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Tc Electronic C300 [19/23] C300 processing
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17
C300 PROCESSING
Compression
The very basis of compression can be reduced
to “controlling the dynamic content” of a audio
signal. This basically means turning down the
loudest parts of the source material and raising
the volume of the parts with low level content.
But how this is done and how this is applied in
audio production is slightly more elaborate.
Keep an eye on the illustration below and let us
look at the basic compression parameters:
The Threshold parameter - sets the limit
where the compressor kicks in/releases it’s grip
of the signal. As soon as the level is above the
set threshold the compressor is active. When
below - it is not.
The Ratio - sets the amount of gain reduction
applied when the signal exceeds the threshold.
In the illustration below the Ratio is the
steepness of the curve after the compressor
threshold.
The Attack time - is the time it takes for the
compressor to reach the compression amount
specified by the set ratio.
The Release time - is the time it takes for the
compressor to release the signal after the input
signal is below the threshold point again.
How each of these parameters are set is very
important and only the correct combination
gives the desired result.
The C300 programs assist you greatly in that
respect as each program has preprogrammed
attack and release times.
Makeup gain - is a common control on
compressors. As reducing/controlling the
loudest parts of the signal attenuates the signal
it is most often necessary to increase the
overall output volume. Thereby the elements
with lowest dynamic content are enhanced.
The Limiter - the Limiter is actually yet another
compressor. It uses a very fast attack time and
has a ratio of 1; infinity. But why is the Limiter
necessary?
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Introduction 7
- Program types 7
- Front panel overview 8
- Front panel 9
- Rear panel connections 10
- Signal flow 11
- Ch 1 send ch 1 return 12
- Ch 2 send ch 2 return 12
- Insert 12
- Typical setups 12
- Acoustic guitar acoustic guitar 13
- Bass dm bass dm 13
- Bass guitar bass guitar 13
- Connect master out or group out to c300 left right inputs and c300 outputs to downstream device e g stereo amplifier 13
- Control schematic 13
- Cross over 13
- De ess1 de ess1 hum hum 13
- De ess2 de ess2 13
- Elec guitar elec guitar 13
- Engine 1 engine 2 13
- Female vocal female vocal 13
- For each engine 13
- Hiss hiss 13
- Horns inst horns inst 13
- I p dbfs i p dbfs damp damp 13
- If you have selected a compression type preset set the makeup gain to 12 o clock position 13
- In the stereo serial mode c300 is ideal for the following 3 different main applications 13
- Male vocal male vocal 13
- Metering metering 13
- Mono serial processing connect a mono signal to the c300 left input and listen on the c300 right output 13
- Now adjust the makeup gain for level compensation 13
- Percussive percussive 13
- Piano keyb piano keyb 13
- Program display input meters 13
- Select processing type for engines 1 and 2 bypass engine 2 for stereo single engine processing 13
- Set mix to 100 for conventional full signal processing or use a lower setting to utilize the parallel compression read more on parallel compression later in this manual 13
- Set routing to stereo serial 13
- Set threshold and ratio controls 13
- Snaredm snaredm 13
- Speech speech 13
- Stereo serial 13
- Stereo serial dual engine processing stereo in stereo out both engines processing this is a typical choice if you want to combine e g a de ess function with compression on vocals 13
- Stereo single engine processing stereo in stereo out bypass engine 2 by turning the mix control fully counter clockwise to byp 13
- Threshold threshold ratio ratio makeup makeup mix mix release release amount amount 13
- Toms dm toms dm 13
- Typical setups 13
- Vocal choir vocal choir 13
- Cables 14
- Type 1 14
- Type 2 14
- Cables 15
- Type 3 15
- Preset applications 16
- Preset application 17
- Preset application 18
- C300 processing 19
- Compression 19
- C300 processing 20
- Comp lim mode c300 20
- Gate expander mode c300 20
- C300 new style compression 21
- C300 processing 21
- Appendix 22
- Sw update 22
- Appendix 23
- Technical specifications 23
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