MartinLogan Odyssey [6/28] Single wire connection passive bi amplification
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ODYSSEY
TM
Please take note of the jumper clips installed under the
binding posts. These clips attach the high and low frequency
sections of the crossover together. Leaving these in place,
connect the (+) wire from your amplifier to either red bind-
ing post and the (-) wire from your amplifier to either black
binding post (See Figure 2).
Bi-Wire Connection
This method of connection replaces the jumper clips installed
under the binding posts with individual runs of speaker
wire from your amplifier. This doubles the signal carrying
conductors from the amplifier to the speaker, thus direct-
coupling each portion of the crossover to the amplifier.
To bi-wire you must first loosen the binding posts and remove
the jumper clips. Connect one set of wires to the upper set of
binding posts which connect to the panel of the Odyssey.
Then connect a second set of wires to the lower binding
posts which connect to the woofer. Next, connect both sets
of wires to the appropriate terminals on your amplifier.
Please take care to connect both (+) wires to the (+) ampli-
fier terminals and both (-) wires to the (-) amplifier terminals.
This is known as a parallel connection (See Figure 3).
For those that desire ultimate performance, the Odyssey
may be passively bi-amplified using the existing internal pas-
sive crossover elements.
WARNING! Only after the jumper clips are
removed may you connect individual runs of
speaker cable from your amplifiers to the high
pass (ESL) and low pass (WOOFER) Signal Input
binding posts. Damage will occur to your ampli-
fiers if the jumper clips are not removed.
This method takes the bi-wiring concept one step further.
Now you will have a dedicated channel of amplification
directly connected to the high and low pass sections of the
Odyssey crossover. There are two different methods for
bi-amping with two stereo amplifiers. The first and most
common is referred to as Horizontal Bi-amping. The second
method is referred to as Vertical Bi-amping. With either
method you may use two stereo amplifiers or four mono
amplifiers, or two mono amplifiers and one stereo amplifier.
Get the idea? With either form of passive bi-amplification,
your preamplifier must have dual outputs. If your pream-
plifier is not so equipped, you must either purchase or
construct a “Y” adapter.
Horizontal Passive Bi-Amplification
Horizontal bi-amping allows you to use two different types,
models or brands of amplifiers (i.e. tubes on top, transistor
on the bottom). However, we recommend that you use
two identical amplifiers (i.e. same brand and model).
If you must use two different amplifiers, it is essential that
they have the same gain or that one of the two have adjustable
gain so that you can match their gain characteristics. If the
Single-Wire Connection Passive Bi-Amplification
Figure 2. Single-Wire Connection. One Channel shown.
Amplifier
Jumper clips
in place,
full-range
speaker output
ESL
Woofer
Bass Control
-3dB
flat
Figure 3. Bi-Wire Connection. One Channel shown.
Amplifier
speaker output
Jumper clips
removed
ESL
Woofer
ODYSSEY
TM
Bass Control
-3dB
flat
6 Operations
Содержание
- D y s s e y 1
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Assembling the odyssey 4
- Introduction 4
- Ntroduction an 4
- Quality and will provide years of enduring enjoyment and 4
- Ssembly 4
- A variety of speaker cables are now available whose 5
- Ac power connection 5
- Break in 5
- Jumper clips 5
- Operation 5
- Peration 5
- Signal connection 5
- Bi wire connection 6
- Dyssey 6
- Passive bi amplification 6
- Single wire connection 6
- Single wire connection passive bi amplification 6
- This method of connection replaces the jumper clips installed 6
- Bass control switch 7
- Dyssey 7
- Is too strong relative to the mid and high frequencies 7
- Experimentation 8
- Lacement 8
- Listening position 8
- Placement 8
- The side walls 8
- The wall behind the listener 8
- The wall behind the speakers 8
- Your initial setup for the next few days as the speaker 8
- Enjoy yourself 9
- Final placement 9
- The extra i tweaklt 9
- The extra tweak 9
- Coustics 10
- Room acoustics 10
- Rules of thumb 10
- Terminology 10
- Your room 10
- Dipolar speakers and your room 11
- Solid footing 11
- Controlled horizontal dispersion 12
- Controlled horizontal dispersion three major types of dispersion 12
- Controlled vertical dispersion 12
- Dispersion interactions 12
- Ispersio 12
- Nteractions 12
- Three major types of dispersion 12
- Dispersion interactions 13 13
- Heater 14
- Home theater 14
- Dvantages 15
- Electrostatic advantages 15
- Lectrostati 15
- Conventional loudspeaker martinlogan odyssey 16
- Critical zone 250hz 20khz 16
- Full range operation 16
- Bass control system 17
- Curvilinear line source cl 17
- Curvilinear line source cls tm 17
- Martinlogan exclusives 17
- Transducer integrity 17
- Vapor deposited film 17
- Xclusives 17
- Advantage of the new recording medium bell labs 18
- Electrostatic loudspeaker history 18
- Istory 18
- Lectrostati 18
- Oudspeake 18
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 18
- Electrostatic speakers have progressed and prospered 19
- These developments allow the consumer to own the highest performance loud speaker products ever built 19
- When janszen corporation was 19
- Frequently asked questions 20
- Requentl 20
- Uestions 20
- Roubleshooting 22
- Troubleshooting 22
- General information 23
- Nformation 23
- Service 23
- Specifications 23
- Warranty and registration 23
- Warranty and registration specifications 23
- Glossary of audio terms 24
- Lossary o 24
- A r t i 28
- Back cover 28
- O g a n 28
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