Yamaha PSR-510 [21/77] Split point change
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SPLIT
POINT
Overall Control
■ Split Point Change
This function lets you set the split point (the key that separates the left-hand and right-hand orchestration
parts) to any key on the keyboard.
ZTurn Auto Accompaniment OFF ...........................................................................................................
To set the split point for the left- and right-hand orchestration parts,
make sure that the [AUTO ACCOMP] indicator is off before proceeding.
NOTES
• The PSR-510 actually memorizes two separate split points: one for
the left- and right-hand orchestration parts, and one for Auto Accom-
paniment mode. See page 24 for details on setting the Auto Accompa-
niment split point.
STYLE
SELECT
AUTO
ACCOMP
XPress the [SPLIT POINT] Button ...........................................................................................................
Press the OVERALL CONTROL section [SPLIT POINT] button. The
key number of the current split point will appear on the MULTI DISPLAY.
NOTES
• The key numbers for each note are listed above the keyboard. The C3
(middle C) key number, for example, is 60.
CSet the Split Point...................................................................................................................................
The easiest way to set the split point is to press the key you want to set
as the split point while holding the [SPLIT POINT] button. The number of
the selected key will appear on the MULTI DISPLAY.
As with all other parameters, you can also use the [+] and [−] buttons,
the number buttons, or the data dial to select the desired split point. The
default split point (69) can be recalled instantly by pressing both the [+] and
[−] buttons at the same time.
NOTES
• The split-point key becomes the lowest key in the right-hand section of
the keyboard.
The OVERALL CONTROL section includes a range of parameters that,
as their title suggests, apply to the overall sound of the PSR-510.
0 OFF
.....................................
1 HALL 1
2 HALL 2
3 ROOM 1
4 ROOM 2
OVERALL CONTROL
SPLIT
POINT
TEMPO
TRANS-
POSE
DSP
TYPE
TUNING
TOUCH
SENSE
METRONOME TOUCH
RESPONSE
DSP TYPE
5 PLATE 1
6 PLATE 2
7 DELAY 1
8 DELAY 2
SPLIT
POINT
Содержание
- Psr 510 p.2
- Canada p.2
- Model no p.2
- Fcc information u s a p.2
- Please keep this manual p.2
- Special message section p.2
- Serial no p.2
- Purchase date p.2
- Contents p.3
- Congratulations p.3
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference p.3
- Taking care of your portatone p.6
- Power supply p.7
- Preparation p.7
- The sustain pedal p.8
- The music stand p.8
- Using headphones or an external sound system p.8
- Preparation p.8
- Listen to the demo p.9
- Basic editing procedure p.10
- Orchestration p.12
- Selecting playing the voices p.12
- G dual mode p.13
- G split modes p.13
- G split dual modes p.13
- Voice assignment p.14
- Selecting playing the voices p.14
- Volume p.15
- Octave p.15
- Dsp depth p.16
- Selecting playing the voices p.16
- Auto harmony p.17
- Selecting playing the voices p.18
- Effects p.18
- Keyboard percussion p.19
- Sustain p.20
- Pitch bend p.20
- Selecting playing the voices p.20
- Split point change p.21
- Overall control p.21
- Transpose p.22
- Tuning p.22
- Overall control p.22
- Dsp type p.23
- Touch sensitivity p.24
- Overall control p.24
- Style select p.25
- Normal p.25
- Accompaniment control p.25
- Selecting a style p.25
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally p.25
- Auto accompaniment p.25
- Auto accomp p.25
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details p.25
- Auto accompaniment fingering p.26
- Auto accompaniment p.26
- Setting the auto accompaniment split point p.26
- The psr 510 will accept the following chord types p.27
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature p.27
- G mode 1 chord 1 p.27
- Example for c chords p.27
- Auto accompaniment p.28
- Tempo control p.29
- Accompaniment control p.30
- Auto accompaniment p.30
- Auto accompaniment p.32
- The track buttons p.33
- Accompaniment volume p.33
- Re voicing the tracks p.34
- Auto accompaniment p.34
- One touch setting p.36
- Registration memory p.37
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters p.37
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored p.37
- G memorizing the settings p.37
- Registration memory p.38
- Record functions p.39
- Song memory p.39
- Record functions p.40
- I realtime accompaniment track recording p.40
- Record functions p.42
- Realtime melody track recording p.42
- I accompaniment and melody playback p.43
- Record functions p.44
- I record or play from a specified measure p.44
- I the reset button p.44
- Midi bulk dump page copy p.45
- Recording p.45
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65 p.45
- The multi pads p.45
- Song multi pads p.45
- Memory p.45
- I realtime recording p.45
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend p.45
- Are you sure p.45
- After the are you sure prompt the portatone will wait until you press yes or no p.45
- Record functions p.46
- I playback p.46
- Recording p.47
- Memory p.47
- Custom accompaniment p.47
- Are you sure p.47
- Accompaniment control p.47
- No yes p.47
- Midi bulk dump page copy p.47
- I realtime custom accompaniment recording p.47
- Auto accompaniment p.47
- Record functions p.48
- I using a custom accompaniment p.49
- Step recording p.50
- Record functions p.50
- Record functions p.52
- I quantization p.53
- Editing functions p.53
- Record functions p.54
- I clearing tracks p.54
- I changing the recorded settings p.54
- Page memory p.56
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments p.57
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail p.57
- Midi bulk dump p.58
- I page copy p.59
- Midi reception modes p.60
- I channel reception modes p.60
- I start stop mode p.61
- I clock mode p.61
- Midi transmission p.62
- I midi transmit channels p.62
- I local midi output on off p.62
- Voice polyphony list p.63
- Appendix p.63
- Appendix p.64
- Style list p.64
- Rhythm blues p.64
- Pop ballad p.64
- Name panel name rhythm comments pop p.64
- Traditional jazz p.65
- Name panel name rhythm comments rock roll p.65
- Latin pop p.65
- Country western p.65
- Contemporary jazz p.65
- Caribbean p.65
- Ballroom standard p.66
- Name panel name rhythm comments world music p.66
- I style list p.66
- Custom accomp p.66
- Ballroom latin p.66
- Appendix p.66
- Reset procedures page memory default settings p.67
- G system reset p.67
- G page reset p.67
- G page memory default settings p.68
- Appendix p.68
- Troubleshooting p.69
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points p.69
- Percussion kit list verzeichnis der schlagzeug und percussion set p.71
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 p.71
- Ts liste des kits de percussion lista de juegos de percusión p.72
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 p.72
- Midi implementation chart implementierungstabelle table p.73
- Midi implementation chart p.73
- D implémentation gráfico de implememtación p.74
- I gm system level 1 p.75
- Weight p.76
- Supplied accessories p.76
- Song memory p.76
- Auto accompaniment p.76
- Speakers p.76
- Are you sure p.76
- Registration memory p.76
- Recording p.76
- Rated voltage p.76
- Page memory p.76
- Overall control p.76
- Optional accessories p.76
- Multi pads p.76
- Multi display p.76
- Main amplifiers p.76
- Keyboards p.76
- Dimension p.76
- Batteries p.76
- Auxiliary jacks p.76
- Specifications technische daten spécifications especificaciones p.76
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