Yamaha PSR-200 [11/29] Auto accompaniment
![Yamaha PSR-200 [11/29] Auto accompaniment](/views2/2009435/page11/bgb.png)
AUTO ACCOMPANIMENT
The PSR-200/PSR-300 includes a sophisticated Auto ac-
companiment system that can provide automated bass and
chordal backing in a number of ways.
The maximum number of notes that can be played simultaneously
on the PSR-200/PSR-300 keyboard is reduced when the Auto Ac-
companiment feature is used.
Single Finger Accompaniment
SINGLE FINGER accompaniment makes it simple to pro-
duce beautifully orchestrated accompaniment using major,
seventh‚ minor and minor-seventh chords by pressing a mini-
mum number of keys in the left-hand section of the keyboard.
The bass and chord accompaniment produced is perfectly
matched to the currently selected accompaniment style.
1.
Press the [MODE] button as many times as necessary
until the SINGLE FINGER indicator lights — this selects
the SINGLE FINGER mode.
2.
If necessary, set the split point as described below:
Setting the SINGLE FINGER Mode Split Point:
The split point for the SINGLE FINGER mode is initially
set at the D2 key. It can be set to any other key by press-
ing the desired split-point key while holding the [SPLIT
POINT CHANGE] button.
The split point is shown on the MULTI DISPLAY for
as long as the [SPLIT POINT CHANGE] button is held.
The D2 key, for example, would be displayed as “d 2”.
F#2 would be displayed as “F
-
2”. The sharp is indicated
by the lit bar between the “F” and the “2.”
The SINGLE FINGER mode split point is retained in
memory and will be recalled whenever the SINGLE FIN-
GER mode is selected. A method of initializing the SIN-
GLE FINGER mode split point to its original default
value is described on page 6.
3.
Select the desired accompaniment style in the normal
way. Although you can select the melody (upper key-
board) voice you intend to use, the PSR-200/PSR-300
automatically determines the voices to be used for the
accompaniment part according the accompaniment style
you select.
4.
Press the [START/STOP] button, [SYNCHRO START/
ENDING] button or the [INTRO/FILL IN] buttons to
determine how the accompaniment will be started (see
page 7). If you press the [START/STOP] button or the
[INTRO/FILL IN] button, the rhythm will begin playing
immediately without bass and chord accompaniment.
5.
Press
any key to the left of the split point to start the auto-
matic accompaniment. If you press a “C” key, for exam-
ple, a C-major accompaniment will be played. Press an-
other key in the left-hand section of the keyboard to se-
lect a new chord. The key you press will always deter-
mine the “root” of the chord played (i.e. “C” for a C
chord).
Playing Minor, Seventh, and Minor-seventh
Chords in the Single-finger Mode
For a minor chord, press the root key and a black key
to its left.
For a seventh chord, press the root key and a white key
to its left.
For a minor-seventh chord, press the root key and both
a white and black key to its left.
The automatic accompaniment will continue playing even if you lift
your fingers from the Auto Accompaniment keys. You only need to
press the Auto Accompaniment keys when changing cords.
6.
Press the [START/STOP] button or the [SYNCHRO
START/ENDING] button to stop the Accompaniment.
9
Содержание
- Congratulations 2
- Contents 2
- You are the proud owner of a yamaha portatone your portatone is a high quality musical instrument that incorporates advanced yamaha digital technology and many versatile features in order to obtain maximum per formance and enjoyment from your portatone we urge you to read this owner s manual thoroughly while trying out the various features de scribed keep the owner s manual in a safe place for later reference 2
- Before you begin 3
- Maintenance 3
- Power supply 3
- Setting up the music stand 3
- Nomenclature 4
- Rear panel connectors 5
- Top panel controls 5
- Adjusting the volume 6
- Hi hat open 6
- Instrument key instrument 6
- Key symbol 6
- Keyboard percussion 6
- Selecting and playing voices 6
- Snare lo 6
- Psr 300 only 7
- Sustain 7
- Transpose 7
- Be assigned to the left hand keys 8
- C3 key it can be set to any other key by pressing the de 8
- Change button 8
- Changing the right and left hand voices 8
- Hand section of the keyboard 8
- Hand voice can be selected in the normal way 8
- If necessary set the split point as described below 8
- Setting the split mode split point 8
- The c3 key for example would be displayed as c3 f 2 would be displayed as 8
- The sharp is indicated 8
- The split mode 8
- The split mode split point is retained in memory and will be recalled whenever the split mode is selected note that the split point key is included in the right 8
- Voice can be selected in the normal way 8
- Voice has been selected since the psr 200 psr 300 was 8
- Voices at once one with the left hand and one with the right the left hand voice can be played to the left of the split 8
- Rhythm accompaniment 9
- Selecting an accompaniment style 9
- Setting the tempo 9
- Starting the accompaniment 9
- Adding fill ins 10
- Adjusting the accompaniment 10
- Rhythm accompaniment 10
- Starting the accompaniment with an introduction 10
- Stopping the accompaniment 10
- Volume 10
- Auto accompaniment 11
- Single finger accompaniment 11
- Fingered accompaniment 12
- Setting the accompaniment 12
- Setting the tempo 12
- Volume 12
- Auto harmony 13
- Recording 13
- The chord memory 13
- Begin playback of that bank if you press a different bank button during playback playback of the newly selected bank will begin from the top of the next measure 14
- Can be programmed a synthesized voice will announce 14
- Play the required chords 14
- Playback will stop automatically when an ending is en 14
- Playback will stop automatically when the end of the re corded sequence is reached if the synchro start ending button was used to stop recording otherwise the chord sequence will be repeated until stopped by ei 14
- Recording will begin as soon as you play a chord on the 14
- Rhythm will begin without bass and chord accompaniment until you play the first chord on the left hand section of 14
- The chord memory 14
- Enjoy the demonstration 15
- Initial data 15
- Song book 15
- Moving up to midi 16
- Music minus one a brief introduction to midi 16
- Simple midi control 16
- Songbook 16
- The psr 300 midi connectors 16
- Fingered single finger mode 17
- Midi sequence recording 17
- Normal mode 17
- Psr 300 midi settings functions 17
- Psr 300 only 17
- Remote control mode midi transmission 17
- Remote control mode reception 17
- Remote control mode selection 17
- Remote control mode transmission 17
- Split mode 17
- The remote control mode 17
- Midi receive channel selection 18
- Moving up to midi psr 300 only 18
- Multi mode selection 18
- Multi mode transmission 18
- The multi mode 18
- Board sound check 19
- Problem 19
- Troubleshooting 19
- Accompaniment control 20
- Auto harmony 20
- Chord memory 20
- Overall control 20
- Song book 20
- Specifications 20
- Sustain 20
- Troubleshooting 20
- Voice style 20
- Weight 20
- Fingering chart 21
- Fingering chart 22
- Active sense 25
- All notes off 25
- Commands 25
- Default 25
- Local on off 25
- Midi implementation chart 25
- Mode 1 omni on poly 25
- Nh v 0 8nh 25
- Nh v 1 127 note off 25
- Note on 25
- O 0 99 o 0 99 25
- O yes x no 25
- Remarks 25
- Song pos 25
- Song sel 25
- True voice 25
- Active sense 26
- Altered 26
- Commands 26
- Default 26
- L 16 channel multi timbre dynamic voice allocation 26
- Local on off all notes off 26
- Midi implementation chart 26
- Mode 1 omni on poly 26
- Nh v 0 26
- Nh v 0 8nh 26
- Nh v 1 127 26
- Note off 26
- Note on 26
- O 0 99 26
- O o x x 26
- Song sel 26
- System 26
- True voice 26
- X x x x 26
- Fcc information u s a 27
- Important 27
- Important notice do not modify this unit 27
- Important 29
- Yamaha 29
- Yamaha corporation 29
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