Tc Electronic Finalizer 96K [15/56] Main page input
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MAIN PAGE Input
Sample Rate Conversion may be applied to the AES/EBU,
S/PDIF or Tos-link Input. The Input Sample rate is asynchronous,
with the Output of the Sample Rate Converter locked to the
system Clock source.
Internal references at 44.1and 48 or an external Word Clock
signal may be used to drive the Sample Rate Converter.
Sample Rate LEDs
When a Digital Input is used, and the signal is recognized, one of
the three yellow Rate LEDs light up. If no signal is present, and
youve selected a Digital Input or Insert, all three LEDs will blink.
Note: Blinking LEDs indicate an error condition. The Outputs of
the Finalizer are muted.
Digital Input Formats and levels
Several Digital Input formats are supported: AES/EBU, S/PDIF,
Tos-link and ADAT. If you select ADAT format, you are allowed
to pick two independent tracks for processing in the Finalizer.
Format conversions between any of the mentioned formats are
available.
Level calibrations are easily maintained in the Digital domain.
However, with a Digital Input selected, level and balance
adjustments may be performed digitally in Input page 2.
When a Digital Input is selected, the Clock selection defaults to
EXT DI (External Digital In). This selection may be overruled as
explained in the Sample Rate.
Mode 48/96
Mode 48 gives you a maximum frequency response of 24kHz.
Mode 96* (Double Sample Rate) gives you a maximum
frequency response of 48kHz.
Unlimited Up and Down Sampling
Sample Rate Conversion between all Sample Rates is possible.
Input Sample Rates of 44.1, 48, 88.2 or 96kHz is accepted and
can be up/down-sampled to 44.1, 48, 88.2 or 96kHz.
This up and down sampling feature is available from software
version 3.50 and up and requires a minor hardware upgrade.
Please contact your local dealer for further information regarding
upgrade procedure and upgrade fee.
The new hardware is installed from factory in Finalizer 96Ks
with serial no. 1214250 and above. To see if the new hardware is
installed: Install the 3.5 software and reboot the unit. If the
Up/Down sampling logo appears during power-up, both software
and hardware is installed
Note: Software 3.5 will operate on Finalizer PLUS and old Finalizer
96K, but the up/downsampling feature is available only in
conjunction with the hardware update.
Example 1:
You have a Digital signal at a Sample Rate of 96kHz present on
the Input and you wish to have a signal at a Sample Rate of
44.1kHz on the Output.
- Select Digital Input type: S/PDIF, AES/EBU or Tos.
- Set the Sample Rate Conversion SRC to On.
- Select Mode48.
- Select Output Clock frequence 44.1kHz.
You now have a Clock Rate on the Output of 44.1kHz
Example 2:
You have a Digital signal at a Sample Rate of 44.1kHz present
on the Input and you wish to have a signal at a Sample Rate of
96kHz on the Output.
- Select Digital Input type: S/PDIF, AES/EBU or Tos.
- Set the Sample Rate Conversion SRC to On.
- Select Mode96.
- Select Output Clock frequence 96kHz.
You now have a Clock Rate on the Output of 96kHz
Example 3:
You have an Analog signal on the Input and you wish to have a
signal at a Sample Rate of 96kHz on the Output.
- Select Input type: Analog.
- Sample Rate Conversion is automatically set to Off.
- Select Mode 96.
- Select Output Clock frequence 96kHz.
You now have a Clock Rate on the Output of 96kHz.
Clock - Sample Rate
Select which clock you want the Finalizer to sync to.
Mode 48: Internal 44,1, Internal 48, External sync. or External
Sync, AES/EBU, S/PDIF or ADAT.
Mode 96*: Internal 88,2, Internal 96, External sync. or External
Sync, AES/EBU, S/PDIF or ADAT.
Optical - Digital Output Formats
The available Output formats are determined by the Input and
Insert selections. Optical Outputs may be chosen between ADAT,
Tos-link and Thru.
- When ADAT is selected, you may assign the Finalizer
signals to any two ADAT channels.
- When Thru is selected, the Optical Output is a copy of the
Optical Input, regardless of format.
* 96kHz is only available in Finalizer 96. MODE 96 must be
selected.
Содержание
- Appendix 3
- Basic operation 3
- Introduction 3
- Table of contents 3
- Main features 5
- Welcome 5
- Front panel 6
- Adjust 7
- Bypass utility 7
- Compare wizard 7
- Functions program control 7
- Help recall main page 7
- Store tools 7
- Rear panel 8
- Signal flow 9
- Finalizer setup 10
- Finalizer setup 11
- Factory user presets 12
- Recall 12
- Recalling a preset 12
- Storing a user preset and handling preset names 13
- Using a memory card 13
- What is stored where 13
- Main page input 14
- Page 1 14
- Main page input 15
- Finalizer adat 16
- Main page input 16
- Page 2 16
- Main page inserts 18
- Digital radiance generator 19
- Dynamic equalizer 19
- Inserts 19
- Main page inserts 19
- Stereo adjust 19
- External insert 20
- Main page inserts 20
- Main page inserts 21
- Ms encoding decoding 21
- Spectral stereo image 21
- Main page normalizer 22
- Main page expander 24
- Cross over menu 25
- Expander 25
- Expert menu 25
- Main page expander 25
- User menu 25
- Main page compressor 26
- Main page compressor 27
- The compressor 27
- The edit guide 27
- User menu 27
- Expert menu 28
- Main page compressor 28
- Make up gain 28
- Compressor bypass 29
- Cross over menu 29
- Main page compressor 29
- Main page limiter 30
- Cross over menu 31
- Expert menu 31
- Main page limiter 31
- The limiter 31
- User menu 31
- Main page output 32
- Page 1 32
- Page 2 32
- Main page output 33
- Tools flow 34
- Tools peak hold meter 34
- Tools calibration tone 35
- Tools phase meter correlation 35
- Tools digital i o dio 36
- Tools digital i o dio 37
- Making the whole thing very simple 38
- Wizard 38
- Compare 39
- Display 40
- Midi in 40
- Utility 40
- Memory backup 41
- Midi out 41
- Security 41
- Utility 41
- Reset page 42
- Technical specifications finalizer plus 43
- Technical specifications finalizer 96 44
- Midi implementation chart 45
- Midi continuous controllers 46
- Self test 47
- Appendix glossary 48
- Appendix tutorial 49
- Appendix tutorial 50
- Troubleshooting 51
- Appendix soldering instructions 52
- Appendix soldering instructions 53
- Appendix note 54
- Preset list 55
- Activating the master fader 56
- Cables and lengths 56
- Connecting and calibrating the master fader 56
- Master fader 56
- Why make a master fader 56
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