![Yamaha PSR-520 [31/102] Split voice](/img/pdf.png)
Yamaha PSR-520 [31/102] Split voice
![Yamaha PSR-520 [31/102] Split voice](/views2/1019257/page31/bg1f.png)
30
Using Auto Accompaniment
The PSR-520 has 100 different accompaniment “styles” that can be used
to provide fully-orchestrated or rhythm-only accompaniment. The PSR-
520’s sophisticated Auto Accompaniment system can provide automated
bass and chord backing that is perfectly matched to the selected accom-
paniment style.
• The maximum number of notes that can be played simultaneously on the PSR-520 keyboard is
reduced when the Accompaniment is used.
1
Select the SINGLE or FINGERED
Accompaniment Mode
.....................................................................................................................
Press the [MODE] button to the right of the display as many times as
necessary until the arrow in the display appears next to “SINGLE” or “FIN-
GERED” in the mode list to the right of the display. If you select the “SIN-
GLE” mode, accompaniment chords are played as follows:
NORMAL
SPLIT
SINGLE
FINGERED
ACCOMP TRACK SONG TRACK
8BeatPop
TEMPO TRANSPOSE MEASURE REPEAT CHORD
BEAT
TOUCHMINUS ONE
REVERB DUAL
CHORUS HARMONY
DSP SUSTAIN
RHYTHM BASS CHORD PAD PHRASE ACCOMP MELODY
2
MELODY
1
111
ON /
OFF
VOICE
VOL
REGIST
REC REC REC
OTS
801
134126152105 1011011
118 10 a01
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM
/
ECHO
OVERALL
DIGITAL EFFECT
NORMAL
SPLIT
SINGLE
FINGERED
About the PSR-520 Styles
The styles are created with the “Style File Format”, Yamaha’s original auto-accom-
paniment format which has evolved through years of development and refinement.
Style File Format allows you to use exceptionally high quality accompaniments with
a variety of chord types through its unique conversion system. Style File Format
styles, based on GM system level 1, can be played with the GM compatible tone
generator. In addition to the internal styles, the optional music cartridges let you use
different high quality styles created with the Style File Format.
Содержание
- Congratulations 2
- G 100 accompaniment styles each with independent intro main a and b 4 fill ins and ending sections 2
- G 141 outstanding voices with eight percussion kits 2
- G a voice set function automatically selects appropriate voice parameters whenever a voice is selected 2
- G advanced auto accompaniment technology gives you fully orchestrated accompaniment to back up what you play on the keyboard 2
- G built in amplifier and speaker system delivers top quality sound without the need for external equipment 2
- G digital effects reverb chorus and dsp let you freely create a variety of different sonic environments 2
- G large multi function lcd display panel makes it easy to select and edit parameters 2
- G midi compatibility and a range of midi functions make the psr 520 useful in a range of advanced midi music systems 2
- G minus one and repeat functions are ideal for learning new songs and polishing your keyboard technique 2
- G one touch setting feature instantly provides you with four types of registration settings all of which match to the selected accompaniment style 2
- G optional yamaha music cartridges can be plugged in for enjoyable automated perform ance keyboard practice and extra accompaniment styles 2
- G registration memory saves 128 your favorite panel settings for instant recall when needed 2
- G song recording feature lets you record two melody tracks with an accompaniment track 2
- G with the multi pads you can play and record a number of short rhythmic and melodic sequences to add a spice to your performance 2
- Important features 2
- You are the proud owner of a fine electronic keyboard the yamaha psr 520 portatone combines the most advanced awm tone generation technology with state of the art digital electronics and features to give you stunning sound quality with maximum musical enjoyment a new large graphic display and easy to use interface also greatly enhance the operability of this advanced instrument in order to make the most of your portatone s features and extensive performance potential we urge you to read the manual thoroughly while trying out the various features described keep the manual in a safe place for later reference 2
- Basic display operation 3
- Contents 3
- Digital effects 3
- Overall functions 3
- Panel controls 3
- Playing the psr 520 3
- Practice features 3
- Registration memory 3
- Setting up 3
- Song recording 3
- The demonstration 3
- The multi pads 3
- Using auto accompaniment 3
- Using music cartridges 3
- Do not expose the instrument to the following conditions to avoid deformation discoloration or more serious damage 4
- G clean the cabinet and panel with a dry soft cloth g a slightly damp cloth may be used to remove stubborn grime and dirt g never use cleaners such as alcohol or thinner g avoid placing vinyl objects on top of the instru ment vinyl can stick to and discolor the sur face 4
- G direct sunlight e g near a window g high temperatures e g near a heat source out side or in a car during the daytime g excessive humidity g excessive dust g strong vibration 4
- G disconnect all cables before moving the instru ment g physical shocks caused by dropping bumping or placing heavy objects on the instrument can result in scratches and more serious damage 4
- G internal data registration memory user song and user pad data will be retained in memory even if the power switch is turned off as long as an ac power adaptor is connected or batteries are in stalled 4
- G never apply excessive force to the controls con nectors or other parts of the instrument g always unplug cables by gripping the plug firmly not by pulling on the cable 4
- G the psr 520 contains no user serviceable parts opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock refer all servicing to qualified yamaha personnel 4
- G this instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers if this occurs move the instrument further away from the affected equipment 4
- G to avoid damage to the instrument and other devices to which it is connected turn the power switches of all related devices off prior to con necting or disconnecting midi cables 4
- G turn the power switch off when the instrument is not in use g an ac adaptor if used the psr 520 runs from either batteries or an optional ac adaptor should be unplugged from the ac outlet if the instrument is not to be used for an extended pe riod of time g unplug the ac adaptor during electric storms g avoid plugging the ac adaptor into the same ac outlet as appliances with high power consump tion such as electric heaters or ovens also avoid using multi plug adaptors since these can result in reduced sound quality operation errors and possibly damage 4
- I cleaning 4
- I data backup 4
- I electrical interference 4
- I handling and transport 4
- I location 4
- I power supply 4
- I service and modification 4
- I turn power off when making connections 4
- Taking care of your portatone 4
- Your portatone will give you years of playing pleasure if you follow the simple rules given below 4
- I top panel control 5
- Panel controls 5
- 1 0 a 01 6
- 1 02 1 17 1 30 1 01 1 01 1 6
- Accomp freeze 6
- Accomp large small track on off 6
- Accomp track song track 6
- Cursor 6
- Dc in 10 12v 6
- Dual voice 6
- Ending main 6
- Function 6
- Harmony echo 6
- I rear panel control 6
- Keyboard 6
- Memorize 1 2 3 4 6
- Multi pads 6
- One touch setting 6
- Panel controls 6
- R l r l aux out 6
- Rec end 1 2 3 4 6
- Registration memory 6
- Style voice 6
- Sustain 6
- Sustain out in midi 6
- Terminate 6
- The music stand 6
- The psr 520 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel 6
- Touch response 6
- I using an optional ac power adapto 7
- I using batterie 7
- Power supply 7
- Setting up 7
- A standard pair of stereo headphones can be plugged in here for private prac tice or late night playing the internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the phones jack 8
- An optional yamaha fc4 or fc5 footswitch can be plugged into the rear panel sustain jack for sustain control the footswitch functions like the damper pedal on a piano press for sustain release for normal sound 8
- Connections 8
- I aux out r and l r l jac 8
- I midi in and out connector 8
- I sustain jac 8
- I the phones jac 8
- Setting up 8
- The aux out r and l r l jacks deliver the output of the psr 520 for connection to an external amplifier mix ing console pa system or recording equipment if you will be connecting the psr 520 to a monophonic sound sys tem use only the l r l jack when a plug is inserted into the l r l jack only the left and right channel signals are combined and delivered via the l r l jack so you don t lose any of the instrument s sound 8
- The midi in connector receives midi data from an external midi device such as a midi sequencer which can be used to control the psr 520 the midi out connector transmits midi data generated by the psr 520 e g note and velocity data produced by playing the keyboard more details on midi are provided on page 71 8
- Accomp track song track 9
- Digital effect 9
- Dual voice 9
- Fingered 9
- Master 9
- Min max 9
- Multi pad 9
- Normal 9
- On off 9
- Overall 9
- Regist memory 9
- Single 9
- Split voice 9
- The demonstration 9
- Wahclavi 9
- About the demo songs created by the psr 520 internal accom paniment styles 10
- Chord names will appear on the display and the volume bars of the accomp tracks will move in response to the data in each track while the demo plays 10
- Digital effect 10
- Dual voice 10
- Function 10
- Harmony effect see page 20 can be applied when playing along with the chord progres sion of the song 10
- Multi pad 10
- Overall 10
- Regist memory 10
- Split voice 10
- The demonstration 10
- The volume bars of the song tracks at the bottom of the dis play will move in response to the data in each track while the demo plays 10
- Wahclavi 10
- When you stop the demo songs played in sequence and start again by pressing the play stop button the selected song will play and stop automatically when the selected song playback has ended 10
- You can play along on the psr 520 keyboard while the demon stration is playing 10
- Accomp track song track 11
- Basic display operation 11
- Digital effect 11
- Dual voice 11
- Grandpno 11
- Multi pad 11
- Overall 11
- Regist memory 11
- Rhythm bass chord pad phrase 11
- Split voice 11
- Basic display operation 12
- Feature on off icons 12
- Song track parameters icons 12
- The modes 12
- 1 0 a 01 13
- 1 02 1 17 1 30 1 01 1 01 1 13
- Accomp track song track 13
- Before you select a voice to play the psr 520 voice function must be selected the simplest way to do this is to press the voice button this immediately selects the voice function no matter what function was previ ously selected an alternative method is to press the function button to the left of the display as many times as necessary until the arrowhead in the display appears next to voice in the function list to the left of the display 13
- Digital effect 13
- Dual voice 13
- Fingered 13
- Function 13
- Grandpno 13
- If you want to play a single voice over the entire range of the psr 520 keyboard you ll need to select the normal mode to do this press the mode button to the right of the display as many times as necessary until the arrow in the display appears next to normal in the mode list to the right of the display the other modes will be described later in this manual 13
- Kybd vol function see page 67 in the overall function group can be quickly selected by pressing and holding the voice button 13
- Multi pad 13
- Normal 13
- Overall 13
- Playing the psr 520 13
- Regist memory 13
- Selecting playing voices 13
- Single 13
- Single fingered 13
- Split voice 13
- The psr 520 has 141 outstanding pitched voices voice numbers 01 through 141 and 8 percussion kits numbers 142 through 149 that you can select and play on the keyboard 13
- Grandpno 14
- Playing the psr 520 14
- Playing the psr 520 15
- Std kit 15
- Aco bass 16
- Changing the split voice related parameters 16
- Digital effect 16
- Dual voice 16
- Fingered 16
- Function 16
- Multi pad 16
- Normal 16
- Overall 16
- Playing the psr 520 16
- Regist memory 16
- Single 16
- Split voice 16
- The split mode 16
- Cursor 17
- Playing the psr 520 17
- Dual voice 18
- Harmony 18
- Playing the psr 520 18
- Sustain 18
- The touchsns function in the overall function group can be quickly selected by pressing and holding the touch re sponse button 18
- This function turns the touch response of the keyboard on or off use the keyboard touch response button to turn touch response on or off as required the touch response icon will appear next to touch in the display when touch response is turned on the actual touch re sponse sensitivity of the keyboard can be adjusted via the touchsns function in the overall function group page 69 when off i e when the touch response icon is not showing the same volume is produced no matter how hard you play on the keyboard touch response can be turned off to produce a more realistic effect with voices that normally do not have touch response e g organ and harpsichord 18
- Touch response 18
- Touch response is turned on whenever the power switch is turned on 18
- When the dual voice feature is engaged you can play two voices simul taneously across the entire keyboard the keyboard voice you select in the normal way page 12 and a dual voice selected via the dual voice func tion the dual voice feature is turned on and off by pressing the dual voice button the dual voice icon overlapping keyboards will appear next to dual in the display when dual voice is turned on 18
- Cursor 19
- D volume 19
- Digital effect 19
- Dual voice 19
- Dual voice function can be quickly selected by pressing and holding the dual voice but ton 19
- Function 19
- Multi pad 19
- Overall 19
- Playing the psr 520 19
- Press the function button to the left of the display as many times as necessary until the arrowhead in the display appears next to dual voice in the function list to the left of the display 19
- Regist memory 19
- Split voice 19
- Strings2 19
- Use the cursor l and m buttons to select the desired function and then the no and yes buttons the number buttons or the data dial to set as required the name of the selected function and its current setting ap pear on the top line of the display 19
- Playing the psr 520 20
- Digital effect 21
- Dual voice 21
- Function 21
- Harmony 21
- Harmony echo 21
- Keyboard 21
- Multi pad 21
- Overall 21
- Playing the psr 520 21
- Regist memory 21
- Selecting a harmony echo type 21
- Split voice 21
- Sustain 21
- Touch response 21
- Playing the psr 520 22
- Select a harmony echo typ 22
- Dual voice 23
- Harmony 23
- Harmony echo 23
- Playing the psr 520 23
- Sustain 23
- Touch response 23
- Move the cursor to the transpose valu 24
- Pitch bend 24
- Playing the psr 520 24
- Set the transposition as require 24
- Transposition 24
- 1 0 a 01 25
- 1 02 1 17 1 30 1 01 1 01 1 25
- Accomp track song track 25
- Changing the reverb effect 25
- Chorus 25
- Cursor 25
- Digital effect 25
- Digital effects 25
- Dsp variation 25
- Dual voice 25
- Function 25
- If the voice set function page 69 is on the reverb chorus dsp varia tion on off status will automatically be determined while dsp will be turned on whenever a different voice is selected via the voice function 25
- Multi pad 25
- Normal 25
- Overall 25
- Press the function button to the left of the display as many times as necessary until the arrowhead in the display appears next to digital effect in the function list to the left of the display and use the cursor l and m buttons to select the reverb type function reverb m 25
- Pressing the reverb chorus or dsp button turns on off the respec tive effect for the voice function voice 25
- Regist memory 25
- Reverb 25
- Single fingered 25
- Split voice 25
- The psr 520 has three types of digital effects reverb chorus and dsp that can be turned on or off by pressing the reverb button chorus button and dsp button respectively dsp effect has a set of variations which can be accessed by using the dsp vari ation button on off each icon will appear in the display when the effects are turned on 25
- The psr 520 provides a variety of digital effects 12 reverb effects 9 chorus effects and 45 dsp effects which are specially tailored and make your performance perfect 25
- Using the digital effects 25
- 04 hall 1 4 05 08 room 1 4 09 10 stage 1 2 11 12 plate 1 2 13 off 26
- Button to enter the reverb type function and then select one of the 13 reverb types using the no and yes buttons the number buttons or the data dial the name of the selected reverb type ap pears on the top line of the display 26
- Cursor 26
- Digital effect 26
- Digital effects 26
- Dual voice 26
- Function 26
- If you want to disable the reverb effect for all the data excepting voice function voice select off in the type selection 26
- Multi pad 26
- Overall 26
- Press the function button to the left of the display as many times as necessary until the arrowhead in the display appears next to digital effect in the function list to the left of the display and use the cursor l and m buttons to select the reverb return level function 26
- Press the voice button or select a different function to exit from the digital effect function 26
- Regist memory 26
- Revrtnlv 26
- See page 78 for more details on the digital effects 26
- See page 79 for a complete listing of the reverb types 26
- Split voice 26
- The default reverb return level 64 can be recalled instantly by pressing both the no and yes buttons simultaneously 26
- The reverb return level desig nated here affects the entire setting while the reverb send level can be applied to the voice selected via the voice function the split voice and the dual voice separately via the revlevel in the overall function group the s revlvl in the split voice function and the d revlvl in the dual voice function see pages 68 16 and 19 26
- The reverb return level determines the amount of wet affected signals output to the amplifier 26
- The reverb type can be reset to its default by simultaneously pressing the no and yes buttons 26
- The reverb type will change automatically whenever a differ ent style is selected 26
- The reverb types 26
- Use the no and yes buttons the number buttons or the data dial to set the desired reverb return level the range is from 00 to 127 26
- You can also enter the reverb type function by pressing and holding the reverb button until the arrow jumps to the digital effect posi tion and the current reverb type name appears in the display 26
- You can return to the previous display reverb m by pressing the cursor button and choose the chorus or dsp effect 26
- 05 chorus 1 5 06 09 flanger 1 4 10 off 27
- Changing the chorus effect 27
- Chorus 27
- Chorus1 27
- Cursor 27
- Digital effect 27
- Digital effects 27
- Dual voice 27
- Function 27
- If you want to disable the chorus effect for all the data excepting voice function voice select off in the type selection 27
- Multi pad 27
- Overall 27
- Regist memory 27
- See page 79 for a complete listing of the chorus types 27
- Split voice 27
- The chorus type can be reset to its default by simultaneously pressing the no and yes buttons 27
- The chorus type will change automatically whenever a differ ent style is selected 27
- You can return to the previous display chorus m by pressing the cursor button and choose the reverb or dsp effect 27
- Chortnlv 28
- Digital effects 28
- Setting the chorus return level 28
- 04 hall 1 4 29
- 08 room 1 4 29
- 10 stage 1 2 29
- 12 plate 1 2 29
- 14 early reflection 1 2 29
- 21 chorus 1 5 29
- 25 flanger 1 4 29
- 32 rotary speaker 1 5 29
- 34 tremolo 1 2 29
- Auto pan 29
- Auto wah 29
- Changing the dsp effect 29
- Cross delay 29
- Cursor 29
- Delay l c r 29
- Delay l r 29
- Digital effect 29
- Digital effects 29
- Distortion hard 29
- Distortion soft 29
- Dual voice 29
- Eq disco 29
- Eq telephone 46 off 29
- Function 29
- Gate reverb 29
- Guitar tremolo 29
- If the voice set function is on page 69 the dsp type will change automatically whenever a different voice is selected via the voice function 29
- If you want to disable the dsp effect for all the data excepting voice function voice select off in the type selection 29
- Multi pad 29
- Overall 29
- Phaser 29
- Regist memory 29
- Reverse gate 29
- See page 79 for a complete listing of the dsp types 29
- Split voice 29
- Stage2 29
- Symphonic 29
- The dsp type can be reset to its default by simultaneously press ing the no and yes but tons 29
- When the rotary speaker 1 5 is selected the dsp variation button on off will switch the speed of the rotating speaker between fast on and slow off you can return to the previous display dsp m by pressing the cursor button and choose the reverb or chorus effect 29
- Digital effects 30
- Dsprtnlv 30
- Setting the dsp return level 30
- 1 0 a 01 31
- 1 26 1 52 1 05 1 01 1 01 1 31
- Accomp track song track 31
- Beatpop 31
- Digital effect 31
- Dual voice 31
- Multi pad 31
- Normal 31
- Overall 31
- Regist memory 31
- Single fingered 31
- Split voice 31
- Using auto accompaniment 31
- Digital effect 32
- Dual voice 32
- Fngrngmd 32
- Multi pad 32
- Overall 32
- Regist memory 32
- Split voice 32
- Using auto accompaniment 32
- Chord c display 33
- Chord name abbreviation normal voicing 33
- Example for c chords 33
- G normal 33
- This is the default fingered accompaniment mode the normal mode lets you finger your own chords on the left hand section of the keyboard i e all keys to the left of and including the split point key normally 54 while the psr 520 supplies appropriately orchestrated rhythm bass and chord accompaniment in the selected style the fingered mode will accept the chord types listed below notes in parentheses may be omitted 33
- Using auto accompaniment 33
- Beatpop 34
- Digital effect 34
- Dual voice 34
- Function 34
- Multi pad 34
- Overall 34
- Regist memory 34
- Split voice 34
- Using auto accompaniment 34
- Using auto accompaniment 35
- Auto fill 36
- Intro ending main 36
- Start stop sync start stop 36
- Start the accompanimen 36
- Using auto accompaniment 36
- Play on the auto accompaniment section of the keyboar 37
- Using auto accompaniment 37
- Auto fill 38
- I the stop accompaniment function 38
- Select the main a and b sections as require 38
- Stop the accompanimen 38
- Using auto accompaniment 38
- 1 02 1 17 1 30 1 39
- Accompaniment track control 39
- Button from track to track when the cursor is located at one of the track icons if the rhythm 1 track is selected and the cursor is moved once to the right for example the cursor will not actually move but rhythm 2 will appear in place of rhythm 1 and the parameters for the rhythm 2 track can be changed as required the same applies to the chord 1 and 2 and phrase 1 and 2 tracks 39
- G what s in the tracks 39
- Using auto accompaniment 39
- I large small accompanimen 40
- I muting individual track 40
- Individual accompaniment tracks can also be turned off muted or on by using the cursor buttons to select the icon of the target track the icon and track name will flash and then using the no and yes buttons or the data dial to turn the track off or on respectively in this way rhythm 1 and rhythm 2 tracks can be independently turned off or on the same applies to the chord 1 and 2 and phrase 1 and 2 tracks 40
- On off 40
- Rhythm bass chord pad phrase 40
- The psr 520 auto accompaniment system includes five track buttons which allow you to control the accompaniment arrangement in real time the accompaniment tracks can be turned off muted or on by pressing the corresponding track buttons the track icon will disappear when a track is muted for example phrase 1 and 2 tracks are turned on or off at the same time by pressing the phrase track button the same applies to the rhythm 1 and 2 and chord 1 and 2 tracks 40
- The simplest form of accompaniment track control is provided by the accomp large small button this button alternately turns the appropriate track s on and off thereby changing the number of parts in the accompaniment when the large accompaniment is selected and ac companiment tracks are on their respective icons will appear in the appro priate positions in the display when the small accompaniment is se lected some tracks for that style will be turned off and their respective icons will disappear 40
- Using auto accompaniment 40
- I adjusting accompaniment track volum 41
- I changing accompaniment track voice 41
- On off 41
- Using auto accompaniment 41
- Accsppnt 42
- Changing the accompaniment split point 42
- Cursor 42
- Digital effect 42
- Dual voice 42
- Function 42
- Multi pad 42
- Overall 42
- Regist memory 42
- Split voice 42
- Using auto accompaniment 42
- One touch setting 43
- Regist 43
- Repeat chord 43
- Select another typ 43
- Turn on the one touch settin 43
- Using auto accompaniment 43
- 1 0 a 01 44
- 1 02 1 17 1 30 1 01 1 01 1 44
- Accomp track song track 44
- Accompaniment parameters mode normal split single fingered style number includes cartridge styles tempo split point accomp fingering mode accompaniment volume track data track on off voice volume main a b section transpose multi pad kit number reverb type return level chorus type return level 44
- Any of the 32 registration memory banks can be selected via the regist memory function use the function buttons to move the arrowhead next to regist memory in the function list to the left of the display then use the no and yes buttons the number buttons or the data dial to select the desired registration memory bank 01 through 32 44
- Digital effect 44
- Dual voice 44
- Function 44
- G data stored by the registration memory 44
- Harmony echo on off type dsp on off dsp type return level dsp variation on off reverb on off chorus on off sustain panel on off reverb level chorus level dsp level pitch bend range 44
- Make the desired control settings the following settings are memorized by the registration memory function 44
- Multi pad 44
- Normal 44
- Overall 44
- Regist memory 44
- Registering the panel settings 44
- Registration memory 44
- Single fingered 44
- Split voice 44
- The psr 520 registration memory feature can be used to memorize 128 complete control panel setups 32 banks 4 setups each that you can recall whenever needed 44
- The regist memory function can be quickly selected by press ing and holding the memorize button 44
- Voice parameters voice number keyboard volume octave pan split voice voice number volume octave reverb level chorus level pan split point dual voice voice number volume octave reverb level chorus level pan dual voice on off touch response on off sensitivity 44
- Accomp freeze 45
- Memorize 1 2 3 4 45
- Registration memory 45
- Yamaha 45
- Accomp freeze memorize 1 2 3 4 46
- Digital effect 46
- Dual voice 46
- Multi pad 46
- Overall 46
- Recall the registered panel settings 46
- Regist 46
- Regist memory 46
- Registration memory 46
- Split voice 46
- The accomp freeze function 46
- Accomp track song track 47
- Digital effect 47
- Dual voice 47
- Multi pad 47
- Normal 47
- Overall 47
- Recording a melody track 47
- Regist memory 47
- Single fingered 47
- Song recording 47
- Split voice 47
- Usersng1 47
- Accomp melody 2 melody 1 48
- Digital effect 48
- Dual voice 48
- Function 48
- Multi pad 48
- Overall 48
- Rec play stop 48
- Regist memory 48
- Song recording 48
- Split voice 48
- Usersng1 48
- Rec play stop repeat play minus one 49
- Song recording 49
- Stop recordin 49
- Digital effect 50
- Dual voice 50
- Function 50
- Multi pad 50
- Normal 50
- Overall 50
- Recording accompaniment with or without a melody 50
- Regist memory 50
- Single fingered 50
- Song recording 50
- Split voice 50
- Usersng1 50
- Accomp melody 2 melody 1 51
- Auto fill 51
- Engage the accomp melody track record ready mod 51
- Intro ending main 51
- Rec play stop 51
- Rec play stop repeat play minus one 51
- Rec rec 51
- Song recording 51
- Start stop sync start stop 51
- Measur 52
- Song recording 52
- Accompaniment and melody playback 53
- Digital effect 53
- Dual voice 53
- Function 53
- Multi pad 53
- Overall 53
- Rec play stop repeat play minus one 53
- Regist memory 53
- Song recording 53
- Split voice 53
- Usersng1 53
- Cursor 54
- Play from a specified measure 54
- Song recording 54
- Accomp melody 2 melody 1 55
- Cursor 55
- Rec play stop repeat play minus one 55
- Rec rec rec 55
- Song recording 55
- 1 0 a 01 56
- 1 02 1 17 1 30 1 01 1 01 1 56
- Accomp track song track 56
- Arpeggio 56
- Digital effect 56
- Dual voice 56
- Fingered 56
- Function 56
- Multi pad 56
- Normal 56
- Overall 56
- Playing the multi pads 56
- Regist memory 56
- See page 56 for a complete listing of the multi pad assingnments 56
- Single 56
- Split voice 56
- The multi pad function can be quickly selected by pressing and holding the rec end button 56
- The multi pads 56
- The psr 520 has 21 multi pad kits each containing a complete set of 4 multi pad phrases 84 phrases in all before using the multi pads select the multi pad kit containing the phrases you want to use as follows 56
- The psr 520 multi pads can also be used to record 16 short rhythmic or melodic sequences percussion fill ins or single percussion sounds that can be played at any time simply by pressing the appropriate pad the multi pad kit numbers 22 through 25 are the area for your own creation user pad kits 56
- The psr 520 multi pads can be used to play 84 short pre recorded rhythmic and melodic sequences that can be used to add impact and variety to your keyboard performances some of the pad phrases simply play back as programmed while others are chord match types which are automatically transposed to match chords played using the psr 520 auto accompaniment feature 56
- To select a multi pad kit first select the multi pad function by press ing one of the function buttons until the arrowhead in the display ap pears next to multi pad in the function list to the left of the display 56
- Play the multi pa 57
- Select a multi pad kit numbe 57
- The multi pads 57
- Digital effect 58
- Dual voice 58
- Function 58
- Multi pad 58
- Overall 58
- Recording the multi pads 58
- Regist memory 58
- Split voice 58
- The multi pads 58
- Userpad1 58
- Engage the multi pad record ready mod 59
- Select a voice and other parameter 59
- Stop recordin 59
- The multi pads 59
- The multi pads 60
- Yamaha 60
- Accomp track song track 61
- Digital effect 61
- Dual voice 61
- I inserting a music cartridge 61
- I music cartridge handling precautions 61
- Multi pad 61
- Normal 61
- Overall 61
- Regist memory 61
- Single fingered 61
- Split voice 61
- Using music cartridges 61
- Yesterdy 61
- Cartridge accompaniment styles 62
- Orgrkbld 62
- Regist memory 62
- Selecting cartridge styles 62
- Using music cartridges 62
- Aåtrain 63
- Cartridge song playback 63
- Cartridge songs 63
- Regist memory 63
- Using music cartridges 63
- Cartridge registration presets 64
- Orgrkbld 64
- Regist memory 64
- Selecting cartridge registration 64
- Using music cartridges 64
- Accomp track song track 65
- Digital effect 65
- Dual voice 65
- Fingered 65
- Minus one 65
- Minusmod 65
- Multi pad 65
- Normal 65
- Overall 65
- Practice features 65
- Rec play stop repeat play minus one 65
- Regist memory 65
- Single 65
- Split voice 65
- The minus one mode 65
- Cursor 66
- Digital effect 66
- Dual voice 66
- Function 66
- Minusmod 66
- Multi pad 66
- Overall 66
- Practice features 66
- Rec play stop repeat play minus one 66
- Regist memory 66
- Repeat play 66
- Repeat repeat 66
- Split voice 66
- Kybd vol 67
- Overall functions 67
- Cursor 68
- Digital effect 68
- Dual voice 68
- Function 68
- General functions 68
- Kybd b vol 68
- Kybd vol 68
- Kybd vol function can be quickly selected by pressing and holding the voice button 68
- Multi pad 68
- Negative values can be entered by pressing the number buttons while holding the no button 68
- Octave 68
- Overall 68
- Overall functions 68
- Regist memory 68
- Sets the volume of the keyboard sound including dual and split voices in relation to the accompaniment and song playback sound the range is from 00 to 127 a setting of 00 produces no sound 127 produces maximum volume 68
- Shifts the right hand keyboard voice including the dual voice up or down by one or two octaves 1 is down one octave 2 is down two octaves 1 and 2 are up one and two octaves respectively 68
- Split voice 68
- The default setting 0 can be recalled by pressing the no and yes buttons simultane ously 68
- The default setting 100 can be recalled by pressing the no and yes buttons simultane ously 68
- To access an overall function press either of the function buttons to the left of the display as many times as necessary until the arrowhead in the display appears next to overall in the function list to the left of the display then use the cursor l and m buttons to select the desired function from within the overall function list once the function has been selected use the no and yes but tons or the data dial or number buttons where applicable to set the function as required 68
- Cholevel 69
- Dsplevel 69
- I chorus leve 69
- I dsp leve 69
- I reverb leve 69
- Overall functions 69
- Revlevel 69
- Accompvol function can be quickly selected by pressing and holding the style button 70
- Acompvol 70
- Overall functions 70
- Pan 0 reverb level chorus level dsp level dual voice voice number volume octave reverb level chorus level pan 0 split voice voice number volume octave reverb level chorus level pan harmony echo type dsp type reverb on off chorus on off dsp on dsp variation on off 70
- Sets the volume of the accompaniment sound in relation to the keyboard and song melody track sound the range is from 00 to 127 a setting of 00 produces no sound 127 produces maximum volume 70
- The default setting 100 can be recalled by pressing the no and yes button simultane ously 70
- The default setting 100 can be recalled by pressing the no and yes buttons simultane ously 70
- The touchsns function can be quickly selected by pressing and holding the touch re sponse button 70
- The voice set feature brings out the best in each individual voice by automatically setting a range of important voice related parameters when ever a voice is selected the parameters that may be set by the voice set feature are listed below this function lets you turn voice set on or off as required the voice set function is turned on whenever the power switch is turned on 70
- This function sets the keyboard touch sensitivity when the touch re sponse function page 17 is on the range is from 00 to 127 the higher the value the higher the sensitivity 70
- Touchsns 70
- Voiceset 70
- I metronom 71
- I minus one right left hand channe 71
- I pitch bend rang 71
- I tunin 71
- Metronom 71
- Minuschl 71
- Minuschr 71
- Pbrange 71
- Regardless of the minus one channel settings with songs you record yourself the melody 1 track corresponds to the right hand part and the melody 2 track is the left hand part 71
- Sets the pitch bend range the pitch bend range value is displayed in semitone 01 through 12 i e one octave 71
- Sets the pitch of the psr 520 to match other instruments tuning can be accomplished over a 100 cent range that s 200 cents total or a tone the tuning range is from 100 to 100 00 is the normal tuning value 71
- The channel for the specific part will automatically be selected if the selected song contains the minus one right left hand channel settings in this case will appear on the display and you can not change it 71
- The default pitch bend range 02 can be instantly recalled by pressing the no and yes buttons simultaneously 71
- The metronome function is turned off whenever the power switch is turned on 71
- The normal tuning value 00 can be recalled instantly by pressing both the no and yes buttons simultaneously 71
- Turns the metronome function on or off the metronome will sound during accompaniment song playback and song multi pad recording when turned on 71
- While playing demo songs in sequence the metronome func tion cannot be used 71
- You can practice the specific part in the minus one mode by selecting the demo cartridge song you want to practice and by assigning the appropri ate channel to the desired part any channel 1 through 16 can be selected the default setting 01 for the right hand channel 02 for the left hand channel recalled by press ing the no and yes buttons simultaneously 71
- G simple midi control 72
- G the midi connectors 72
- Midi functions 72
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equipment that offer far greater versatil ity and control than is available with isolated instruments 72
- Most midi keyboards including the psr 520 of course transmit note and velocity touch response information via the midi out connector whenever a note is played on the keyboard if the midi out connector is connected to the midi in connector of a second keyboard synthe sizer etc or a tone generator essentially a synthesizer with no key board the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard the result is that you can effectively play two instruments at once providing thick multi in strument sounds the psr 520 also transmits program change data when one of its voices is selected depending on how the receiving de vice is set up the corresponding voice will be automatically selected on the receiving keyboard or tone generator whenever a voice is selected on the psr 520 72
- Overall functions 72
- Psr 520 72
- The midi in connector receives midi data from an external midi de vice which can be used to control the psr 520 the midi out connec tor transmits midi data generated by the psr 520 e g note and velocity data produced by playing the keyboard 72
- Tone generator 72
- I remote channe 73
- Midi in midi out 73
- Midi out midi in 73
- Overall functions 73
- Remotech 73
- Accompaniment out setting is retained in memory even when the power switch is turned off as long as batteries are installed or an ac adaptor is connected 74
- Acompout 74
- If you want to transmit all the song data including accomp track set song out and ac companiment out to on 74
- Keyboard out setting is retained in memory even when the power switch is turned off as long as batteries are installed or an ac adaptor is connected 74
- Kybdout 74
- Left hand voice split voice 74
- Only the user song you recorded can be transmitted 74
- Overall functions 74
- Song out setting is retained in memory even when the power switch is turned off as long as batteries are installed or an ac adaptor is connected 74
- Songout 74
- Extclock 75
- External clock setting is retained in memory even when the power switch is turned off as long as batteries are installed or an ac adaptor is connected 75
- If the external clock function is turned on but the external clock signal is interrupted for more than 400 milliseconds the internal clock is re selected automatically 75
- Initsnd 75
- Local control refers to the fact that normally the psr 520 keyboard controls the internal tone generator allowing the internal voices to be played directly from the keyboard this situation is local control on since the internal tone generator is controlled locally by its own keyboard local control can be turned off however so that the keyboard does not play the internal voices but the appropriate midi information is still trans mitted via the midi out connector when notes are played on the key board at the same time the internal tone generator can respond to midi information received via the midi in connector this means that while an external midi sequencer for example plays the psr 520 internal voices an external tone generator can be played from the psr 520 keyboard the default local control setting is on 75
- Overall functions 75
- Reception of an external midi clock signal can be enabled or disabled as required when disabled off all of the time based functions auto ac companiment song recording and playback etc are controlled by its own internal clock when midi clock reception is enabled on however all timing is controlled by an external midi clock signal received via the midi in terminal the default setting is off 75
- The initsnd function can be quickly selected by pressing and holding the sync start stop button 75
- The song data will not be played back correctly if the panel set tings for the song has not been recorded in advance to record the panel settings to an external device engage the external device in the record mode and execute the initial data send operation 75
- Transmits all current panel settings to a midi data storage device before actually recording your performance with the initsnd function selected press the yes button to start transmission when the data has been transmitted end will appear momentarily on the display and return to the initsnd 75
- When the external clock is turned on the song recording playback will be controlled by the external device 75
- Bkrcv sg 76
- Bulksnd 76
- Overall functions 76
- Aco bass 77
- Appendix 77
- Arpeggio 77
- Beatpop 77
- D cholvl 77
- D octave 77
- D revlvl 77
- D volume 77
- Grandpno 77
- Psr 520 function tree 77
- S cholvl 77
- S octave 77
- S revlvl 77
- S split 77
- S volume 77
- Strings2 77
- Wahclavi 77
- Accsppnt 78
- Acompout 78
- Acompvol 78
- Appendix psr 520 function tree 78
- Bulksnd 78
- Changing accompaniment split point accomp mode page 41 78
- Changing chorus send level voice function voice page 68 78
- Changing dsp send level voice function voice page 68 78
- Changing keyboard volume page 67 78
- Changing octave voice function voice and dual voice page 67 78
- Changing reverb send level voice function voice page 68 78
- Cholevel 78
- Chortnlv 78
- Chorus chorus1 78
- Dsp stage2 78
- Dsplevel 78
- Dsprtnlv 78
- Extclock 78
- External clock on off page 74 78
- Fine tuning page 70 78
- Fngrngmd 78
- Initsnd 78
- Kybd vol 78
- Kybdout 78
- Local control on off page 74 78
- Metronom 78
- Metronome on off page 70 78
- Minuschl 78
- Minuschr 78
- Minusmod 78
- Octave 78
- Pbrange 78
- Remotech 78
- Reverb hall1 78
- Revlevel 78
- Revrtnlv 78
- Selecting chorus types page 26 78
- Selecting dsp types page 28 78
- Selecting fingering mode fingered mode page 31 78
- Selecting minus one left hand channel page 70 78
- Selecting minus one mode page 64 78
- Selecting minus one right hand channel page 70 78
- Selecting reverb types page 24 78
- Sending bulk data page 75 78
- Sending initial data page 74 78
- Setting accompaniment volume page 69 78
- Setting chorus return level page 27 78
- Setting dsp return level page 29 78
- Setting pitch bend range page 70 78
- Setting remote keyboard channel page 72 78
- Setting reverb return level page 25 78
- Setting touch sensitivity page 69 78
- Songout 78
- Stereo panning voice function voice page 68 78
- Touchsns 78
- Transmitting auto accompaniment data page 73 78
- Transmitting keyboard data page 73 78
- Transmitting song data melody track s page 73 78
- Tuning 78
- Turning voice set on off page 69 78
- Voiceset 78
- Appendix about digital effect 79
- I digital effect configuration 79
- The psr 520 features three types of digital effectors reverb chorus and dsp reverb and chorus effectors are exclusively used for enhancing and varying their respective effect types on the contrary the dsp effector can be used to select a variety of effect types such as distortion equalizer reverb and chorus all the digital effects are connected or routed in one of two ways system or insertion all types of reverb and chorus effects classified as system effects dsp on the other hand can be configured as either system or insertion effects dsp configuration varies depending on the type selected system or insertion illustrated below each digital effect can be applied to the performance and incoming performance data through midi in accompaniment and song playback each effect send level can independ ently be set for each voice reverb and chorus for the voice function voice dual voice and split voice dsp for the voice function voice only while each effect return level affects entire system 79
- Appendix about digital effect 80
- The digital effect list 80
- Appendix troubleshooting 81
- Possible cause solution problem 81
- Something not working as it should in many cases what appears to be a malfunc tion can be traced to a simple error that can be remedied immediately before assum ing that your psr 520 is faulty please check the following points 81
- Appendix data backup initialization 82
- Appendix troubleshooting data backup initialization 82
- Backup 82
- I data initializatio 82
- On off 82
- Ensemble 84
- Guitar 84
- Mallets 84
- Panel voice list 84
- Strings 84
- Voice list 84
- Drum kits 85
- Dual only 85
- Synth lead 85
- Synth pad 85
- Voice list 85
- Chromatic percussion 86
- Drum kits 86
- Ensemble 86
- Ethnic 86
- Gm voice list 86
- Guitar 86
- Percussive 86
- Sound effects 86
- Strings 86
- Synth effects 86
- Synth lead 86
- Synth pad 86
- Voice list 86
- Indicates the content is the same as that of standard kit the number in parentheses after the percussion kit name is the midi program number the corresponding midi note numbers for the notes listed in the chart below are actually one octave lower for example the midi note number for note 36 c1 in the chart is note 24 c0 each drum percussion voice uses one note the drum and percussion voices in same alternate group 1 6 can not be played at the same time gm voice numbers 129 through 136 correspond to the panel voice numbers 142 through 149 respectively 87
- Note note 142 standard kit 0 143 room kit 8 144 rock kit 16 145 electronic kit 24 87
- Percussion kit list 87
- Note note 146 analog kit 25 147 jazz kit 32 148 brush kit 40 149 classic kit 48 88
- Percussion kit list 88
- Midi implementation chart 89
- 1 psr 520 ordinarily functions as 16 midi channel multi timbral tone generator controlled by midi reception data panel voices and the other panel settings are not affected by the midi message except ing the followings 90
- 2 bank select msb the bank select msb is used for melody voice and rhythm voice switching 90
- 3 these control change messages are not transmitted by the psr 520 panel operation but may be transmitted by the accompani ment style playing 90
- 4 nrpn transmission reception the following parameters are supported 90
- 5 rpn transmission reception the following parameters are supported 90
- 6 not transmitted when song and accompaniment is playing 90
- 7 pitch bend modulation expression sustain sostenuto and softpedal are returned to their defult values clears current rpn and nrpn number settings resets portament source note number 90
- 8 129 141 voice numbers are selectable through an appropriate bank select setting refer to 2 90
- 9 when the external clock is turned on by psr 520 panel setting clock start stop message will be received the start stop of the song recording and playback will be controlled by the external device the initial set up data is transmitted before the song playback so that the start may be delayed 90
- Bank select lsb 00h program change numbers 0 127 corre spond to the panel voice numbers 1 128 bank select lsb 01h program change numbers 0 12 corre spond to the panel voice numbers 129 141 90
- Bank select lsb this message is used to correspond to the panel voice numbers higher than 128 90
- Data entry msb lsb portamento control data increment data decrement nrpn lsb msb rpn lsb msb 90
- Midi implementation chart 90
- Midi master tuning system exclusive message for controlling reverb chorus and dsp 90
- Msb 00h melody voice msb 7fh rhythm voice 90
- No voice change will occur when only a bank select is received when a program change is received the latest bank select value is used 90
- The remote channel can be designated by the panel settings the designated channel on the psr 520 can be controlled by an exter nal device and receive all the data excepting the following control change data 90
- Transmission transmitted when changing the voice style and song reception all channels except10 channel receive this message 10 channel is fixed at rhythm voice but when 10 channel is set for the remote channel or receives xg system on message 10 channel receives this message and the rhythm voice can change to the melody voice 90
- Transmission transmitted when changing the voice style and song reception this message can be received only at the channel designated as the remote channel or the panel voice 90
- I gm system level 1 91
- Midi implementation chart 91
- The existing midi protocol allows performance and other data to be transferred between different instruments even if they are from different manufacturers this means for example that sequence data that was originally created to con trol a tone generator from manufacturer a can also be used to control a different tone generator from manufacturer b since the voice allocation in different devices from different manufacturers is usually different however appropriate program change data must be transmitted to select the right voices the general midi protocol was developed to minimize confusion and the need for re programming when playing software created by one midi device on another this has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or midi channels the current standard recognized by the international midi association is known as gm system level 1 the psr 520 voice allo cation complies with the 91
- Effect 92
- Midi data format 92
- Parameter change 92
- System 92
- Drum setup 93
- Midi data format 93
- Multi part 93
- Chorus type 94
- Effect map 94
- Midi data format 94
- Reverb type 94
- The following types in the boxes can be controlled by the psr 520 settings the numbers in the brackets are psr 520 panel effect numbers the blank indicates the content is the same as that of 00h 94
- Variation type 94
- Effect parameter list 95
- Midi data format 95
- Only the following parameter numbers are effective parameter values consists of 2 bytes enter 00h for msb and appropriate value for lsb parameter number 10 dry wet is effective only when variation connection is insertion 95
- Midi data format 96
- Amplifiers 97
- Auto accompaniment 97
- Auxiliary jacks 97
- Batteries 97
- Cartridge slot 97
- Control ten keys 97
- Digital effect 97
- Dimensions wxdxh 97
- Display 97
- Keyboards 97
- Multi pads 97
- One touch setting 97
- Optional accessories 97
- Overall controls 97
- Pitch bend wheel 97
- Power consumption 97
- Rated voltage 97
- Registration memory 97
- Speakers 97
- Specifications 97
- Supplied accessories 97
- Weight 97
- Battery notice 99
- Disposal notice 99
- Environmental issues 99
- Fcc information u s a 99
- Important 99
- Important notice do not modify this unit 99
- Name plate location 99
- Notice 99
- Please keep this manual 99
- Purchase date 99
- Serial no 99
- Special message section 99
- Specifications subject to change 99
- Warning 99
- Consumers responsibilities 100
- Days labor 1 year parts 100
- Exclusions 100
- Important 100
- Keep this document for your records do not mail 100
- Limited warranty 100
- Psr series of portatone electronic keyboards 100
- Yamaha corporation of america electronic service division 6600 orangethorpe avenue buena park ca 90620 100
Похожие устройства
- Kospel EPV 21 LUXUS Инструкция по эксплуатации
- Panasonic NV-DA1EN Инструкция по эксплуатации
- Polaris PHD 2255 Tdi Инструкция по эксплуатации
- Yamaha PSR-510 Инструкция по эксплуатации
- Haier ES80V-R1(H) Инструкция по эксплуатации
- Panasonic NR-B591 Инструкция по эксплуатации
- Jet JRD-460 (50001000T) Инструкция по эксплуатации
- Panasonic AG-DVX100B Инструкция по эксплуатации
- Polaris PHD 1658TDTi Инструкция по эксплуатации
- Haier ES50V-U1(H) Инструкция по эксплуатации
- Panasonic NR-B651 Инструкция по эксплуатации
- Yamaha PSR-500m Инструкция по эксплуатации
- Jet JRD-720R (10000381T) Инструкция по эксплуатации
- JVC GZ-MG70E Инструкция по эксплуатации
- Yamaha PSR-500 Инструкция по эксплуатации
- Polaris PHD 1465 Инструкция по эксплуатации
- Haier ES80V-U1(H) Инструкция по эксплуатации
- Panasonic CS-YE9MKE Инструкция по эксплуатации
- Electrolux SP 27 ELITEC Инструкция по эксплуатации
- JVC GZ-MG680 Инструкция по эксплуатации
Скачать
Случайные обсуждения