MartinLogan Odyssey [15/28] Dvantages
![MartinLogan Odyssey [15/28] Dvantages](/views2/1198096/page15/bgf.png)
How can sound be reproduced by something that you are
able to see through? Electrostatic energy makes this possible.
Where the world of traditional loudspeaker technology deals
with cones, domes, diaphragms and ribbons that are moved
with magnetism, the world of electrostatic loudspeakers deals
with charged electrons attracting and repelling each other.
To fully understand the electrostatic concept, some back-
ground information will be helpful. Remember when you
learned in a science or physics class that like charges repel
each other and opposite charges attract each other? Well,
this principle is the foundation of the electrostatic concept.
An electrostatic transducer consists of three pieces: the sta-
tors, the diaphragm and the spacers (See Figure 15). The
diaphragm is what actually moves to excite the air and
create music. The stator’s job is to remain stationary, hence
the word stator, and to provide a reference point for the
moving diaphragm. The spacers provide the diaphragm
with a fixed distance in which to move between the stators.
As your amplifier sends music signals to an electrostatic
speaker, these signals are changed into two high-voltage
signals that are equal in strength but opposite in polarity.
These high voltage signals are then applied to the stators.
The resulting electrostatic field, created by the opposing
high voltage on the stators, works simultaneously with
and against the diaphragm, consequently moving it back
and forth, producing music. This technique is known as
push-pull operation and is a major contributor to the sonic
purity of the electrostatic concept due to its exceptional
linearity and low distortion.
Since the diaphragm of an electrostatic speaker is uniformly
driven over its entire area, it can be extremely light and
flexible. This allows it to be very responsive to transients,
thus perfectly tracing the music signal. As a result, great
delicacy, nuance and clarity is possible. When you look at
the problems of traditional electromagnetic drivers, you
can easily see why this is so beneficial. The cones and
domes which are used in traditional electromagnetic
drivers cannot be driven uniformly because of their design.
Cones are driven only at the apex. Domes are driven at
their perimeter. As a result, the rest of the cone or dome
is just “along for the ride”. The very concept of these
drivers requires that the cone or dome be perfectly rigid,
damped and massless. Unfortunately, these conditions are
not available in our world today.
To make these cones and domes move, all electromagnetic
drivers must use voice coils wound on formers, spider
assemblies, and surrounds to keep the cone or dome in
position (See Figure 16). These pieces, when combined
with the high mass of the cone or dome materials used,
make it an extremely complex unit with many weaknesses
and potential for failure. These faults contribute to the
high distortion products found in these drivers and is a
tremendous disadvantage when you are trying to change
motion as quickly and as accurately as a loudspeaker
must (40,000 times per second!).
ELECTROSTATIC ADVANTAGES
Electrostatic Advantages 15
Figure 15. Cut away view of an electrostatic transducer.
Notice the simplicity due to minimal parts usage.
Figure 16. Cut away view of a typical moving coil driver.
Notice the complexity due to the high number of parts.
Содержание
- D y s s e y 1
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Assembling the odyssey 4
- Introduction 4
- Ntroduction an 4
- Quality and will provide years of enduring enjoyment and 4
- Ssembly 4
- A variety of speaker cables are now available whose 5
- Ac power connection 5
- Break in 5
- Jumper clips 5
- Operation 5
- Peration 5
- Signal connection 5
- Bi wire connection 6
- Dyssey 6
- Passive bi amplification 6
- Single wire connection 6
- Single wire connection passive bi amplification 6
- This method of connection replaces the jumper clips installed 6
- Bass control switch 7
- Dyssey 7
- Is too strong relative to the mid and high frequencies 7
- Experimentation 8
- Lacement 8
- Listening position 8
- Placement 8
- The side walls 8
- The wall behind the listener 8
- The wall behind the speakers 8
- Your initial setup for the next few days as the speaker 8
- Enjoy yourself 9
- Final placement 9
- The extra i tweaklt 9
- The extra tweak 9
- Coustics 10
- Room acoustics 10
- Rules of thumb 10
- Terminology 10
- Your room 10
- Dipolar speakers and your room 11
- Solid footing 11
- Controlled horizontal dispersion 12
- Controlled horizontal dispersion three major types of dispersion 12
- Controlled vertical dispersion 12
- Dispersion interactions 12
- Ispersio 12
- Nteractions 12
- Three major types of dispersion 12
- Dispersion interactions 13 13
- Heater 14
- Home theater 14
- Dvantages 15
- Electrostatic advantages 15
- Lectrostati 15
- Conventional loudspeaker martinlogan odyssey 16
- Critical zone 250hz 20khz 16
- Full range operation 16
- Bass control system 17
- Curvilinear line source cl 17
- Curvilinear line source cls tm 17
- Martinlogan exclusives 17
- Transducer integrity 17
- Vapor deposited film 17
- Xclusives 17
- Advantage of the new recording medium bell labs 18
- Electrostatic loudspeaker history 18
- Istory 18
- Lectrostati 18
- Oudspeake 18
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 18
- Electrostatic speakers have progressed and prospered 19
- These developments allow the consumer to own the highest performance loud speaker products ever built 19
- When janszen corporation was 19
- Frequently asked questions 20
- Requentl 20
- Uestions 20
- Roubleshooting 22
- Troubleshooting 22
- General information 23
- Nformation 23
- Service 23
- Specifications 23
- Warranty and registration 23
- Warranty and registration specifications 23
- Glossary of audio terms 24
- Lossary o 24
- A r t i 28
- Back cover 28
- O g a n 28
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