RME HDSPe MADI [66/72] Technical background
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User's Guide HDSPe MADI © RME
30. Technical Background
30.1 MADI Basics
MADI, the serial Multichannel Audio Digital Interface, has been defined already in 1989 as an
extension of the existing AES3 standard following several manufacturers' wish. The format also
known as AES/EBU, a balanced bi-phase signal, is limited to two channels. Simply put, MADI
contains 28 of those AES/EBU signals in serial, i. e. after one another, and the sample rate can
still even vary by +/-12.5%. The limit which cannot be exceeded is a data rate of 100Mbit/s.
Because an exact sampling frequency is used in most cases, the 64 channel mode was intro-
duced officially in 2001. It allows for a maximum sample rate of 48 kHz + ca. 1%, corresponding
to 32 channels at 96 kHz, without exceeding the maximum data rate of 100 Mbit/s. The effective
data rate of the port is 125 Mbit/s due to additional coding.
Older devices understand and generate only the 56 channel format. Newer devices often work
in the 64 channel format, but offer still no more than 56 audio channels. The rest is being eaten
up by control commands for mixer settings etc. RME's devices of the MADI series show that this
can be done in a much better way, with an invisible transmission of 16 MIDI channels and the
MADI signal still being 100% compatible.
For the transmission of the MADI signal, proved methods known from network technology were
applied. Most people know unbalanced (coaxial) cables with 75 Ohms BNC plugs, they are not
expensive and easy to get. The optical interface is much more interesting due to its complete
galvanic separation, but for many users it is a mystery, because very few have ever dealt with
huge cabinets full of professional network technology. Therefore here are some explanations
regarding 'MADI optical'.
• The cables used are standard in computer network technology. They are thus not at all
expensive, but unfortunately not available in every computer store.
• The cables have an internal fibre of only 50 or 62.5 µm diameter and a coating of 125 µm.
They are called network cables 62.5/125 or 50/125, the former mostly being blue and the
latter mostly being orange. Although in many cases not clearly labelled, these are always (!)
glass fibre cables. Plastic fibre cables (POF, plastic optical fibre) can not be manufactured
in such small diameters.
• The plugs used are also an industry standard and called SC. Please don't mix them up with
ST connectors, which look similar to BNC connectors and are being screwed. Plugs used in
the past (MIC/R) were unnecessarily big and are not being used any longer.
• The cables are available as a duplex variant (2 cables being glued together) or as a simplex
variant (1 cable). The HDSPe optical module supports both variants.
• The transmission uses the multimode technique which supports cable lengths of up to al-
most 2 km. Single mode allows for much longer distances, but it uses a completely different
fibre (8 µm). By the way, due to the wave-length of the light being used (1300 nm) the opti-
cal signal is invisible to the human eye.
Содержание
- Dsp system hdspe madi 1
- Hammerfal 1
- User s guide 1
- Driver installation and operation windows 2
- General 2
- Connections and totalmix 3
- Driver installation and operation mac os x 3
- Technical reference 4
- General 5
- Hdspe madi 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- System requirements 6
- External connectors 7
- Hardware connectors 7
- Hardware installation 7
- Accessories 8
- Internal connectors 8
- Warranty 8
- Appendix 9
- Ce fcc compliance 10
- Iso 9001 10
- Note on disposal 10
- Driver installation and operation windows 11
- Hdspe madi 11
- User s guide 11
- De installing the drivers 12
- Driver and firmware 12
- Driver installation 12
- Driver update 12
- Firmware update 13
- Configuring the hdspe madi 14
- Settings dialog 14
- Settings dialog pitch 16
- Clock modes synchronisation 17
- Operation and usage 18
- Playback 18
- Dvd playback ac 3 dts 19
- Multi client operation 20
- Notes on wdm 20
- Digital recording 21
- General 22
- Known problems 22
- Operation under asio 22
- Digicheck 23
- Using multiple hdspe madi 23
- Hotline troubleshooting 24
- Driver installation and operation mac os x 25
- Hdspe madi 25
- User s guide 25
- Driver and flash update 26
- Driver installation 26
- Driver update 26
- Firmware update 26
- Configuring the hdspe madi 27
- Settings dialog 27
- Clock modes synchronisation 29
- Mac os x faq 30
- Midi doesn t work 30
- Repairing disk permissions 30
- Round about driver installation 30
- Supported sample rates 30
- Using more than one hdspe system 31
- Various information 31
- Digicheck mac 32
- Hotline troubleshooting 32
- Connections and totalmix 33
- Hdspe madi 33
- User s guide 33
- Connections 34
- Headphones 34
- Madi i os 34
- Word clock 35
- Word clock input and output 35
- Technical description and usage 36
- Cabling and termination 37
- Operation 38
- Overview 39
- Totalmix routing and monitoring 39
- The user interface 41
- Elements of a channel 42
- Tour de totalmix 42
- Mute und solo 44
- Submix view 44
- Presets 45
- The quick access panel 45
- Preferences 47
- The monitor panel 47
- Editing the names 48
- Hotkeys 49
- Menu fader groups 50
- Menu options 50
- Level meter 51
- Elements of the matrix view 52
- Operation 52
- Overview 52
- Totalmix the matrix 52
- Advantages of the matrix 53
- Asio direct monitoring windows only 53
- Totalmix super features 53
- Copy routings to other channels 54
- Delete routings 54
- Selection and group based operation 54
- Recording a subgroup loopback 55
- Using external effects devices 56
- Ms processing 57
- Mapping 58
- Overview 58
- Totalmix midi remote control 58
- Operation 59
- Simple midi control 60
- Loopback detection 61
- Hdspe madi 63
- Technical reference 63
- User s guide 63
- Inputs 64
- Outputs 64
- Technical specifications 64
- Digital 65
- Madi basics 66
- Technical background 66
- Lock and synccheck 67
- Latency and monitoring 68
- Ds double speed 69
- Qs quad speed 70
- Steadyclock 71
- Terminology 72
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