![Pioneer DJM-500 [3/20] We want you listening for a lifetime](/img/pdf.png)
Pioneer DJM-500 [3/20] We want you listening for a lifetime
![Pioneer DJM-500 [3/20] We want you listening for a lifetime](/views2/1019354/page3/bg3.png)
3
<DRB1192>
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment
off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
We
Want You
LISTENING
For A Lifetime
We Want You Listening For A Lifetime
Used wisely, your new sound equipment will provide a lifetime of
fun and enjoyment. Since hearing damage from loud noise is often
undetectable until it is too late, this manufacturer and the Electronic
Industries Association’s Consumer Electronics Group recommend
you avoid prolonged exposure to excessive noise. This list of sound
levels is included for your protection.
Information courtesy of the Deafness Research Foundation.
90 Subway, motorcycle, truck traffic, lawn mower
100 Garbage truck, chain saw, pneumatic drill
120 Rock band concert in front of speakers, thunderclap
140 Gunshot blast, jet plane
180 Rocket launching pad
THE FOLLOWING NOISES CAN BE DANGEROUS
UNDER CONSTANT EXPOSURE
30 Quiet library, soft whispers
40 Living room, refrigerator, bedroom away from traffic
50 Light traffic, normal conversation, quiet office
60 Air conditioner at 20 feet, sewing machine
70 Vacuum cleaner, hair dryer, noisy restaurant
80 Average city traffic, garbage disposals, alarm clock
at two feet.
Decibel
Level Example
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EST 1924
We
Want You
LISTENING
For A Lifetime
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EST 1924
Selecting fine audio equipment such as the unit you’ve just
purchased is only the start of your musical enjoyment. Now it’s time
to consider how you can maximize the fun and excitement your
equipment offers. This manufacturer and the Electronic Industries
Association’s Consumer Electronics Group want you to get the most
out of your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring or
distortion-and, most importantly, without affecting your sensitive
hearing.
Sound can be deceiving. Over time your hearing “comfort level”
adapts to higher volumes of sound. So what sounds “normal” can
actually be loud and harmful to your hearing. Guard against this by
setting your equipment at a safe level BEFORE your hearing adapts.
To establish a safe level:
÷ Start your volume control at a low setting.
÷ Slowly increase the sound until you can hear it comfortably and
clearly, and without distortion.
Once you have established a comfortable sound level:
÷ Set the dial and leave it there.
Taking a minute to do this now will help to prevent hearing
damage or loss in the future. After all, we want you listening for a
lifetime.
Содержание
- Contents 1
- Dj mixer 1
- Djm 500 1
- Operating instructions 1
- Warnin 1
- Caution 2
- For canadian model 2
- Important 2
- Pour le modèle canadien 2
- Safety instructions 2
- We want you listening for a lifetime 3
- Cautions regarding handling 4
- Checking accessories 4
- Cleaning the unit 4
- Condensation 4
- Location 4
- Band equalizer kill 5
- Bpm counter 5
- Bpm level display beat meter display 5
- Digital display of effector 5
- Enhanced input output terminals 5
- Fader start 5
- Features 5
- Peak level meter 5
- Variety of effects 5
- Ac 120v 60hz 6
- Cassette deck etc player 1 6
- Cd2 cd1 6
- Cdj 500g cdj 500 6
- Connecting audio cords 6
- Connection of input equipment 6
- Connections 6
- Control cord can be connected to cdj 500g and cdj 500 6
- Dat etc 6
- Djm 500 6
- Player 3 player 2 6
- Red plug 6
- To connect the analog player remove the short circuit pin plugs four inserted in the phono terminals phono 1 phono 2 of ch2 and ch3 these short circuit pin plugs serve to cut fine noises to provide high performance when not connecting the analog player be sure to keep them carefully after removal when removed for connecting the analog player insert them back as before after use 6
- Use cords with red and white pin plugs connect the white plug to l and the red plug to r be sure to insert completely 6
- When connecting the units or changing their connections be sure to turn off the power switch and disconnect the power cord from the outlet 6
- White plug 6
- 1 master level attenuator knob 7
- Connection of outputs microphones etc 7
- Connections 7
- Djm 500 7
- External effector power amplifier supporting xlr input power amplifier supporting phone input 7
- Headphone 7
- Main microphone 7
- Pin assignment 7
- Power amplifier for booth monitor 7
- Power amplifier supporting rca input 7
- Sub microphone 7
- To protect the connected amplifiers and speakers from ex cessive inputs this knob is used to decrease the output level 7
- 2 3 4 5 8
- Assign a 8
- Assign b 8
- Auto bpm counter selector 8
- Cross fader ch 2 ch 1 8
- Djm 500 8
- Eq eq eq eq 8
- Fader start 8
- Front section 8
- Master level trim 8
- Mic level 8
- Monitor eq 8
- Monitor level 8
- Monitor selector 8
- Name and function of parts 8
- Phones 8
- Professional 8
- Bpm display 9
- Ch1 to ch4 input selection switch and control knob peak level meter 9
- Effector parameter bpm displa 9
- Main microphone terminal and microphone control knob 9
- Master level meter master level 9
- Master output monaural stereo selection switch mono stereo 9
- Monitor selector auto bpm counter selector button 9
- Name and function of parts 9
- Power supply switch power 9
- Assign switch assign a b 10
- Booth monitor level knob booth monitor level 10
- Channel fader volume 10
- Cross fader switch cross fader on off 10
- Cross fader volume cross fader 10
- Effect channel selector ch selector 10
- Effect selector switch effect selector 10
- Fader start switch fader start 10
- Headphone terminal phones 10
- Master balance knob master balance 10
- Master volume level adjustment 10
- Monitor equalizer knob monitor eq 10
- Monitor level knob monitor level 10
- Monitor monaural stereo selector switch mono stereo 10
- Name and function of parts 10
- Parameter knob parameter 10
- _ effect switch effect on off 10
- 3 4 5 6 7 9 8 9 11
- Booth monitor output terminal booth monitor 11
- Ch 1 2 player control terminal 11
- Ch 1 input terminal 11
- Ch 2 input terminal 11
- Ch 3 input terminal 11
- Ch 4 phono input terminal phono 3 11
- Ch 4 sub microphone input terminal sub mic 11
- External effector connecting terminal send return 11
- Ground terminal signal gnd 11
- Master output 1 terminal master out 1 11
- Master output 2 terminal master out 2 11
- Master output 3 terminal master out 3 11
- Master output level adjustment knob master level att 11
- Name and function of parts 11
- Power cord connection terminal 11
- Rear section 11
- Assign a 12
- Assign b 12
- Auto bpm counter auto bpm counter 12
- Auto bpm counter selector 12
- Automatically measures the bpm beats per minute tempo of the song and displays it digitally 1 it not only counts the beat of bass sounds but also calculates using a computer the original bpm of the song required by djs and displays it digitally this allows the bpm to now be checked not only with the ear as done previously but also visually thereby enabling songs with different tempos to be mixed more quickly and simply 1 able to calculate the bpm of most songs but not of some e g acapella ad lib etc 12
- Beat effector effects linked to bpm 12
- Cross fader ch 2 ch 1 12
- Delay one repeated sound 12
- Effect channel selector 12
- Effect selector 12
- Effect switch 12
- Eq eq eq eq 12
- Example 12
- Fader start 12
- Features of various effectors 12
- Master level trim 12
- Mic level 12
- Mixes delay sounds of 1 2 3 4 and 1 1 beats quickly and simply for example when 1 2 beat delay sounds are mixed the beat will change from 4 to 8 when 3 4 beat delay sounds are mixed the rhythm will change to a jumpy one 12
- Monitor eq 12
- Monitor level 12
- Monitor selector 12
- Monitor selector auto bpm counter selector 12
- Original 4 beats 1 2 delay 8 beats 12
- Parameter knob 12
- Phones 12
- Professional 12
- Real time average selection 12
- Using the effect function 12
- Various effects are linked to the bpm calculated by the above auto bpm counter to allow a never before sound mixing 12
- With the built in dsp digital signal processor sound ef fects can be enjoyed and bpm measured 12
- Using the effect function 13
- Measuring bpm 14
- Press ch2 of the monitor selector auto bpm counter selector 14
- Select the bpm display real time average with the switch button 14
- Set the effect channel selector to ch4 14
- Set the effect selector to auto bpm 14
- Using the effect function 14
- Operating delay echo auto pan flanger 15
- Precautions for effect function 15
- Set the effect channel selector to ch2 15
- Set the effect selector to delay 15
- Set the parameter value with the parameter knob delay time 15
- Turn on the effect switch 15
- Using the effect function 15
- Operating pitch shifter and reverb 16
- Set the effect channel selector to ch3 16
- Set the effect selector to pitch shifter 16
- Set the effect selector to send return 16
- Set the parameter of the external effector etc 16
- Set the parameter value pitch using the parameter knob 16
- Turn on the effect switch 16
- Using the effect function 16
- Using the external effector 16
- Assign a 17
- Assign b 17
- Auto bpm counter selector 17
- Cross fader 17
- Cross fader ch 2 ch 1 17
- Fader start 17
- Fader start play 17
- Minimize the channel fader controls fully 17
- Minimize the cross fader of the selected chan nel fully the example is the case of connect ing the player to ch 1 17
- Monitor 17
- Monitor eq 17
- Monitor level 17
- Phones 17
- Select the channel connecting the player with the assign switch 17
- Set the cue point of the player and set the player to standby at this cue point 17
- Starting the channel fader 17
- Starting the cross fader 17
- To start playing raise the cross fader volume at the timing to be started 17
- Turn off the cross fader switch 17
- Turn on the cross fader switch 17
- Turn on the fader start switch ch 1 or ch 2 of the channel connected to the player to be controlled 17
- Turn on the fader start switch of the channel connected to the player to be controlled 17
- Using the fader start function 17
- Replacement of cross fader volume control 18
- Troubleshooting 18
- Accessories 19
- Audio section 19
- Electrical section others 19
- Specifications 19
- Pioneer electronic corporation 20
- Pioneer electronics of canada inc 20
- Pioneer new media technologies inc 20
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