![Tc Electronic C300 [17/23] Preset application](/img/pdf.png)
Tc Electronic C300 [17/23] Preset application
![Tc Electronic C300 [17/23] Preset application](/views2/1011854/page17/bg11.png)
15
PRESET APPLICATION
is interchangeable with a lesser presence in the
mix. The multi-band Acoustic Guitar preset
gives you a compressor that will preserve the
original subtleness and evenness of your
instruments tone, and an expander that will
lower the noise floor.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Horns/instrument
A horn section or for that matter a solo sax, can
be quite a hassle to get just right in the mix.
Apply the Horns/instrument preset and take
advantage of a true multi-band
expander/compressor. Use the compressor to
align the difference in volume that you will find
in e.g. a fast riff as compared to sustained
tones.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Piano/keyb
Synthesizers, stage-pianos and acoustic pianos
have a huge pitch and dynamic range. That
makes it genuinely hard to find just the right
level for such instruments in the mix. For
exceptional control and equality you should
apply the Piano/keyb preset.
Applied algorithm in Comp/Lim mode:
Multi-band Compression + Peak Limiter
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Percussive
A full set of percussion instruments has a huge
dynamic range that is very difficult to control.
With the Percussive preset you can avoid any
surprises that powerful and darker percussive
instruments might dish out, giving you total
control of the dynamic range.
Applied algorithm in Comp/Lim mode:
Wideband Compression
Applied algorithm in Exp/Gate mode:
Wideband Expansion
Toms dm - Toms “drum”
Tom toms span from small and higher pitched
sounds to large and lower pitched sounds.
Their relatively high attack and short decay
times requires advanced mixing techniques.
With the Toms preset you have a specially
designed full-band expander/gate and
compressor that will do the job.
Applied algorithm in Comp/Lim mode:
Multi-band Compression
Applied algorithm in Exp/Gate mode:
Wideband Gate/Expansion
Bass dm - Bass drum
The bass drum plays many different roles.
Depending on the style of music, you want it to
be hard and powerful, full and punchy, or fast
and furious. The Bass dm preset is a full-band
expander/gate and compressor, which will
make it easy to fit your bass drum to your
favorite style and control it in the mix.
Applied algorithm in Comp/Lim mode:
Multi-band Compression
Applied algorithm in Exp/Gate mode:
Wideband Gate/Expansion
Snare dm - Snare drum
You’ve probably already experimented with the
sound of the snare drum, in the quest for that
signature sound that some of the world’s great
drummers are known for. With the Snare dm
preset you’re on the fast track to making your
snare drum sound exceptional. The preset can
be used as either a full-band expander/gate or
a full-band compressor/limiter.
Applied algorithm in Comp/Lim mode:
Multi-band Compression
Applied algorithm in Exp/Gate mode:
Wideband Gate/Expansion
Hiss-Cut
Sometimes you might get a bit of hiss from an
incoming source, especially when external
devices are linked into a larger setup or if
different electronic formats or ground policies
are connected like consumer standards
connected to professional equipment. To
counter that you should use the Hiss-Cut
preset. It kicks in when there’s no or next to no
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Introduction 7
- Program types 7
- Front panel overview 8
- Front panel 9
- Rear panel connections 10
- Signal flow 11
- Ch 1 send ch 1 return 12
- Ch 2 send ch 2 return 12
- Insert 12
- Typical setups 12
- Acoustic guitar acoustic guitar 13
- Bass dm bass dm 13
- Bass guitar bass guitar 13
- Connect master out or group out to c300 left right inputs and c300 outputs to downstream device e g stereo amplifier 13
- Control schematic 13
- Cross over 13
- De ess1 de ess1 hum hum 13
- De ess2 de ess2 13
- Elec guitar elec guitar 13
- Engine 1 engine 2 13
- Female vocal female vocal 13
- For each engine 13
- Hiss hiss 13
- Horns inst horns inst 13
- I p dbfs i p dbfs damp damp 13
- If you have selected a compression type preset set the makeup gain to 12 o clock position 13
- In the stereo serial mode c300 is ideal for the following 3 different main applications 13
- Male vocal male vocal 13
- Metering metering 13
- Mono serial processing connect a mono signal to the c300 left input and listen on the c300 right output 13
- Now adjust the makeup gain for level compensation 13
- Percussive percussive 13
- Piano keyb piano keyb 13
- Program display input meters 13
- Select processing type for engines 1 and 2 bypass engine 2 for stereo single engine processing 13
- Set mix to 100 for conventional full signal processing or use a lower setting to utilize the parallel compression read more on parallel compression later in this manual 13
- Set routing to stereo serial 13
- Set threshold and ratio controls 13
- Snaredm snaredm 13
- Speech speech 13
- Stereo serial 13
- Stereo serial dual engine processing stereo in stereo out both engines processing this is a typical choice if you want to combine e g a de ess function with compression on vocals 13
- Stereo single engine processing stereo in stereo out bypass engine 2 by turning the mix control fully counter clockwise to byp 13
- Threshold threshold ratio ratio makeup makeup mix mix release release amount amount 13
- Toms dm toms dm 13
- Typical setups 13
- Vocal choir vocal choir 13
- Cables 14
- Type 1 14
- Type 2 14
- Cables 15
- Type 3 15
- Preset applications 16
- Preset application 17
- Preset application 18
- C300 processing 19
- Compression 19
- C300 processing 20
- Comp lim mode c300 20
- Gate expander mode c300 20
- C300 new style compression 21
- C300 processing 21
- Appendix 22
- Sw update 22
- Appendix 23
- Technical specifications 23
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