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RME M-16 DA [22/57] Analog outputs
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User’s Guide M-32 DA © RME
10. Analog Outputs
The M-32 DA’s rear has 32 balanced Line outputs, provided
by 1/4" TRS and four 25-pin D-sub connectors. They have
their own output drivers respectively and can therefore be
used simultaneously.
The electronic output stage of the TRS jacks is built in a
servo-balanced design which handles unbalanced (mono
plugs) and balanced (stereo plugs) correctly, automatically
adjusting the level reference. The maximum output level is
+21 dBu.
When selecting +24 dBu the LEDs +19 dBu and +24 dBu
are lit at the same time, because the TRS jacks stay at the
+19 setting, while the D-sub connector outputs are oper-
ated in the +24 setting.
The electronic output stage of the D-sub connector does not operate servo-balanced!
When connecting unbalanced equipment, make sure pin 3 of the XLR output is not con-
nected. A connection to ground can cause a higher THD value (higher distortion)!
The 25-pin D-sub connector follows the pinout known from devices manufactured by Tascam
(pinout see chapter 15.9). Your local dealer will supply analog breakout multicores D-sub to
XLR in Tascam pinout in different lengths.
Each output channel has its own 6-segment level meter, so every channel can be checked for
output signal and overloads easily. The level data are taken directly in front of the DA-converter.
The red LED OVR lights up 0.2 dB before full scale level (-0.2 dBFS).
One of the main issues when working with an DA-converter is to maintain the full dynamic
range within the best operating level. Therefore the M-32 DA internally uses hi-quality electronic
switches, which introduce no additional noise or distortion to the audio path. The key ANALOG
OUTPUT allows for a perfect adaptation of all 32 channels to the most often used studio levels.
The different output levels guarantee optimal conversion results, while still being compatible to
any attached analog equipment.
The M-32 DA uses the following level references:
Reference 0 dBFS @ Headroom @ +4 dBu Other RME devices
+24 +24 dBu 20 dB -
+19 +19 dBu 15 dB LoGain
+13 +13 dBu 9 dB +4 dBu
Set to +24 dBu the M-32 DA is compatible to SMPTE (+24 dBu @ 0 dBFS, +4 dBu with 20 dB
of headroom).
Содержание
- I o steadycloc 1
- M 16 da 1
- M 32 da 1
- Madi i o 1
- Professional 32 16 channel d a converter double balanced output stages 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 da 5
- M 32 da 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 da 13
- M 32 da 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi in 14
- Madi input 14
- Madi output 14
- Adat sync 15
- Clock section 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 da 21
- M 32 da 21
- User s guide 21
- Analog outputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 da 29
- M 32 da 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs madi 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog outputs 33
- Trs jacks analog outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 da 40
- Block diagram m 16 da 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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