MartinLogan Odyssey [16/28] Full range operation
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ESL
PanelCritical Zone: 250Hz–20kHz
The most significant advantage of MartinLogan’s exclusive
transducer technology reveals itself when you look at
examples of other loudspeaker products on the market today.
The Odyssey uses no crossover networks above 250 Hz
because they are not needed. The Odyssey consists of a
single, seamless electrostatic membrane reproducing fre-
quencies above 250Hz simultaneously. How’s this possible?
First we must understand that music is not composed of
separate high, mid and low frequency pieces. In fact,
music is comprised of a single complex waveform with all
frequencies interacting simultaneously.
The electrostatic transducer of the Odyssey essentially acts
as an exact opposite of the microphones used to record
the original event. A microphone, which is a single working
element, transforms acoustic energy into an electrical signal
that can be amplified or preserved by some type of storage
media. The Odyssey’s electrostatic transducer transforms
electrical energy from your amplifier into acoustical energy.
Due to the limitations of electromagnetic drivers, no
single unit can reproduce the full range of frequencies.
Instead, these drivers must be designed to operate within
narrow, fixed bandwidth of the frequency range, and then
combined electrically so that the sum of the parts equals
the total signal. While nice in theory, we must deal with
real-world conditions.
In order to use multiple drivers, a crossover network is
enlisted to attempt a division of the complex musical signal
into the separate pieces (usually highs, mids, and lows) that
each specific driver was designed to handle. Unfortunately,
due to the phase relationships that occur within all crossover
networks and during the acoustical recombination process,
nonlinearities and severe degradation of the music signal
take place in the ear’s most critical zone (See Figure 17).
The Odyssey’s electrostatic transducer can single-handedly
reproduce all frequencies above 250 Hz simultaneously.
You have in one transducer the ability to handle in elegant
simplicity the critical frequencies above 250 Hz.
The crossover phase aberrations that are associated with
traditional tweeter, midrange, and woofer systems are
eliminated. The result is a dramatic improvement in imaging
and staging performance, due to the minutely accurate
phase relationship of the full-range panel wave launch.
Tweeter
Midrange
Woofer
Conventional Loudspeaker MartinLogan Odyssey
Figure 17. This diagram illustrates how a conventional
speaker system must use multiple crossover networks
that have negative effects on the musical performance.
Full Range Operation
crossover point (2–5kHz)
crossover point (250Hz)
crossover point (100–400Hz)
16 Electrostatic Advantages
Woofer
Содержание
- D y s s e y 1
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Assembling the odyssey 4
- Introduction 4
- Ntroduction an 4
- Quality and will provide years of enduring enjoyment and 4
- Ssembly 4
- A variety of speaker cables are now available whose 5
- Ac power connection 5
- Break in 5
- Jumper clips 5
- Operation 5
- Peration 5
- Signal connection 5
- Bi wire connection 6
- Dyssey 6
- Passive bi amplification 6
- Single wire connection 6
- Single wire connection passive bi amplification 6
- This method of connection replaces the jumper clips installed 6
- Bass control switch 7
- Dyssey 7
- Is too strong relative to the mid and high frequencies 7
- Experimentation 8
- Lacement 8
- Listening position 8
- Placement 8
- The side walls 8
- The wall behind the listener 8
- The wall behind the speakers 8
- Your initial setup for the next few days as the speaker 8
- Enjoy yourself 9
- Final placement 9
- The extra i tweaklt 9
- The extra tweak 9
- Coustics 10
- Room acoustics 10
- Rules of thumb 10
- Terminology 10
- Your room 10
- Dipolar speakers and your room 11
- Solid footing 11
- Controlled horizontal dispersion 12
- Controlled horizontal dispersion three major types of dispersion 12
- Controlled vertical dispersion 12
- Dispersion interactions 12
- Ispersio 12
- Nteractions 12
- Three major types of dispersion 12
- Dispersion interactions 13 13
- Heater 14
- Home theater 14
- Dvantages 15
- Electrostatic advantages 15
- Lectrostati 15
- Conventional loudspeaker martinlogan odyssey 16
- Critical zone 250hz 20khz 16
- Full range operation 16
- Bass control system 17
- Curvilinear line source cl 17
- Curvilinear line source cls tm 17
- Martinlogan exclusives 17
- Transducer integrity 17
- Vapor deposited film 17
- Xclusives 17
- Advantage of the new recording medium bell labs 18
- Electrostatic loudspeaker history 18
- Istory 18
- Lectrostati 18
- Oudspeake 18
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 18
- Electrostatic speakers have progressed and prospered 19
- These developments allow the consumer to own the highest performance loud speaker products ever built 19
- When janszen corporation was 19
- Frequently asked questions 20
- Requentl 20
- Uestions 20
- Roubleshooting 22
- Troubleshooting 22
- General information 23
- Nformation 23
- Service 23
- Specifications 23
- Warranty and registration 23
- Warranty and registration specifications 23
- Glossary of audio terms 24
- Lossary o 24
- A r t i 28
- Back cover 28
- O g a n 28
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