Yamaha DM2000VCM [46/315] Ad input section

Yamaha DM2000VCM [46/315] Ad input section
DM2000 Version 2—Owner’s Manual
Панель управления и задняя панель 46
Блок АЦ-входа
46 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
AD Input Section
A INPUT A & B (BAL) connectors
AD Inputs 1 through 24 feature balanced XLR-3-31-type connectors and bal-
anced 1/4-inch phone jacks, both with a nominal input range of –60 dB to
+10 dB. Phantom powering (+48 V) is supplied to the XLR-type connectors, with
individual ON/OFF switches on each input. The phone jacks, which can also be
used with unbalanced phone plugs, have priority over the XLR-type connectors,
so when a phone plug is inserted, the XLR-type connector is disconnected. These
inputs can be patched individually to the Input Channels or Insert Ins. With their
high sensitivity and PAD switches, these inputs can handle a wide range of signals,
from condenser microphones to hot line levels. See AD Input Section on page
64 for more information.
B INSERT IN & OUT +4dB (BAL) connectors
These balanced 1/4-inch TRS phone jacks are used to insert
external signal processors, etc., into AD Inputs 1 through
24. They are wired: sleeve–ground, ring–cold, tip–hot. The
nominal signal level of both jacks is +4 dB. Inserts can be
turned on and off individually by using the INSERT
ON/OFF switches. See AD Input Section on page 64 for
more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output
level is controlled by the STUDIO LEVEL control. See Studio Monitoring on page 159 for
more information.
2
1
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
21
6 7
53 4
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
46 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
AD Input Section
A INPUT A & B (BAL) connectors
AD Inputs 1 through 24 feature balanced XLR-3-31-type connectors and bal-
anced 1/4-inch phone jacks, both with a nominal input range of –60 dB to
+10 dB. Phantom powering (+48 V) is supplied to the XLR-type connectors, with
individual ON/OFF switches on each input. The phone jacks, which can also be
used with unbalanced phone plugs, have priority over the XLR-type connectors,
so when a phone plug is inserted, the XLR-type connector is disconnected. These
inputs can be patched individually to the Input Channels or Insert Ins. With their
high sensitivity and PAD switches, these inputs can handle a wide range of signals,
from condenser microphones to hot line levels. See AD Input Section on page
64 for more information.
B INSERT IN & OUT +4dB (BAL) connectors
These balanced 1/4-inch TRS phone jacks are used to insert
external signal processors, etc., into AD Inputs 1 through
24. They are wired: sleeve–ground, ring–cold, tip–hot. The
nominal signal level of both jacks is +4 dB. Inserts can be
turned on and off individually by using the INSERT
ON/OFF switches. See AD Input Section on page 64 for
more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output
level is controlled by the STUDIO LEVEL control. See Studio Monitoring on page 159 for
more information.
2
1
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
21
6 7
53 4
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
46 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
AD Input Section
A INPUT A & B (BAL) connectors
AD Inputs 1 through 24 feature balanced XLR-3-31-type connectors and bal-
anced 1/4-inch phone jacks, both with a nominal input range of –60 dB to
+10 dB. Phantom powering (+48 V) is supplied to the XLR-type connectors, with
individual ON/OFF switches on each input. The phone jacks, which can also be
used with unbalanced phone plugs, have priority over the XLR-type connectors,
so when a phone plug is inserted, the XLR-type connector is disconnected. These
inputs can be patched individually to the Input Channels or Insert Ins. With their
high sensitivity and PAD switches, these inputs can handle a wide range of signals,
from condenser microphones to hot line levels. See AD Input Section on page
64 for more information.
B INSERT IN & OUT +4dB (BAL) connectors
These balanced 1/4-inch TRS phone jacks are used to insert
external signal processors, etc., into AD Inputs 1 through
24. They are wired: sleeve–ground, ring–cold, tip–hot. The
nominal signal level of both jacks is +4 dB. Inserts can be
turned on and off individually by using the INSERT
ON/OFF switches. See AD Input Section on page 64 for
more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output
level is controlled by the STUDIO LEVEL control. See Studio Monitoring on page 159 for
more information.
2
1
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
21
6 7
53 4
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
46 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
AD Input Section
A INPUT A & B (BAL) connectors
AD Inputs 1 through 24 feature balanced XLR-3-31-type connectors and bal-
anced 1/4-inch phone jacks, both with a nominal input range of –60 dB to
+10 dB. Phantom powering (+48 V) is supplied to the XLR-type connectors, with
individual ON/OFF switches on each input. The phone jacks, which can also be
used with unbalanced phone plugs, have priority over the XLR-type connectors,
so when a phone plug is inserted, the XLR-type connector is disconnected. These
inputs can be patched individually to the Input Channels or Insert Ins. With their
high sensitivity and PAD switches, these inputs can handle a wide range of signals,
from condenser microphones to hot line levels. See AD Input Section on page
64 for more information.
B INSERT IN & OUT +4dB (BAL) connectors
These balanced 1/4-inch TRS phone jacks are used to insert
external signal processors, etc., into AD Inputs 1 through
24. They are wired: sleeve–ground, ring–cold, tip–hot. The
nominal signal level of both jacks is +4 dB. Inserts can be
turned on and off individually by using the INSERT
ON/OFF switches. See AD Input Section on page 64 for
more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output
level is controlled by the STUDIO LEVEL control. See Studio Monitoring on page 159 for
more information.
2
1
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
21
6 7
53 4
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
46 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
AD Input Section
A INPUT A & B (BAL) connectors
AD Inputs 1 through 24 feature balanced XLR-3-31-type connectors and bal-
anced 1/4-inch phone jacks, both with a nominal input range of –60 dB to
+10 dB. Phantom powering (+48 V) is supplied to the XLR-type connectors, with
individual ON/OFF switches on each input. The phone jacks, which can also be
used with unbalanced phone plugs, have priority over the XLR-type connectors,
so when a phone plug is inserted, the XLR-type connector is disconnected. These
inputs can be patched individually to the Input Channels or Insert Ins. With their
high sensitivity and PAD switches, these inputs can handle a wide range of signals,
from condenser microphones to hot line levels. See AD Input Section on page
64 for more information.
B INSERT IN & OUT +4dB (BAL) connectors
These balanced 1/4-inch TRS phone jacks are used to insert
external signal processors, etc., into AD Inputs 1 through
24. They are wired: sleeve–ground, ring–cold, tip–hot. The
nominal signal level of both jacks is +4 dB. Inserts can be
turned on and off individually by using the INSERT
ON/OFF switches. See AD Input Section on page 64 for
more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output
level is controlled by the STUDIO LEVEL control. See Studio Monitoring on page 159 for
more information.
2
1
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
21
6 7
53 4
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
 Коннекторы INPUT A & B (BAL)
АЦвходыс1по24представляютсобойсимметричныеконнекторыXLR-3-31исим-
метричныеконнекторы«джек»длянаушников¼дюйма.Обатипаимеютноминаль-
ныйвходнойдиапазонот-60дБдо+10дБ.Фантомноепитание(+48В)подведенок
коннекторамXLRсиндивидуальнымипереключателямиON/OFFнакаждомвходе.
Коннекторы«джек»длянаушников,которыетакжемогутиспользоватьсяснесим-
метричнымиштекерамидлянаушников,имеютпреимуществопередконнекторами
XLR,поэтому,когдавставленштекернаушников,коннекторыXLRотсоединяются.
ЭтивходымогутбытьподсоединеныиндивидуальновканалывыходаилиInsertIn.
ИмеяВысокуючувствительностьипереключателиPAD,этивходымогутобработать
широкийдиапазонсигналов,отконденсаторныхмикрофоновдо“горячих”линей-
ныхсигналов.ИнформацияоблокеаЦвходаприведенанастр.64.
Коннекторы INSERT IN и OUT +4dB (BAL)
Этисимметричныеконнекторыдлянаушников„джек”
диаметром¼дюймаиспользуютсядлявставкивнешних
процессоровдляобработкисигналаит.п.воАЦвходыс
1по24.Ониподсоединяются:цилиндр–земля,кольцо–
холодный(-),наконечник–горячий(+).Номинальныйуровеньсигналаобоихконнекто-
ров„джек”+4дБ.Коннекторыможновключатьивыключатьиндивидуальнопереключа-
телямиINSERTON/OFF.ИнформацияоблокеаЦвходаприведенанастр.64.
Блок ведущего аналогового входа/выхода (Analog Master I/O Section)
 Выход STUDIO MONITOR OUT +4 dB (BAL)
ЭтисимметричныеконнекторыдлянаушниковTRSдиа-
метром¼дюйма,номинальныйуровеньвыхода+4дБ,
выводятаналоговыйсигналStudioMonitorдлямонито-
рингавреальнойстудии.Источник,выбираемыйкнопка-
миSTUDIOвблокеMONITOR,можетбытьвыходомAuxSend#11,AuxSend#12,Stereo
OutилиControlRoom.УровеньвыходаконтролируетсярегуляторомSTUDIOLEVEL.
ИнформацияоStudioMonitoringприведенанастр.159.
Выход STEREO OUT +4 dB (BAL)
ЭтисимметричныеконнекторыXLR-3-32номиналь-
ныйуровеньвыхода+4дБ,выводятаналоговый
сигналвыходаStereoOutиобычноподсоединяются
кStereoOutsм2-хдорожечногозаписывающего
устройства.Ониподсоединенывыводами1-ground(земля),2–hot(+)и3–cold(-).Ин-
формацияоконнекторахStereoOutsприведенанастр.104.
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
Female XLR plug
2 (hot)
1 (ground)
3 (cold)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
Phono plug
Tip (hot)
Sleeve (ground)
Phono plug
Tip (hot)
Sleeve (ground)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)

Содержание

Скачать