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RME M-16 DA [48/57] Formats and number of channels
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48
User’s Guide M-32 DA © RME
20.1 Formats and Number of Channels
PC or Mac based recording and playback can be realized easily with the M-series converters.
ADAT optical and MADI formats are available for data transmission. RME offers several spe-
cialized computer interfaces:
• HDSPe RayDAT: PCI Express card with 4 optical inputs and outputs in ADAT format (3
channels in and out respectively). Offers an additional SPDIF I/O (RCA) and an AES/EBU
I/O (XLR). Internal mixer for free routing and mixing of all I/Os.
• HDSPe MADI: PCI Express card with coaxial and optical input and output in MADI format
(64 channels each). Offers an additional analog stereo output for monitoring. Internal mixer
for free routing and mixing of all I/Os. Also available as PCI version (HDSP MADI).
• HDSPe MADIface: PCI ExpressCard for notebooks, with coaxial and optical input and out-
put in MADI format (64 channels each). Internal mixer for free routing and mixing of all I/Os.
ADAT – HDSPe RayDAT
MADI – HDSPe MADI
General
- As ADAT is a common format, many
other devices can be connected to the
HDSPe RayDAT as well
- cost efficient at low channel counts
- More than 32 channels require a sec-
ond HDSPe RayDAT
- Specialized interface for profes-
sional users, therefore not available
everywhere
- cost efficient at high channel counts
- More than 64 channels require a
second HDSPe MADI
Compari-
son
- short cables (< 10m)
- 8 channels per cable
- Connectors not lockable
- Serial connection not possible
- At 48 kHz 32 channels I/O require a
total of 8 cables to the computer
- Very long cables (up to 2 km)
- 64 channels per cable
- Connectors lockable
- Serial connection possible
- At 48 kHz 64 channels I/O require a
total of 2 cables to the computer
The M-series is applicable in many different ways, no matter if used with ADAT or MADI. All four
converters can be combined freely, realizing different setups, matching your individual applica-
tion or budget.
The following chapters list some typical setups with special notes on the recommended cabling.
Содержание
- I o steadycloc 1
- M 16 da 1
- M 32 da 1
- Madi i o 1
- Professional 32 16 channel d a converter double balanced output stages 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 da 5
- M 32 da 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 da 13
- M 32 da 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi in 14
- Madi input 14
- Madi output 14
- Adat sync 15
- Clock section 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 da 21
- M 32 da 21
- User s guide 21
- Analog outputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 da 29
- M 32 da 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs madi 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog outputs 33
- Trs jacks analog outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 da 40
- Block diagram m 16 da 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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