RME M-16 DA [57/57] Multiple playbacks
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User’s Guide M-32 DA © RME
57
Despite serial cabling the playback is sample accurate between all units, because the convert-
ers automatically activate Delay Compensation.
Note
: The Delay Compensation operates separately for AD and DA converters. It will only work
when the AD- and DA-converters are connected serially in an ordered way. A DA between two
AD (or vice versa) will prevent correct recognition of identical units and subsequently disable
the activation of the Delay Compensation.
Correct Cabling
The correct setup of a rack regarding serial cabling is not AD-converters on top and DA-
converters at the bottom, but vice versa. If the AD-converters are supposed to remain in top
position, one has to get used to a cabling within the rack from bottom to top. This is valid not
only for the Multicore presented here, but also for the previous chapter.
One side’s AD-converter must be followed by the other sides DA-converter. This becomes eas-
ily apparent when using all 64 channels, as a different order will cause some channels to be
overwritten with data from other units within the rack.
20.6 Multiple Playbacks
The MADI input of the DA-converters will not only serve as data source for conversion, but also
as MADI pass-through input. Since a single M-32 DA or M-16 DA does not convert all 64 chan-
nels of the MADI signal, all channels of the input signal are passed to the output. Additional M-
32 DA or M-16 DA can be connected serially to convert the remaining signals, in any combina-
tion, up to a maximum of 64 channels: One M-32 DA with one or two M-16 DA or up to four M-
16 DA.
Unlike the Ads, the DAs perform a complete pass-through. The incoming data is used, but not
replaced by another.
Therefore and because MADI covers long distances, the same channels can also be converted
in several different (electrically separated) locations, with comfortable and unambiguous front
panel channel selection.
The individual choice of a block of 16 or 32 channels to be converted is set on each unit’s front
plate via the MADI IN key.
Содержание
- I o steadycloc 1
- M 16 da 1
- M 32 da 1
- Madi i o 1
- Professional 32 16 channel d a converter double balanced output stages 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 da 5
- M 32 da 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 da 13
- M 32 da 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi in 14
- Madi input 14
- Madi output 14
- Adat sync 15
- Clock section 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 da 21
- M 32 da 21
- User s guide 21
- Analog outputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 da 29
- M 32 da 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs madi 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog outputs 33
- Trs jacks analog outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 da 40
- Block diagram m 16 da 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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