Tc Electronic C300 [16/23] Preset applications
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14
PRESET APPLICATIONS
This chapter describes the C300 programs
and their suggested applications. You are of
course encouraged to experiment and twist
controls to reach an optimal result for your
specific application.
Composite
Use the composite preset when you have a
complex or many faceted signal like a full-mix
signal. You can use it in compressor mode or in
expander mode and it delivers true multi-band
processing. That means that the C300 does the
work for you – what was previously a complex
operation has now become a simple operation
thanks to the optimized composite preset.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Female vocal
The female vocal preset is tailor made for high
pitched vocals. Use it as a compressor or
expander to bring out the sonic qualities of your
taste. You’ll immediately be amazed about the
audible perfection you can attain with this multi-
band preset.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Male vocal
Male vocals can become a bit muddy due to
their lower pitch. For optimal clarity and
performance, you should apply this multi-band
expander/compressor preset, which brings out
the true essence of your vocals.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Voc. Choir
If you want your backing vocals to stand out,
while preserving the group like character that a
band of singers have, the Voc. Choir preset will
do the job. Use the compressor to control the
gain of your source or use the expander to
lower the noise floor.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Speech
For pure speech and oratory signals, you
should use the Speech preset. It is optimized
for signals with a lesser dynamic fluctuation
than what you’ll find in e.g. vocals. The preset
is a true multi-band preset in both compressor
and expander mode.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Bass guitar
One thing that all bass players hate, is
unintentional muddy-ness to their sound. The
bass guitar preset will make sure that your bass
is smack in the face. Apply this multi-band
compressor or expander for great results on
your bass sound. Now you can avoid the low
frequencies triggering your compressor and
retain the sonic qualities of your entire signal.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Electric guitar
Most often electric guitars have no problem
getting through in the mix. But sometimes the
sonic quality could be better, as the signal
easily gets too loud or unwillingly distorted. The
Electric Guitar preset works wonders as an
expander/compressor in true multi-band mode.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Acoustic guitar
Acoustic guitars have a subtleness that is
delightful to listen to. Yet sometimes subtleness
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Introduction 7
- Program types 7
- Front panel overview 8
- Front panel 9
- Rear panel connections 10
- Signal flow 11
- Ch 1 send ch 1 return 12
- Ch 2 send ch 2 return 12
- Insert 12
- Typical setups 12
- Acoustic guitar acoustic guitar 13
- Bass dm bass dm 13
- Bass guitar bass guitar 13
- Connect master out or group out to c300 left right inputs and c300 outputs to downstream device e g stereo amplifier 13
- Control schematic 13
- Cross over 13
- De ess1 de ess1 hum hum 13
- De ess2 de ess2 13
- Elec guitar elec guitar 13
- Engine 1 engine 2 13
- Female vocal female vocal 13
- For each engine 13
- Hiss hiss 13
- Horns inst horns inst 13
- I p dbfs i p dbfs damp damp 13
- If you have selected a compression type preset set the makeup gain to 12 o clock position 13
- In the stereo serial mode c300 is ideal for the following 3 different main applications 13
- Male vocal male vocal 13
- Metering metering 13
- Mono serial processing connect a mono signal to the c300 left input and listen on the c300 right output 13
- Now adjust the makeup gain for level compensation 13
- Percussive percussive 13
- Piano keyb piano keyb 13
- Program display input meters 13
- Select processing type for engines 1 and 2 bypass engine 2 for stereo single engine processing 13
- Set mix to 100 for conventional full signal processing or use a lower setting to utilize the parallel compression read more on parallel compression later in this manual 13
- Set routing to stereo serial 13
- Set threshold and ratio controls 13
- Snaredm snaredm 13
- Speech speech 13
- Stereo serial 13
- Stereo serial dual engine processing stereo in stereo out both engines processing this is a typical choice if you want to combine e g a de ess function with compression on vocals 13
- Stereo single engine processing stereo in stereo out bypass engine 2 by turning the mix control fully counter clockwise to byp 13
- Threshold threshold ratio ratio makeup makeup mix mix release release amount amount 13
- Toms dm toms dm 13
- Typical setups 13
- Vocal choir vocal choir 13
- Cables 14
- Type 1 14
- Type 2 14
- Cables 15
- Type 3 15
- Preset applications 16
- Preset application 17
- Preset application 18
- C300 processing 19
- Compression 19
- C300 processing 20
- Comp lim mode c300 20
- Gate expander mode c300 20
- C300 new style compression 21
- C300 processing 21
- Appendix 22
- Sw update 22
- Appendix 23
- Technical specifications 23
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