MartinLogan Odyssey [11/28] Dipolar speakers and your room
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on the floor or solid surface, it can shake as it produces
sound and, consequently, the sound can be compro-
mised. If your speaker is sitting on the carpet and only foot
gliders are used, the bass can be ill defined and even
boomy. The use of spikes is recommended to insure
secured footing for your speakers. (See ‘Solid Footing’ for
spike information and installation instructions).
Dipolar Speakers and Your Room
MartinLogan electrostatic loudspeakers are known as dipolar
radiators. This means that they produce sound from both
their fronts and their backs. Consequently, musical infor-
mation is reflected by the wall behind them and may arrive,
either in or out of step, with the information produced by
the front of the speaker.
In a typical speaker system the low frequencies can either
be enhanced or nulled by the position from the front wall.
Listening to the difference of the bass response as a result
of the changes in distance from the front wall will allow
you to get the best combination of depth of bass and tonal
balance.
Now that you know about reflective surfaces and resonant
objects, you can see how the midrange and high frequencies
can be affected. The timing of the initial wave as it radiates
to your ears, and then the reflected information as it arrives
at your ears later in time, can result in confusion of the
precious timing information that carries the clues to imaging.
Consequently the result is blurred imaging and excessive
brightness. Soft walls, curtains, wall hangings, or sound
dampeners (your dealer can give you good information
here) can be effective if these negative conditions occur.
Solid Footing
After living and experimenting with your Odysseys, you
will then want to implement the enclosed 3/8" x 16 thread
special version ETC (Energy Transfer Coupler) Spikes (See
Figure 6). With the use of these spikes, the Odyssey will
become more firmly planted on the floor and, conse-
quently, bass will tighten and imaging will become more
coherent and detailed. It is best not to implement the
spikes, however, until you are secure in the positioning, as
the spikes can damage the floor if the speaker is moved.
MartinLogan ETC spikes are also available with a common
1/4" x 20 thread insert that may be used on your other
audio equipment (racks, speakers, etc.), which are avail-
able from your local MartinLogan dealer or on our website
at www.martinlogan.com.
Spike Installation Instructions:
1. Carefully lay your speaker on its side to gain access to
the bottom.
2. Remove existing feet or spikes. Thread new spikes into
holes and visually adjust to an equal height.
3. Tighten jam nut snugly by hand. Do not over tighten
the nut.
4. Right the speaker.
Caution: Make sure your hands and any cabling are clear
of the spikes. Do not slide speaker as spikes are sharp and
can damage your floor or carpet.
5. Adjust to level by rotating spikes. Tighten the jam nut
securely when satisfied that speaker is level.
Room Acoustics 11
Figure 6. The ETC Spike.
Содержание
- D y s s e y 1
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Assembling the odyssey 4
- Introduction 4
- Ntroduction an 4
- Quality and will provide years of enduring enjoyment and 4
- Ssembly 4
- A variety of speaker cables are now available whose 5
- Ac power connection 5
- Break in 5
- Jumper clips 5
- Operation 5
- Peration 5
- Signal connection 5
- Bi wire connection 6
- Dyssey 6
- Passive bi amplification 6
- Single wire connection 6
- Single wire connection passive bi amplification 6
- This method of connection replaces the jumper clips installed 6
- Bass control switch 7
- Dyssey 7
- Is too strong relative to the mid and high frequencies 7
- Experimentation 8
- Lacement 8
- Listening position 8
- Placement 8
- The side walls 8
- The wall behind the listener 8
- The wall behind the speakers 8
- Your initial setup for the next few days as the speaker 8
- Enjoy yourself 9
- Final placement 9
- The extra i tweaklt 9
- The extra tweak 9
- Coustics 10
- Room acoustics 10
- Rules of thumb 10
- Terminology 10
- Your room 10
- Dipolar speakers and your room 11
- Solid footing 11
- Controlled horizontal dispersion 12
- Controlled horizontal dispersion three major types of dispersion 12
- Controlled vertical dispersion 12
- Dispersion interactions 12
- Ispersio 12
- Nteractions 12
- Three major types of dispersion 12
- Dispersion interactions 13 13
- Heater 14
- Home theater 14
- Dvantages 15
- Electrostatic advantages 15
- Lectrostati 15
- Conventional loudspeaker martinlogan odyssey 16
- Critical zone 250hz 20khz 16
- Full range operation 16
- Bass control system 17
- Curvilinear line source cl 17
- Curvilinear line source cls tm 17
- Martinlogan exclusives 17
- Transducer integrity 17
- Vapor deposited film 17
- Xclusives 17
- Advantage of the new recording medium bell labs 18
- Electrostatic loudspeaker history 18
- Istory 18
- Lectrostati 18
- Oudspeake 18
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 18
- Electrostatic speakers have progressed and prospered 19
- These developments allow the consumer to own the highest performance loud speaker products ever built 19
- When janszen corporation was 19
- Frequently asked questions 20
- Requentl 20
- Uestions 20
- Roubleshooting 22
- Troubleshooting 22
- General information 23
- Nformation 23
- Service 23
- Specifications 23
- Warranty and registration 23
- Warranty and registration specifications 23
- Glossary of audio terms 24
- Lossary o 24
- A r t i 28
- Back cover 28
- O g a n 28
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