![Mackie 1402 VLZ 3 [8/28] Line in 4](/img/pdf.png)
Mackie 1402 VLZ 3 [8/28] Line in 4
![Mackie 1402 VLZ 3 [8/28] Line in 4](/views2/1222415/page8/bg8.png)
8
1402-VLZ3
1402-VLZ3
Patchbay Description
At the risk of stating the obvious, this is where you
plug everything in: microphones, line-level instruments
and effects, headphones, and the ultimate destination
for your sound: a tape recorder, PA system, etc.
See Appendix B for further details and drawings of
the connectors you can use with the 1402-VLZ3. Also see
the Channel Strip description on page 13 for details of
the signal routing from the XLR and Line inputs.
1. MIC INPUTS (Channels 1–6)
We use phantom-powered, balanced microphone
inputs just like the big studio mega-consoles, for exactly
the same reason: This kind of circuit is excellent at re-
jecting hum and noise. You can plug in almost any kind
of mic that has a standard XLR male mic connector.
Professional ribbon, dynamic, and condenser mics
will all sound excellent through these inputs. The
1402-VLZ3’s mic inputs will handle any kind of mic level
you can toss at them, without overloading. Be sure to
perform the Level-Setting Procedure on page 3.
Not every instrument is made to connect directly to a
mixer. Guitars commonly need a Direct Injection (DI)
box to connect to the mixer's MIC inputs. These boxes
convert unbalanced line-level signals from your guitar,
into balanced mic-level outputs, and provide signal and
impedance matching. They also let you send your gifted
guitar renditions over long cables or audio snakes, with
minimum interference and high-frequency signal loss.
Ask your dealer or guitar maker about their recommen-
dations for a good DI box.
PHANTOM POWER
Most modern professional condenser mics are
equipped for Phantom Power, which lets the mixer
send low-current DC voltage to the mic’s electronics
through the same wires that carry audio. (Semi-pro
condenser mics often have batteries to accomplish the
same thing.) “Phantom” owes its name to an ability to
be “unseen” by dynamic mics (Shure SM57/SM58, for
instance), which don’t need external power and aren’t
affected by it anyway.
The 1402-VLZ3’s phantom power is globally controlled
by the PHANTOM switch on the rear panel. (This means
the phantom power for channels 1-6 is turned on and off
together.)
Never plug single-ended (unbalanced)
micro phones or instruments into the MIC
input jacks if the PHANTOM power is on.
Do not plug instrument outputs into the
MIC input jacks with PHANTOM power on
unless you know for certain it is safe to do so.
2. LINE INPUTS (Channels 1–6)
These six line inputs share circuitry (but not phan-
tom power) with the mic preamps, and can be driven
by balanced or unbalanced sources at almost any level.
You can use these inputs for virtually any signal you’ll
come across, from instrument levels as low as –40 dB to
operating levels of –10 dBV to +4 dBu, since there is 40
dB more gain available than on channels 7–14.
To connect balanced lines to these inputs, use a 1⁄4"
Tip-Ring-Sleeve (TRS) plug, the type found on stereo
headphones.
To connect unbalanced lines to these inputs, use a
1⁄4" mono (TS) phone plug or standard instrument
cable.
LINE IN inputs 1–6 are a good place to connect older
instruments that need more gain. You can correct weak
levels by adjusting the corresponding channel’s GAIN
control.
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
M
I
C
G
A
I
N
0
U
60
-
1
0
d
B
V
+15dB -45dB
MIC
2
MIC
3
MIC
4
MIC
5
MIC
6
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
AUX SEND
1
2
1
2
RIGHT
LEFT/
MONO
ALL BAL/UNBAL
BAL/UNBAL
L
R
LINE IN 1 LINE IN 2
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
LINE IN 3
LOW CUT
75 Hz
18dB/OCT
LINE IN 4
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OC T
LINE IN 5 LINE IN 6
LOW CUT
75 Hz
18dB/OC T
GAINGAIN GAIN GAIN GAIN GAIN
LINE IN 7-8
LINE IN 9-10 LINE IN 11-12 LINE IN 13-14
L
MONO MONO MONO MONO
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
L
R
BAL
OR
UNBAL
TAPE
INPUT
TAPE
OUTPUT
L
R
L
R
MAIN OUT
LEVELLEVELLEVEL
-
10
LEVEL
+4
-
10
+4
-
10
+4
-
10
+4
MIC
1
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
X
D
R
M
I
C
P
R
E
1
2
3
4
5
6
Содержание
- Channel mic line mixer 1
- Owner s manual 1
- Important safety instructions 2
- Warning to reduce the risk of fi re or electric shock do not expose this apparatus to rain or moisture 2
- Adjusting input levels chs 1 6 only 3
- Instant mixing 3
- Level setting procedure 3
- Other nuggets of wisdom 3
- Owner s manual 3
- Read this page 3
- Email us at techmail mackie com 4
- Introduction 4
- Need help with your new mixer 4
- Telephone 1 800 898 3211 to speak with one of our splendid technical support representatives monday through friday from 7 a m to 5 p m pst 4
- Visit www mackie com and click support to fi nd faqs frequently asked questions manuals addendums and user forums 4
- Contents 5
- Owner s manual 5
- Hookup diagrams 6
- Live stereo pa system 7
- Owner s manual 7
- Aux send 8
- Line in 1 line in 2 8
- Line in 3 8
- Line in 4 8
- Line in 5 line in 6 8
- Line in 7 8 line in 9 10 line in 11 12 line in 13 14 8
- Line inputs channels 1 6 8
- Main out 8
- Mic inputs channels 1 6 8
- Patchbay description 8
- Phantom power 8
- Right left 8
- Tape input tape output 8
- 4 10 level stereo channels only 9
- Effects serial or parallel 9
- Gain channels 1 6 9
- Low cut channels 1 6 9
- Owner s manual 9
- Stereo line inputs channels 7 8 9 10 11 12 and 13 14 9
- 4 main outs 10
- 9 10 11 10
- Aux send 1 2 10
- Stereo returns 10
- Tape input 10
- Tape output 10
- 15 16 17 11
- Alt 3 4 output 11
- Channel insert channels 1 6 11
- Control room 11
- Owner s manual 11
- Phones 11
- Xlr main output level switch 11
- Xlr main outs 11
- Phantom switch 12
- Power connection 12
- Power switch 12
- Voltage selector 12
- Channel fader 13
- Channel strip description 13
- Mute alt 3 4 13
- Owner s manual 13
- U like unity gain 13
- Band eq 14
- Constant loudness 14
- Low eq 14
- Mid eq 14
- Aux 1 and 30 aux 2 send 15
- Moderation during eq 15
- Owner s manual 15
- Control room source matrix 16
- Control room submix 16
- Main mix faders 16
- Output section 16
- Assign to main mix 17
- Meters many displays in one 17
- Owner s manual 17
- Rude solo light 17
- Solo mode afl pfl 17
- A word about aux 18
- Aux 1 master 18
- Pre post aux 1 18
- Stereo returns 18
- Jack normalling 19
- Owner s manual 19
- Return to aux 1 19
- Appendix a service information 20
- Bad channel 20
- Bad output 20
- Repair 20
- Troubleshooting 20
- Warranty service 20
- Appendix b connections 21
- Owner s manual 21
- Phone jacks 21
- Switched 21
- Trs phone plugs and jacks 21
- Ts phone plugs and jacks 21
- Xlr connectors 21
- Rca plugs and jacks 22
- Special mackie connections 22
- Trs send receive insert jacks 22
- Unbalancing a line 22
- Using the send only on an insert jack 22
- Mackie stereo inputs and returns mono stereo whatever 23
- Mults and y s 23
- Owner s manual 23
- Appendix c technical information 24
- Specifications 24
- Specifi cations 24
- Block diagram 25
- Owner s manual 25
- Alt 3 4 26
- Aux send 26
- C r source 26
- Left right 26
- Line in 1 line in 2 26
- Line in 3 26
- Line in 4 26
- Line in 5 line in 6 26
- Line in 7 8 line in 9 10 line in 11 12 line in 13 14 26
- Main mix 26
- Main out 26
- Right left 26
- Submix 26
- Tape input tape output 26
- Track sheet 26
- Owner s manual 27
- Please keep your sales receipt in a safe place 27
- Vlz3 limited warranty 27
Похожие устройства
- One For All urc1914, для телевизоров panasonic Инструкция по эксплуатации
- One For All urc1913, для телевизоров philips Инструкция по эксплуатации
- One For All urc1912, для телевизоров sony Инструкция по эксплуатации
- One For All urc1911, для телевизоров lg Инструкция по эксплуатации
- One For All urc1910, для телевизоров samsung Инструкция по эксплуатации
- Oneplus 3 graphite, черный Инструкция по эксплуатации
- Oneplus 2 64 gb black, черный Инструкция по эксплуатации
- Onnline ultra c 500/90, 10 секций, теплоотдача 1 секции 181 вт Инструкция по эксплуатации
- Onnline ultra c 500/90, 8 секций, теплоотдача 1 секции 181 вт Инструкция по эксплуатации
- Onnline ultra c 500/90, 4 секции, теплоотдача 1 секции 181 вт Инструкция по эксплуатации
- Onnline bimetal 500/95, 12 секций, теплоотдача 1 секции 175 вт Инструкция по эксплуатации
- Onnline bimetal 500/95, 4 секции, теплоотдача 1 секции 175 вт Инструкция по эксплуатации
- Oregon Scientific rmr262-b Инструкция по эксплуатации
- Oregon Scientific bar368p Инструкция по эксплуатации
- Oregon Scientific bar268hg-b Инструкция по эксплуатации
- Auditor RIP 165 C Тех характеристики
- Auditor RIP 165 C Брошюра
- Racio R200 Руководство пользователя
- Racio R100 Руководство пользователя
- Racio R300 Руководство пользователя
Скачать
Случайные обсуждения