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Mackie 1402 VLZ 3 [10/28] Tape input
![Mackie 1402 VLZ 3 [10/28] Tape input](/views2/1222415/page10/bga.png)
10
1402-VLZ3
1402-VLZ3
7. STEREO RETURNS
This is where you connect the outputs of your par-
allel effects devices (or extra audio sources). These
balanced inputs are similar to the stereo LINE IN [2]
inputs (without EQ, Aux Sends, Pan, Mute, and Solo).
The circuits will handle stereo or mono, balanced or
unbalanced signals, either instrument level, –10 dBV
or +4 dBu. They can be used with just about any pro or
semipro effects device on the market. The signals com-
ing into these inputs can be adjusted using the STEREO
RETURN [41] knobs before passing onto the main mix
bus (see page 18).
One Device: If you have just one parallel effects de-
vice (two cords), use STEREO RETURN 1 left and right,
and leave RETURN 2 unplugged. That way, the unused
RETURN 2 level control can be used to feed RETURN 1
to your stage monitors, via the RETURN TO AUX 1 [42]
switch.
Mono Device: If you have an effects device with
a mono output (one cord), plug that into STEREO
RETURN 1 left/mono, and leave the right unplugged.
The signal will be sent to both sides, magically appear-
ing in the center as a mono signal. This won’t work with
STEREO RETURN 2 — you’ll need a Y-cord.
8. AUX SEND 1&2
The AUX SEND [31] knobs in the channel sections
tap a portion of each channel's signal to provide an out-
put here to feed external parallel effects processors or
stage monitoring. See the AUX SEND details on page 15.
These 1⁄4" jacks are also balanced outputs capable
of delivering 22 dBu into a 600 ohm balanced or unbal-
anced load.
9. TAPE INPUT
These RCA jacks are designed to work with semipro
as well as pro recorders. To compensate for typically
low levels, signals coming in here will be automatically
boosted by 6 dB.
Connect your tape recorder’s outputs here, using good
quality hi-fi (RCA) cables.
Use these jacks for convenient tape playback of your
mixes. You’ll be able to review a mix, then rewind and
try another pass, without repatching or disturbing the
mixer levels. You can also use these with a tape or CD
player to feed music to a PA system between sets.
WARNING: Engaging both the TAPE and
ASSIGN TO MAIN MIX buttons in the CON-
TROL ROOM SOURCE [33] matrix can create
a feedback path between TAPE INPUT and TAPE OUT-
PUT. Make sure your tape deck is not in record, record-
pause, or input monitor mode when you engage these
switches, or make sure the CONTROL ROOM / SUBMIX
fader [34] is fully down (off).
10. TAPE OUTPUT
These unbalanced RCA connections tap the main
mix output to make simultaneous recording and PA
work more convenient. Connect these to your recorder’s
inputs. (See also MAIN MIX [32] on page 16.)
Mono Out: If you want to feed a mono signal to your
tape deck or other device, simply use an RCA Y-cord to
combine these outputs. Do not attempt this with any
other outputs on the 1402-VLZ3.
11.
1
⁄4" MAIN OUTS
These outputs feed the main mix out into the waiting
world. You can feed your amplifi ers this way, or through
the XLR MAIN OUTS [13].
These balanced outputs are capable of delivering 22
dBu into a 600 ohm balanced or unbalanced load.
To use these outputs to drive balanced inputs, con-
nect 1⁄4" TRS (Tip–Ring–Sleeve) phone plugs like this:
Tip = + (hot)
Ring = –(cold)
Sleeve = Ground
For most music recording and PA applications,
unbalanced lines are perfectly acceptable. To use these
outputs to drive unbalanced inputs, connect 1⁄4" TS
(Tip-Sleeve) phone plugs like this:
Tip = + (hot)
Sleeve = Ground
M
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G
A
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0
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60
-
1
0
d
B
V
+15dB -45dB
M
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A
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0
U
60
-
1
0
d
B
V
+15dB -45dB
M
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A
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0
U
60
-
1
0
d
B
V
+15dB -45dB
M
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A
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0
U
60
-
1
0
d
B
V
+15dB -45dB
M
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A
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0
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60
-
1
0
d
B
V
+15dB -45dB
M
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G
A
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0
U
60
-
1
0
d
B
V
+15dB -45dB
MIC
2
MIC
3
MIC
4
MIC
5
MIC
6
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
AUX SEND
1
2
1
2
RIGHT
LEFT/
MONO
ALL BAL/UNBAL
BAL/UNBAL
L
R
LINE IN 1 LINE IN 2
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
LINE IN 3
LOW CUT
75 Hz
18dB/OCT
LINE IN 4
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OC T
LINE IN 5 LINE IN 6
LOW CUT
75 Hz
18dB/OC T
GAINGAIN GAIN GAIN GAIN GAIN
LINE IN 7-8
LINE IN 9-10 LINE IN 11-12 LINE IN 13-14
L
MONO MONO MONO MONO
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
TAPE
INPUT
TAPE
OUTPUT
L
R
L
R
MAIN OUT
LEVELLEVELLEVEL
-
10
LEVEL
+4
-
10
+4
-
10
+4
-
10
+4
MIC
1
X
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X
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X
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7
7
8
9 10 11
12
Содержание
- Channel mic line mixer 1
- Owner s manual 1
- Important safety instructions 2
- Warning to reduce the risk of fi re or electric shock do not expose this apparatus to rain or moisture 2
- Adjusting input levels chs 1 6 only 3
- Instant mixing 3
- Level setting procedure 3
- Other nuggets of wisdom 3
- Owner s manual 3
- Read this page 3
- Email us at techmail mackie com 4
- Introduction 4
- Need help with your new mixer 4
- Telephone 1 800 898 3211 to speak with one of our splendid technical support representatives monday through friday from 7 a m to 5 p m pst 4
- Visit www mackie com and click support to fi nd faqs frequently asked questions manuals addendums and user forums 4
- Contents 5
- Owner s manual 5
- Hookup diagrams 6
- Live stereo pa system 7
- Owner s manual 7
- Aux send 8
- Line in 1 line in 2 8
- Line in 3 8
- Line in 4 8
- Line in 5 line in 6 8
- Line in 7 8 line in 9 10 line in 11 12 line in 13 14 8
- Line inputs channels 1 6 8
- Main out 8
- Mic inputs channels 1 6 8
- Patchbay description 8
- Phantom power 8
- Right left 8
- Tape input tape output 8
- 4 10 level stereo channels only 9
- Effects serial or parallel 9
- Gain channels 1 6 9
- Low cut channels 1 6 9
- Owner s manual 9
- Stereo line inputs channels 7 8 9 10 11 12 and 13 14 9
- 4 main outs 10
- 9 10 11 10
- Aux send 1 2 10
- Stereo returns 10
- Tape input 10
- Tape output 10
- 15 16 17 11
- Alt 3 4 output 11
- Channel insert channels 1 6 11
- Control room 11
- Owner s manual 11
- Phones 11
- Xlr main output level switch 11
- Xlr main outs 11
- Phantom switch 12
- Power connection 12
- Power switch 12
- Voltage selector 12
- Channel fader 13
- Channel strip description 13
- Mute alt 3 4 13
- Owner s manual 13
- U like unity gain 13
- Band eq 14
- Constant loudness 14
- Low eq 14
- Mid eq 14
- Aux 1 and 30 aux 2 send 15
- Moderation during eq 15
- Owner s manual 15
- Control room source matrix 16
- Control room submix 16
- Main mix faders 16
- Output section 16
- Assign to main mix 17
- Meters many displays in one 17
- Owner s manual 17
- Rude solo light 17
- Solo mode afl pfl 17
- A word about aux 18
- Aux 1 master 18
- Pre post aux 1 18
- Stereo returns 18
- Jack normalling 19
- Owner s manual 19
- Return to aux 1 19
- Appendix a service information 20
- Bad channel 20
- Bad output 20
- Repair 20
- Troubleshooting 20
- Warranty service 20
- Appendix b connections 21
- Owner s manual 21
- Phone jacks 21
- Switched 21
- Trs phone plugs and jacks 21
- Ts phone plugs and jacks 21
- Xlr connectors 21
- Rca plugs and jacks 22
- Special mackie connections 22
- Trs send receive insert jacks 22
- Unbalancing a line 22
- Using the send only on an insert jack 22
- Mackie stereo inputs and returns mono stereo whatever 23
- Mults and y s 23
- Owner s manual 23
- Appendix c technical information 24
- Specifications 24
- Specifi cations 24
- Block diagram 25
- Owner s manual 25
- Alt 3 4 26
- Aux send 26
- C r source 26
- Left right 26
- Line in 1 line in 2 26
- Line in 3 26
- Line in 4 26
- Line in 5 line in 6 26
- Line in 7 8 line in 9 10 line in 11 12 line in 13 14 26
- Main mix 26
- Main out 26
- Right left 26
- Submix 26
- Tape input tape output 26
- Track sheet 26
- Owner s manual 27
- Please keep your sales receipt in a safe place 27
- Vlz3 limited warranty 27
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