Yamaha PSR-200 [12/29] Fingered accompaniment
![Yamaha PSR-200 [12/29] Fingered accompaniment](/views2/2009435/page12/bgc.png)
AUTO ACCOMPANIMENT
Setting the Accompaniment
Volume
Set the volume of the Auto Accompaniment sound using the
ACCOMPANIMENT VOLUME buttons. The MASTER
VOLUME control can be used to set the overall volume level.
Setting the Tempo
Use the TEMPO buttons to set the desired accompaniment
tempo (see “Setting the Tempo” on page 7 for details).
The [INTRO/FILL IN] button can be used in the Auto Accompani-
ment mode to create pattern variations in the same way that it is with
rhythm accompaniment patterns (refer to “Adding Fill-ins” on page 8
for details).
Fingered Accompaniment
The FINGERED mode is ideal if you already know how to
play chords on a keyboard, since it allows you to supply your
own chords for the Auto Accompaniment feature.
1. Press the [MODE] button as many times as necessary
until the FINGERED indicator lights — this selects the
FINGERED mode.
2.
If necessary, set the split point as described below:
Setting the FINGERED Mode Split Point:
The split point for the FINGERED mode is initially set at
the G2 key. It can be set to any other key by pressing the
desired split-point key while holding the [SPLIT POINT
CHANGE] button.
The split point is shown on the MULTI DISPLAY for
as long as the [SPLIT POINT CHANGE] button is held.
The G2 key, for example, would be displayed as “g 2”.
F#2 would be displayed as “F
–
2”. The sharp is indicated
by the lit bar between the “F” and the “2.”
The FINGERED mode split point is retained in
memory and will be recalled whenever the FINGERED
mode is selected. A method of initializing the FINGERED
mode split point to its original default value is described
on page 6.
10
The PSR-200/300 memorizes separate SINGLE FINGER, FIN-
GERED, and SPLIT mode split points. The corresponding split point
is automatically recalled when one of these modes is selected.
3.
Select the desired accompaniment style in the normal way.
Although you can select the melody (upper keyboard)
voice you intend to use, the PSR-200/PSR-300 automati-
cally determines the voices to be used for the accompani-
ment part according the accompaniment style you select.
4.
Press the [START/STOP] button, [SYNCHRO START/
ENDING] button or the [INTRO/FILL IN] buttons to de-
termine how the accompaniment will be started (see page
7). If you press the [START/STOP] button or the [INTRO/
FILL IN] button, the rhythm will begin playing immedi-
ately without bass and chord accompaniment.
5.
As soon as you play any chord in the Auto Accompaniment
section of the keyboard, the PSR-200/PSR-300 will auto-
matically begin to play the chord along with the selected
rhythm and an appropriate bass line. The accompaniment
will continue playing even if you release the Auto Accom-
paniment keys.
The PSR-200/PSR-300 will accept the following chord
types (see fingering chart on page 19):
Chord
Abbreviation Normal Voicing
Major
M
Minor
M7
m
Major seventh
Minor major seventh
mM7
Minor sixth
m6
Minor seventh m7
Minor seventh flatted fifth
m7-5
Seventh
7
Seventh flatted fifth 7-5
Seventh suspended fourth 7sus4
Suspended fourth
sus4
Augmented
aug
Diminished dim
Notes in parentheses may be omitted.
Minor sixth chords will only be properly detected if
they are played in “root position”. Seventh flatted fifth
chords will only be recognized if either the root or flatted
seventh is the lowest note. For diminished and augmented
chords, the lowest key pressed is assumed to be the root.
An octave — i.e. two notes played exactly one octave apart —
will be detected as a chord suitable for major or minor, with the
note played as the root note.
All other FINGERED mode operations are the same as in the
SINGLE FINGER mode.
Содержание
- Congratulations 2
- Contents 2
- You are the proud owner of a yamaha portatone your portatone is a high quality musical instrument that incorporates advanced yamaha digital technology and many versatile features in order to obtain maximum per formance and enjoyment from your portatone we urge you to read this owner s manual thoroughly while trying out the various features de scribed keep the owner s manual in a safe place for later reference 2
- Before you begin 3
- Maintenance 3
- Power supply 3
- Setting up the music stand 3
- Nomenclature 4
- Rear panel connectors 5
- Top panel controls 5
- Adjusting the volume 6
- Hi hat open 6
- Instrument key instrument 6
- Key symbol 6
- Keyboard percussion 6
- Selecting and playing voices 6
- Snare lo 6
- Psr 300 only 7
- Sustain 7
- Transpose 7
- Be assigned to the left hand keys 8
- C3 key it can be set to any other key by pressing the de 8
- Change button 8
- Changing the right and left hand voices 8
- Hand section of the keyboard 8
- Hand voice can be selected in the normal way 8
- If necessary set the split point as described below 8
- Setting the split mode split point 8
- The c3 key for example would be displayed as c3 f 2 would be displayed as 8
- The sharp is indicated 8
- The split mode 8
- The split mode split point is retained in memory and will be recalled whenever the split mode is selected note that the split point key is included in the right 8
- Voice can be selected in the normal way 8
- Voice has been selected since the psr 200 psr 300 was 8
- Voices at once one with the left hand and one with the right the left hand voice can be played to the left of the split 8
- Rhythm accompaniment 9
- Selecting an accompaniment style 9
- Setting the tempo 9
- Starting the accompaniment 9
- Adding fill ins 10
- Adjusting the accompaniment 10
- Rhythm accompaniment 10
- Starting the accompaniment with an introduction 10
- Stopping the accompaniment 10
- Volume 10
- Auto accompaniment 11
- Single finger accompaniment 11
- Fingered accompaniment 12
- Setting the accompaniment 12
- Setting the tempo 12
- Volume 12
- Auto harmony 13
- Recording 13
- The chord memory 13
- Begin playback of that bank if you press a different bank button during playback playback of the newly selected bank will begin from the top of the next measure 14
- Can be programmed a synthesized voice will announce 14
- Play the required chords 14
- Playback will stop automatically when an ending is en 14
- Playback will stop automatically when the end of the re corded sequence is reached if the synchro start ending button was used to stop recording otherwise the chord sequence will be repeated until stopped by ei 14
- Recording will begin as soon as you play a chord on the 14
- Rhythm will begin without bass and chord accompaniment until you play the first chord on the left hand section of 14
- The chord memory 14
- Enjoy the demonstration 15
- Initial data 15
- Song book 15
- Moving up to midi 16
- Music minus one a brief introduction to midi 16
- Simple midi control 16
- Songbook 16
- The psr 300 midi connectors 16
- Fingered single finger mode 17
- Midi sequence recording 17
- Normal mode 17
- Psr 300 midi settings functions 17
- Psr 300 only 17
- Remote control mode midi transmission 17
- Remote control mode reception 17
- Remote control mode selection 17
- Remote control mode transmission 17
- Split mode 17
- The remote control mode 17
- Midi receive channel selection 18
- Moving up to midi psr 300 only 18
- Multi mode selection 18
- Multi mode transmission 18
- The multi mode 18
- Board sound check 19
- Problem 19
- Troubleshooting 19
- Accompaniment control 20
- Auto harmony 20
- Chord memory 20
- Overall control 20
- Song book 20
- Specifications 20
- Sustain 20
- Troubleshooting 20
- Voice style 20
- Weight 20
- Fingering chart 21
- Fingering chart 22
- Active sense 25
- All notes off 25
- Commands 25
- Default 25
- Local on off 25
- Midi implementation chart 25
- Mode 1 omni on poly 25
- Nh v 0 8nh 25
- Nh v 1 127 note off 25
- Note on 25
- O 0 99 o 0 99 25
- O yes x no 25
- Remarks 25
- Song pos 25
- Song sel 25
- True voice 25
- Active sense 26
- Altered 26
- Commands 26
- Default 26
- L 16 channel multi timbre dynamic voice allocation 26
- Local on off all notes off 26
- Midi implementation chart 26
- Mode 1 omni on poly 26
- Nh v 0 26
- Nh v 0 8nh 26
- Nh v 1 127 26
- Note off 26
- Note on 26
- O 0 99 26
- O o x x 26
- Song sel 26
- System 26
- True voice 26
- X x x x 26
- Fcc information u s a 27
- Important 27
- Important notice do not modify this unit 27
- Important 29
- Yamaha 29
- Yamaha corporation 29
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