M-Audio X-Session UC-17 [5/16] About the cross fader

M-Audio X-Session UC-17 [5/16] About the cross fader
Evolution X-Session Advanced User Guide
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Appendix D - Useful MIDI data
General MIDI Instruments
Piano Bass Reed Synth Effects
0 Acoustic Grand Piano
1 Bright Acoustic Piano
2 Electric grand Piano
3 Honky Tonk Piano
4 Electric Piano 1
5 Electric Piano 2
6 Harpsichord
7 Clavinet
32 Acoustic Bass
33 Electric Fingered
Bass
34 Electric Picked Bass
35 Fretless Bass
36 Slap Bass 1
37 Slap Bass 2
38 Syn Bass 1
39 Syn Bass 2
64 Soprano Sax
65 Alto Sax
66 Tenor Sax
67 Baritone Sax
68 Oboe
69 English Horn
70 Bassoon
71 Clarinet
96 SFX Rain
97 SFX Soundtrack
98 SFX Crystal
99 SFX Atmosphere
100 SFX Brightness
101 SFX Goblins
102 SFX Echoes
103 SFX Sci-Fi
Chromatic Percussion Strings/Orchestra Pipe Ethnic
8 Celesta
9 Glockenspiel
10 Music Box
11 Vibraphone
12 Marimba
13 Xylophone
14 Tubular bells
15 Dulcimer
40 Violin
41 Viola
42 Cello
43 Contrabass
44 Tremolo Strings
45 Pizzicato Strings
46 Orchestral Harp
47 Timpani
72 Piccolo
73 Flute
74 Recorder
75 Pan Flute
76 Bottle Blow
77 Shakuhachi
78 Whistle
79 Ocarina
104 Sitar
105 Banjo
106 Shamisen
107 Koto
108 Kalimba
109 Bag Pipe
110 Fiddle
111 Shanai
Organ Ensemble Synth Lead Percussive
16 Drawbar Organ
17 Percussive Organ
18 Rock Organ
19 Church Organ
20 Reed Organ
21 Accordion
22 Harmonica
23 Tango Accordion
48 String Ensemble 1
49 String Ensemble 2
(Slow)
50 Syn Strings 1
51 Syn Strings 2
52 Choir Aahs
53 Voice Oohs
54 Syn Choir
55 Orchestral Hit
80 Syn Square Wave
81 Syn Sawtooth Wave
82 Syn Calliope
83 Syn Chiff
84 Syn Charang
85 Syn Voice
86 Syn Fifths Sawtooth
Wave
87 Syn Brass & Lead
112 Tinkle Bell
113 Agogo
114 Steel Drums
115 Woodblock
116 Taiko Drum
117 Melodic Tom
118 Syn Drum
119 Reverse Cymbal
Guitar Brass Synth Pad Sound Effects
24 Nylon Acoustic
25 Steel Acoustic
26 Jazz Electric
27 Clean Electric
28 Muted Electric
29 Overdrive
30 Distorted
31 Harmonics
56 Trumpet
57 Trombone
58 Tuba
59 Muted Trumpet
60 French Horn
61 Brass Section
61 Syn Brass 1
62 Syn Brass 2
88 New Age Syn Pad
89 Warm Syn Pad
90 Polysynth Syn Pad
91 Choir Syn Pad
92 Bowed Syn Pad
93 Metal Syn Pad
94 Halo Syn Pad
95 Sweep Syn Pad
120 Guitar Fret Noise
121 Breath Noise
122 Seashore
123 Bird Tweet
124 Telephone Ring
125 Helicopter
126 Applause
127 Gun Shot
5
Evolution X-Session Advanced User Guide
To Mute all controllers and the cross fader, press the CTRL MUTE buttons.
This allows you to alter the position of the controller without affecting the settings of your
software. CTRL MUTE does not affect buttons, and as soon as an assignable button or
a function key is pressed, the controllers are turned back on. Alternatively, you can
press the CTRL MUTE buttons again to turn the controllers back on.
When you first press the CTR MUTE buttons, you will see the LCD display ’OFF’. Chang-
ing the position of a controller with controller mute engaged, the LCD will always display
OFF to indicate no data is being sent out by the X-Session. To cancel the controller mute
function, simply press a function key (or keys) or one of the assignable buttons.
This is a very useful feature if you are switching between presets on the X-Session with
the controllers out of position. You will be able to move the controller to a position relative
to the softwares controller value, rather than causing the softwares controller value to
jump.
You can also use this feature for creative mixing and interesting DJ type control. If for
instance you use the X-Session as a conventional volume mixer, try engaging the
controller mute function, change the volume up or down of various channels and press
the SNAP SHOT buttons. This form of mixing is very dynamic and can not be done using
a conventional mixer.
The cross Fader can be assigned to two MIDI CC values, by editing F17 and F18.
When it is moved, both F17 and F18 will be sent out. F17 will increment from left to right,
while F18 will increment from right to left. So, F17 and F18 work against each other.
As an example, this has been put to practice in the Rebirth preset:
F17 controls the volume of the top drum module, while F18 controls the volume of the
bottom drum module. This means you can flick between the two modules by flicking
the fader far left or right, since when F17 is 0, F18 is 127, and when F18 is 0 F17 is 127.
To select F18 for programming, you need to use the CONTROL SELECT Buttons.
F17 can be selected for editing by moving the cross fader.
Muting All Controllers
About the Cross Fader

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