectra (e.g. 5, 6,
18, 19). Yet others are extremely bright, with a fundamental that is softer than the many harmonics
(e.g. 21, 23, 26, 27). Using these waveforms with the different filters and the Synth EQ, you should
be able to create a wide variety of timbres. The T
IMBRE knob does not have any effect in the Digital
Wavetable category.
MOD ENVELOPE
The Modulation Envelope is a simple two-stage envelope used to modulate the tone colour
over the duration of a note, e.g. create a bright attack by modulating the filter in the start
of the note. The Mod Envelope has three modes:
• Attack - Decay (ignoring key release)
• Attack - full sustain - Release
• Repeat mode: Attack - Decay - Attack - Decay - Attack - etc. In this the Mod Envelope
acts as an LFO with shapable waveform.
The Mod Envelope can control the Filter Frequency and the Timbre parameters. The
amount of modulation is set with the F
REQ CONTROL and TIMBRE CONTROL knobs.
A
TTACK
Attack sets the time it should take for the envelope to reach maximum level after you have pressed a
key. Turn the A
TTACK knob clockwise to increase Attack time.
22 3 op 2:2:1
42 3 op 4:2:1
82 3 op 8:2:1
1.1 3 op with feedback 1:1:1
1:2 3 op with feedback 1:2:1
1:3 3 op with feedback 1:3:1
1:5 3 op with feedback 1:5:1
1:9 3 op with feedback 1:9:1
1.F 3 op with feedback 1:1:2
2.F 3 op with feedback 2:1:2
3.F 3 op with feedback 3:1:2
5.F 3 op with feedback 5:1:2
9.F 3 op with feedback 9:1:2
Wave disp. Algorithm Freq. relation

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