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Yamaha PSR-200 [6/29] Hi hat open
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SELECTING AND PLAYING VOICES
1.
Press the [POWER] button to turn the power ON. The
MULTI DISPLAY will light when the power is ON.
2.
Slide the [MASTER VOLUME] control to a position
about half way between the “MIN” and “MAX” setting.
You can set this control for the most comfortable vol-
ume level after you begin playing.
3.
If the VOICE indicator is not lit, press the [VOICE/
STYLE] button once so that it does light. The number of
the currently selected voice will appear on the MULTI
DISPLAY when the VOICE indicator is lit.
4.
Select any of the PSR-200/PSR-300’s 100 voices by using
one of the following methods:
Voice Selection Method 1:
Choose one of the 100 voices — numbered “00”
through “99” — shown on the VOICE LIST then enter its
number using the numeric VOICE SELECT buttons. To
select “ELECTRIC ORGAN 1” (number 12), for example,
first press “1” and then “2.” The number “12” should then
appear on the MULTI DISPLAY.
Instrument
Key
Instrument
Symbol
C#1
G#3
D#1
Bass Drum A#3
Crash Cymbal
F#1
Bass Tom
C#4 Splash Cymbal
G#1
Lo Tom
D#4
Ride Cymbal
A#1
Mid Tom
F#4
Synth Lo Tom
C#2
Hi Tom
G#4
Synth Mid Tom
D#2
Snare Reverb
A#4
Synth Hi Tom
Voice Selection Method 2:
F#2
Snare Lo
C#5
Synth Snare
The [+] and [-] buttons in the numeric button group can
be used to increment (increase by one) or decrement (de-
crease by one) the current voice number. Press the [+]
button briefly to select the voice one number higher than
the current voice, or the [-] button to select the voice one
number lower than the current voice. If you hold the [+] or
[-] button down, the voice number will increment or dec-
rement continuously — simply release the button when
the desired voice number has been reached.
G#2
Snare Hi
D#5
Voice “One”
A#2
Snare Open Rim
F#5
Voice “Two”
C#3
Snare Closed Rim
G#5
Voice “Three”
D#3
Hi-Hat Closed
A#5
Voice “Four”
D#3
Hi-Hat Open
4
5.
The selected
voice can now be played on the instrument’s
keyboard.
Note that the PSR-300’s keyboard is “touch response” — that
is, you can control the loudness of the sound to a certain
degree according to how hard you play the keys. The degree of
touch sensitivity is different for each voice.
The PSR-200 and PSR-300 feature a maximum polyphony of
28-notes (depending in some cases on the selected voice), so
up to 28 notes can be played simultaneously, including extra
notes played when the automatic accompaniment, split, or dual
voice features of this instrument are used. “Full” will appear on
the MULTI DISPLAY if the 28-note limit is exceeded.
When the power is initially turned ON, the PIANO voice is auto-
matically selected and its number (“00”) is shown on the MULTI
DISPLAY.
Keyboard Percussion
When the DRUMS voice is selected (voice number 99), you
can play 25 different drum and percussion instruments on the
black keys. The percussion instruments played by the various
keys are marked by symbols above the black keys (the white
keys produce no sound).
The TRANSPOSE function described on page 5 does not affect the
DRUMS sound.
DRUM & PERCUSSION INSTRUMENT KEY
ASSIGNMENTS
Key Symbol
BD Reverb
Hi-Hat Foot
Adjusting the Volume
Adjust the [MASTER VOLUME] control while playing to
set the desired overall volume level.
Содержание
- Congratulations 2
- Contents 2
- You are the proud owner of a yamaha portatone your portatone is a high quality musical instrument that incorporates advanced yamaha digital technology and many versatile features in order to obtain maximum per formance and enjoyment from your portatone we urge you to read this owner s manual thoroughly while trying out the various features de scribed keep the owner s manual in a safe place for later reference 2
- Before you begin 3
- Maintenance 3
- Power supply 3
- Setting up the music stand 3
- Nomenclature 4
- Rear panel connectors 5
- Top panel controls 5
- Adjusting the volume 6
- Hi hat open 6
- Instrument key instrument 6
- Key symbol 6
- Keyboard percussion 6
- Selecting and playing voices 6
- Snare lo 6
- Psr 300 only 7
- Sustain 7
- Transpose 7
- Be assigned to the left hand keys 8
- C3 key it can be set to any other key by pressing the de 8
- Change button 8
- Changing the right and left hand voices 8
- Hand section of the keyboard 8
- Hand voice can be selected in the normal way 8
- If necessary set the split point as described below 8
- Setting the split mode split point 8
- The c3 key for example would be displayed as c3 f 2 would be displayed as 8
- The sharp is indicated 8
- The split mode 8
- The split mode split point is retained in memory and will be recalled whenever the split mode is selected note that the split point key is included in the right 8
- Voice can be selected in the normal way 8
- Voice has been selected since the psr 200 psr 300 was 8
- Voices at once one with the left hand and one with the right the left hand voice can be played to the left of the split 8
- Rhythm accompaniment 9
- Selecting an accompaniment style 9
- Setting the tempo 9
- Starting the accompaniment 9
- Adding fill ins 10
- Adjusting the accompaniment 10
- Rhythm accompaniment 10
- Starting the accompaniment with an introduction 10
- Stopping the accompaniment 10
- Volume 10
- Auto accompaniment 11
- Single finger accompaniment 11
- Fingered accompaniment 12
- Setting the accompaniment 12
- Setting the tempo 12
- Volume 12
- Auto harmony 13
- Recording 13
- The chord memory 13
- Begin playback of that bank if you press a different bank button during playback playback of the newly selected bank will begin from the top of the next measure 14
- Can be programmed a synthesized voice will announce 14
- Play the required chords 14
- Playback will stop automatically when an ending is en 14
- Playback will stop automatically when the end of the re corded sequence is reached if the synchro start ending button was used to stop recording otherwise the chord sequence will be repeated until stopped by ei 14
- Recording will begin as soon as you play a chord on the 14
- Rhythm will begin without bass and chord accompaniment until you play the first chord on the left hand section of 14
- The chord memory 14
- Enjoy the demonstration 15
- Initial data 15
- Song book 15
- Moving up to midi 16
- Music minus one a brief introduction to midi 16
- Simple midi control 16
- Songbook 16
- The psr 300 midi connectors 16
- Fingered single finger mode 17
- Midi sequence recording 17
- Normal mode 17
- Psr 300 midi settings functions 17
- Psr 300 only 17
- Remote control mode midi transmission 17
- Remote control mode reception 17
- Remote control mode selection 17
- Remote control mode transmission 17
- Split mode 17
- The remote control mode 17
- Midi receive channel selection 18
- Moving up to midi psr 300 only 18
- Multi mode selection 18
- Multi mode transmission 18
- The multi mode 18
- Board sound check 19
- Problem 19
- Troubleshooting 19
- Accompaniment control 20
- Auto harmony 20
- Chord memory 20
- Overall control 20
- Song book 20
- Specifications 20
- Sustain 20
- Troubleshooting 20
- Voice style 20
- Weight 20
- Fingering chart 21
- Fingering chart 22
- Active sense 25
- All notes off 25
- Commands 25
- Default 25
- Local on off 25
- Midi implementation chart 25
- Mode 1 omni on poly 25
- Nh v 0 8nh 25
- Nh v 1 127 note off 25
- Note on 25
- O 0 99 o 0 99 25
- O yes x no 25
- Remarks 25
- Song pos 25
- Song sel 25
- True voice 25
- Active sense 26
- Altered 26
- Commands 26
- Default 26
- L 16 channel multi timbre dynamic voice allocation 26
- Local on off all notes off 26
- Midi implementation chart 26
- Mode 1 omni on poly 26
- Nh v 0 26
- Nh v 0 8nh 26
- Nh v 1 127 26
- Note off 26
- Note on 26
- O 0 99 26
- O o x x 26
- Song sel 26
- System 26
- True voice 26
- X x x x 26
- Fcc information u s a 27
- Important 27
- Important notice do not modify this unit 27
- Important 29
- Yamaha 29
- Yamaha corporation 29
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