![Tc Electronic C300 [12/23] Typical setups](/img/pdf.png)
Tc Electronic C300 [12/23] Typical setups
![Tc Electronic C300 [12/23] Typical setups](/views2/1011854/page12/bgc.png)
10
TYPICAL SETUPS
In this example the C300 is used in Dual
Mono mode as two 100% independent mono
engines on two separate channels. The two
engines have no influence on each other.
The illustration above shows connections in
an analog setup. If digital input is used the
two channels present on S/PDIF is split and
processed exactly as two signals were
connected to the Left inputs on engines 1+2
as illustrated above.
Purpose:
Individual processing on two separate
channels.
• Set routing to “dual mono” mode.
• Insert C300 engine 1 using a Y-split cable (or
other appropriate cable).
• Insert C300 engine 2 using a Y-split cable (or
other appropriate cable).
C300
CH 1 SEND
CH 1 RETURN
piano/keyb piano/keyb
bass dm bass dm
snaredm snaredm
de-ess2 de-ess2
female vocal female vocal
tomsdm toms dm
percussive percussive
de-ess1 de-ess1/hum /hum
/hiss /hiss
composite composite
horns/inst. horns/inst.
-60 -60BYP BYP100 1001:1 1:1.1 .1
.3 .3
1 1
0dB 0dBinf. inf.2 2
-30 -3050 50
75 75
25 25
0 0.5 .5
dB| dB|sec secratio ratiodB dB% %
thresh threshoverload overloaddigital in
dual mono
power
stereo|serial
-20 -20-40 -40
-50 -50-10 -10
2 2
3 3
5 5
8 8
threshold thresholdratio ratiomakeup| makeup|mix| mix|release releaseamount amount
engine 1 engine2
routing
metering metering
program program
male vocal male vocal
vocalchoir vocal choir
speech speech
bassguitar bass guitar
elec. guitar elec. guitar
acoustic guitar acoustic guitar
-6 -6-3 -3
-12 -12-6 -6
-18 -18-12 -12
-24 -24-18 -18
-48 -48-24 -24
-3 -3-1 -1
i/p dBfs i/pdBfsdamp. damp.
-5 -5+5 +5
-15 -15
+15 +15
algorithm algorithm
gate|exp gate|expcomp|lim comp|lim
DUAL STEREO GATE | COMPRESSOR
C300
CH 2 SEND
CH 2 RETURN
LEFT IN LEFT OUT RIGHT IN RIGHT OUT
CLIP
0
-5
-10
-15
-20
-30
-40
Insert
For each engine:
• Select processing type for engines 1 and 2.
• If you have selected a compression type
preset set the Makeup gain to 12 o’clock
position.
• Set Threshold and Ratio controls.
• Set mix to 100% for conventional full signal
processing or use a lower setting to utilize
the “new style compression”/parallel
compression. (read more on new style
compression later in this manual)
• Now adjust the Makeup gain for level
compensation.
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Introduction 7
- Program types 7
- Front panel overview 8
- Front panel 9
- Rear panel connections 10
- Signal flow 11
- Ch 1 send ch 1 return 12
- Ch 2 send ch 2 return 12
- Insert 12
- Typical setups 12
- Acoustic guitar acoustic guitar 13
- Bass dm bass dm 13
- Bass guitar bass guitar 13
- Connect master out or group out to c300 left right inputs and c300 outputs to downstream device e g stereo amplifier 13
- Control schematic 13
- Cross over 13
- De ess1 de ess1 hum hum 13
- De ess2 de ess2 13
- Elec guitar elec guitar 13
- Engine 1 engine 2 13
- Female vocal female vocal 13
- For each engine 13
- Hiss hiss 13
- Horns inst horns inst 13
- I p dbfs i p dbfs damp damp 13
- If you have selected a compression type preset set the makeup gain to 12 o clock position 13
- In the stereo serial mode c300 is ideal for the following 3 different main applications 13
- Male vocal male vocal 13
- Metering metering 13
- Mono serial processing connect a mono signal to the c300 left input and listen on the c300 right output 13
- Now adjust the makeup gain for level compensation 13
- Percussive percussive 13
- Piano keyb piano keyb 13
- Program display input meters 13
- Select processing type for engines 1 and 2 bypass engine 2 for stereo single engine processing 13
- Set mix to 100 for conventional full signal processing or use a lower setting to utilize the parallel compression read more on parallel compression later in this manual 13
- Set routing to stereo serial 13
- Set threshold and ratio controls 13
- Snaredm snaredm 13
- Speech speech 13
- Stereo serial 13
- Stereo serial dual engine processing stereo in stereo out both engines processing this is a typical choice if you want to combine e g a de ess function with compression on vocals 13
- Stereo single engine processing stereo in stereo out bypass engine 2 by turning the mix control fully counter clockwise to byp 13
- Threshold threshold ratio ratio makeup makeup mix mix release release amount amount 13
- Toms dm toms dm 13
- Typical setups 13
- Vocal choir vocal choir 13
- Cables 14
- Type 1 14
- Type 2 14
- Cables 15
- Type 3 15
- Preset applications 16
- Preset application 17
- Preset application 18
- C300 processing 19
- Compression 19
- C300 processing 20
- Comp lim mode c300 20
- Gate expander mode c300 20
- C300 new style compression 21
- C300 processing 21
- Appendix 22
- Sw update 22
- Appendix 23
- Technical specifications 23
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