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M-Audio Studiophile DSM3 [8/30] Digital signal processing
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M-Audio Studiophile DSM3 Guide2
Inputs
M-Audio DSM3 speakers allow analog or digital
inputs. Input type is selectable with the Input
Select switch on the back panel of the speaker.
Each input type has two available connectors.
Analog Inputs The analog input signal is sam-
pled on input and processed digitally until it
reaches the power amplifier stage.
Available analog inputs include balanced XLR
and 1/4-inch TRS connectors. These analog in-
puts are summed so that both input connectors
may be used at the same time.
Digital Inputs The digital inputs automatically
detect the sample rate and bit depth of the in-
put, and accept up to 192kHz/24-bit signals.
Available digital inputs include AES/EBU and
S/PDIF connectors. Only one digital connector
may be used at a time.
Enclosure
DSM3 speakers feature a high-efficiency, rein-
forced medium-density fiberboard enclosure.
Custom Waveguides The front panel waveguides
are designed to maintain accurate frequency re-
sponse and stereo imaging.
Bass Reflex Port A dual-flange bass reflex port
provides enhanced low frequency response and
clarity, while minimizing extraneous noise and
vibration.
Drivers
LF Drivers DSM3 speakers have two 6.5-inch LF
drivers with a steel frame and single-piece anod-
ized aluminum diaphragm. Dual LF drivers in-
crease the width of the listening sweet spot and
reduce early reflections from hard surfaces in
the control room.
HF Driver DSM3 speaker s h ave a 1-in ch HF dri ver
with a soft-dome ferro-fluid cooled design that
ensures smooth, accurate reproduction of high-
frequency details.
Digital Signal Processing
DSM3 speakers employ 36-bit digital signal pro-
cessing for control of crossover, EQ, and chan-
nel assignment settings.
Crossover The crossover function is handled by
a digital processor that ensures flat, distortion-
free integration of the LF and HF drivers.
EQ and Placement Settings Six filters allow for
customization of speaker response to a variety of
sonic conditions and speaker orientations in
your studio.
Digital Channel Assignment When working with
digital input, this switch is used to select the
channel to be monitored in the speaker.
Volume Trim The Volume Trim control adjusts
level of the input signal in the digital domain.
Содержание
- User guide 1
- Caution attention 2
- Precaucion 2
- Accessories 3
- Carts and stands 3
- Cleaning 3
- Damage requiring service 3
- Follow instructions 3
- Heed warnings 3
- Important safety instructions 3
- Object and liquid entry 3
- Polarized plug 3
- Power cord protection 3
- Power sources 3
- Read instructions 3
- Retain instructions 3
- Servicing 3
- Unplug power cord 3
- Ventilation 3
- Wall or ceiling mounting 3
- Water and moisture 3
- Appendix a specification 5
- Chapter 1 introductio 5
- Chapter 2 overview of the dsm3 speake 5
- Chapter 3 setup and operatio 5
- Contents 5
- About the speakers 7
- Amplifiers 7
- Chapter 1 7
- Features 7
- Introduction 7
- What s in the box 7
- Digital signal processing 8
- Drivers 8
- Enclosure 8
- Inputs 8
- Back panel connectors and controls 9
- Chapter 2 9
- Overview of the dsm3 speaker 9
- This chapter describes the connectors controls and features of the dsm3 speaker 9
- 4 inch trs connector 10
- Ac connector and power switch 10
- Analog input sensitivity switch 10
- Analog inputs 10
- Input selector switch 10
- Inputs 10
- Make sure to use a fuse rated at 2 amps do not use fuses of any other rating or you risk damage to the unit 10
- Power connections 10
- Voltage selector 10
- Xlr connector 10
- Aes ebu digital in 11
- Digital channel assigment 11
- Digital inputs 11
- Eq settings 11
- S pdif digital in 11
- S pdif digital thru 11
- Volume trim control 11
- Front panel 12
- Front panel led 12
- The led indicator on the front of the dsm3 speaker indicates the following states 12
- Chapter 3 13
- Getting started 13
- Reusing the speaker packaging 13
- Setting up the speakers 13
- Setup and operation 13
- Unpacking the speakers 13
- Horizontal orientation 14
- Speaker location 14
- Speaker orientation 14
- Vertical orientation 14
- Configuring and connecting ac power 15
- Setting the voltage 15
- Stereo positioning 15
- Surround positioning 15
- Connecting power 16
- Installing a fuse 16
- Make sure to use a fuse rated at 2 amps do not use fuses of any other rating or you risk damage to the unit 16
- Power up and power down 16
- Connecting analog inputs 17
- Connecting audio 17
- Connecting digital inputs 17
- Connecting digital sources 17
- If you need to connect an unbalanced ana log source see analog inputs on page 4 17
- Digital channel assignment 18
- Configuring speaker settings 19
- Eq settings 19
- Setting the high frequency shelf eq 19
- Setting the volume trim control to 0 maximizes the signal to noise ratio 19
- Volume trim settings 19
- Setting the lf shelf eq 20
- Setting the mid range eq 20
- Chapter 3 setup and operation 15 21
- Desktop 175 hz filter switches and settings 21
- Desktop 220 hz filter switches and settings 21
- High pass filter switches and settings 21
- Set switches 11 and 12 to the positions shown below to activate the corresponding eq levels 21
- Set switches 7 and 8 to the positions shown below to activate the corresponding eq levels 21
- Set switches 9 and 10 to the positions shown below to activate the corresponding eq levels 21
- Setting the desktop filters 21
- Setting the high pass filter 21
- The desktop filters let you compensate for the effects of frequency buildup when your dsm3 speaker is placed on a reflective surface such as a desktop or meter bridge or within a reflective surface such as a shelf or case experiment with the eq options centered around 175 hz 200 hz by using the 175 hz and 220 hz filters at the same time or 220 hz 21
- The high pass filter lets you adjust the bass roll off of your dsm3 speakers start with the filter all the way open 40 hz setting and only raise the cutoff frequency in order to protect the lf drivers at low frequencies or to couple your dsm3 speakers with a subwoofer 21
- To adjust the desktop 175 hz filter 21
- To adjust the desktop 220 hz filter 21
- To adjust the high pass filter 21
- Tips for best performance 22
- Troubleshooting 22
- Appendix a 23
- Specifications 23
- Technical specifications 23
- Hf shelf eq levels 24
- M audio studiophile dsm3 guide 18 24
- Mid range eq levels 24
- Reference diagrams 24
- Appendix a specifications 19 25
- High pass filter levels 25
- Lf shelf levels 25
- Desktop eq 175 hz levels 26
- Desktop eq 220 hz levels 26
- M audio studiophile dsm3 guide 20 26
- Appendix a specifications 21 27
- Desktop eq 200 hz levels 27
- 2008 avid technology inc all rights reserved product features specifications system requirements and availabil ity are subject to change without notice avid m audio and studiophile dsm are either trademarks or registered trade marks of avid technology inc all other trademarks contained herein are the property of their respective owners 29
- Warranty 29
- Warranty registration 29
- Warranty terms 29
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