RME HDSPe MADI Руководство по эксплуатации онлайн [43/72] 777774
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User's Guide HDSPe MADI © RME
43
As shown it is very easy to set up a specific submix for whatever output: select output channel,
set up fader and pans of inputs and playbacks – ready!
For advanced users sometimes it makes sense to work without Submix View.
Example: you want to see and set up some channels of different submixes
simultaneously, without the need to change between them all the time. Switch
off the Submix View by a click on the green button. Now the black routing
fields below the faders no longer show the same entry (1+2), but completely
different ones. The fader and pan position is the one of the individually shown
routing destination.
In playback channel 1 (middle row), labelled Out 1, click onto the routing field
below the label. A list pops up, showing a checkmark in front of '1+2' and
'63+64'. So currently playback channel 1 is sent to these two routing destina-
tions. Click onto '7+8'. The list disappears, the routing field no longer shows
'1+2', but '7+8'. Now move the fader with the mouse. As soon as the fader
value is unequal m.a., the present state is being stored and routing is
activated. Move the fader button to around 0 dB. The present gain value is
displayed below the fader in green letters.
In the lower row, on channel 7, you can see the level of what you are hearing
from output 7. The level meter of the hardware output shows the outgoing
level. Click into the area above the fader and drag the mouse in order to set
the panorama, in this case the routing between channels 7 and 8. The present
pan value is also being displayed below the fader.
Please carry out the same steps for Out 2 now, in order to route it to output 8
as well.
In short: While editing the Submix 7+8 you have direct access to other
submixes on other channels, because their routing fields are set to different
destinations. And you get a direct view of how their faders and panoramas are
set up.
This kind of visual presentation is very powerful, but for many users hard
to understand, and requires a deep understanding of complex routing
visualizations. Therefore we usually recommend to work in Submix View.
Often signals are stereo, i. e. a pair of two channels. It is therefore helpful to
be able to make the routing settings for two channels at once. Hold down the
Ctrl-key and click into the routing field of Out 3. The routing list pops up with a
checkmark at '3+4'. Select '7+8'. Now, Out 4 has already been set to '7+8' as
well.
When you want to set the fader to exactly 0 dB, this can be difficult, depending
on the mouse configuration. Move the fader close to the 0 position and now
press the Shift-key. This activates the fine mode, which stretches the mouse
movements by a factor of 8. In this mode, a gain setting accurate to 0.1 dB is
no problem at all.
Please set Out 4 to a gain of around -20 dB and the pan close to center. Now
click onto the routing field. You'll now see three checkmarks, at '3+4', '7+8' and
'63+64'. Click onto '61+62'. The window disappears, fader and pan jump to
their initial values, the signal can now be routed to the outputs 61 and 62. You
can continue like this until all entries have got a checkmark, i. e. you can send
the signal to all outputs simultaneously.
Содержание
- Dsp system hdspe madi 1
- Hammerfal 1
- User s guide 1
- Driver installation and operation windows 2
- General 2
- Connections and totalmix 3
- Driver installation and operation mac os x 3
- Technical reference 4
- General 5
- Hdspe madi 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- System requirements 6
- External connectors 7
- Hardware connectors 7
- Hardware installation 7
- Accessories 8
- Internal connectors 8
- Warranty 8
- Appendix 9
- Ce fcc compliance 10
- Iso 9001 10
- Note on disposal 10
- Driver installation and operation windows 11
- Hdspe madi 11
- User s guide 11
- De installing the drivers 12
- Driver and firmware 12
- Driver installation 12
- Driver update 12
- Firmware update 13
- Configuring the hdspe madi 14
- Settings dialog 14
- Settings dialog pitch 16
- Clock modes synchronisation 17
- Operation and usage 18
- Playback 18
- Dvd playback ac 3 dts 19
- Multi client operation 20
- Notes on wdm 20
- Digital recording 21
- General 22
- Known problems 22
- Operation under asio 22
- Digicheck 23
- Using multiple hdspe madi 23
- Hotline troubleshooting 24
- Driver installation and operation mac os x 25
- Hdspe madi 25
- User s guide 25
- Driver and flash update 26
- Driver installation 26
- Driver update 26
- Firmware update 26
- Configuring the hdspe madi 27
- Settings dialog 27
- Clock modes synchronisation 29
- Mac os x faq 30
- Midi doesn t work 30
- Repairing disk permissions 30
- Round about driver installation 30
- Supported sample rates 30
- Using more than one hdspe system 31
- Various information 31
- Digicheck mac 32
- Hotline troubleshooting 32
- Connections and totalmix 33
- Hdspe madi 33
- User s guide 33
- Connections 34
- Headphones 34
- Madi i os 34
- Word clock 35
- Word clock input and output 35
- Technical description and usage 36
- Cabling and termination 37
- Operation 38
- Overview 39
- Totalmix routing and monitoring 39
- The user interface 41
- Elements of a channel 42
- Tour de totalmix 42
- Mute und solo 44
- Submix view 44
- Presets 45
- The quick access panel 45
- Preferences 47
- The monitor panel 47
- Editing the names 48
- Hotkeys 49
- Menu fader groups 50
- Menu options 50
- Level meter 51
- Elements of the matrix view 52
- Operation 52
- Overview 52
- Totalmix the matrix 52
- Advantages of the matrix 53
- Asio direct monitoring windows only 53
- Totalmix super features 53
- Copy routings to other channels 54
- Delete routings 54
- Selection and group based operation 54
- Recording a subgroup loopback 55
- Using external effects devices 56
- Ms processing 57
- Mapping 58
- Overview 58
- Totalmix midi remote control 58
- Operation 59
- Simple midi control 60
- Loopback detection 61
- Hdspe madi 63
- Technical reference 63
- User s guide 63
- Inputs 64
- Outputs 64
- Technical specifications 64
- Digital 65
- Madi basics 66
- Technical background 66
- Lock and synccheck 67
- Latency and monitoring 68
- Ds double speed 69
- Qs quad speed 70
- Steadyclock 71
- Terminology 72
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