Yamaha PSR-510 [27/77] The psr 510 will accept the following chord types
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Major [M] ................................................................... 1 - 3 - 5
Major sixth [M6] .................................................... 1 - 3 - 5 - 6
Major seventh [M7] ........................................... 1 - 3 - (5) - 7
Major seventh sharp eleventh [M7#11] ..
1 - (2) - 3 - #4 - (5) - 7
Major add ninth [Madd9] ...................................... 1 - 2 - 3 - 5
Major ninth [M9] ........................................... 1 - 2 - 3 - (5) - 7
Major sixth add ninth [6 9] ............................ 1 - 2 - 3 - (5) - 6
Augmented [aug] ..................................................... 1 - 3 - #5
Minor [m] ................................................................. 1 - b3 - 5
Minor sixth [m6] .................................................. 1 - b3 - 5 - 6
Minor seventh [m7] ........................................ 1 - b3 - (5) - b7
Minor seventh flatted fifth [m7b5] ................... 1 - b3 - b5 - b7
Minor add ninth [madd9] .................................... 1 - 2 - b3 - 5
Minor ninth [m9] ........................................ 1 - 2 - b3 - (5) - b7
Minor eleventh [m11] ........................ 1 - (2) - b3 - 4 - 5 - (b7)
Minor major seventh [mM7] ............................. 1 - b3 - (5) - 7
Minor major ninth [mM9] ............................ 1 - 2 - b3 - (5) - 7
Diminished [dim].................................................... 1 - b3 - b5
Diminished seventh [dim7] ............................... 1 - b3 - b5 - 6
Seventh [7] .......................................................1 - 3 - (5) - b7
Seventh suspended fourth [7sus4] .................... 1 - 4 - 5 - b7
Seventh ninth [7 9] ..................................... 1 - 2 - 3 - (5) - b7
Seventh sharp eleventh [7#11] ......... 1 - (2) - 3 - #4 - (5) - b7
Seventh thirteenth [7 13] ............................ 1 - 3 - (5) - 6 - b7
or 2 - 3 - 5 - 6 - b7
Seventh flatted ninth [7b9] ........................ 1 - b2 - 3 - (5) - b7
Seventh flatted thirteenth [7b13] ................ 1 - 3 - 5 - b6 - b7
Seventh sharp ninth [7#9] ...................... (1) - #2 - 3 - (5) - b7
Major seventh augmented [M7aug] ................... 1 - 3 - #5 - 7
Seventh augmented [7aug] ............................ (1) - 3 - #5 - b7
Suspended fourth [sus4] ........................................... 1 - 4 - 5
One plus two plus five [1+2+5] .................................. 1 - 2 - 5
The Chord 1 mode is ideal if you already know how to play chords on a
keyboard, since it allows you to supply your own chords for the Auto Ac-
companiment feature.
The PSR-510 will accept the following chord types:
● Mode 1: Chord 1
Csus
Cmadd
9
CMCM
6
Cm
7
C
CMadd
C
Caug
CM
9
Cm
11
Cm
Cm
( )
( ) ( )
( )
CmM
9
CmM
7
C
C
Cdim
7
C sus
4
Cdim
C
( )
( )
7
7
CM
#11
( )
9
( )
9
6
Cm
6
Cm
b5
7
9
7
( )
( )
7
9
7
( )
C
#11
7
C
13
7
( )
C
b9
7
( )
C
b13
7
C
#9
7
( )
CM aug
7
C aug
7
4
1+2+5
( )
( )
( )
( )
( )
( )
NOTES
• Notes in parentheses can be omitted.
• A perfect fifth produces accompaniment based only on the
root and fifth which can be used with many major and minor
chords.
• An octave produces accompaniment based only on the
root.
• If three adjacent keys are played simultaneously (white and
black keys), chord accompaniment will be cancelled and
only the rhythm accompaniment will sound. (Chord 1/Chord
2 mode)
• The chord fingerings listed are all in “root position”, but
other inversions can be used — with the following excep-
tions:
* M6 chords are only recognized in root position. All other
inversions are interpreted as m7.
* 6 9 chords are only recognized in root position. All other
inversions are interpreted as m11.
* m6 chords are only recognized in root position. All other
inversions are interpreted as m7
b
5.
* 1+2+5 chords are only recognized in root position. All
other inversions are interpreted as sus4.
* With aug and dim7 chords the lowest note played is as-
sumed to be the root.
* With 7
#
11 chords the lowest note played is assumed to be
the root or
b
7.
Example for “C” chords
Содержание
- Psr 510 p.2
- Canada p.2
- Model no p.2
- Fcc information u s a p.2
- Please keep this manual p.2
- Special message section p.2
- Serial no p.2
- Purchase date p.2
- Contents p.3
- Congratulations p.3
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference p.3
- Taking care of your portatone p.6
- Power supply p.7
- Preparation p.7
- The sustain pedal p.8
- The music stand p.8
- Using headphones or an external sound system p.8
- Preparation p.8
- Listen to the demo p.9
- Basic editing procedure p.10
- Orchestration p.12
- Selecting playing the voices p.12
- G dual mode p.13
- G split modes p.13
- G split dual modes p.13
- Voice assignment p.14
- Selecting playing the voices p.14
- Volume p.15
- Octave p.15
- Dsp depth p.16
- Selecting playing the voices p.16
- Auto harmony p.17
- Selecting playing the voices p.18
- Effects p.18
- Keyboard percussion p.19
- Sustain p.20
- Pitch bend p.20
- Selecting playing the voices p.20
- Split point change p.21
- Overall control p.21
- Transpose p.22
- Tuning p.22
- Overall control p.22
- Dsp type p.23
- Touch sensitivity p.24
- Overall control p.24
- Style select p.25
- Normal p.25
- Accompaniment control p.25
- Selecting a style p.25
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally p.25
- Auto accompaniment p.25
- Auto accomp p.25
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details p.25
- Auto accompaniment fingering p.26
- Auto accompaniment p.26
- Setting the auto accompaniment split point p.26
- The psr 510 will accept the following chord types p.27
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature p.27
- G mode 1 chord 1 p.27
- Example for c chords p.27
- Auto accompaniment p.28
- Tempo control p.29
- Accompaniment control p.30
- Auto accompaniment p.30
- Auto accompaniment p.32
- The track buttons p.33
- Accompaniment volume p.33
- Re voicing the tracks p.34
- Auto accompaniment p.34
- One touch setting p.36
- Registration memory p.37
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters p.37
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored p.37
- G memorizing the settings p.37
- Registration memory p.38
- Record functions p.39
- Song memory p.39
- Record functions p.40
- I realtime accompaniment track recording p.40
- Record functions p.42
- Realtime melody track recording p.42
- I accompaniment and melody playback p.43
- Record functions p.44
- I record or play from a specified measure p.44
- I the reset button p.44
- Midi bulk dump page copy p.45
- Recording p.45
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65 p.45
- The multi pads p.45
- Song multi pads p.45
- Memory p.45
- I realtime recording p.45
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend p.45
- Are you sure p.45
- After the are you sure prompt the portatone will wait until you press yes or no p.45
- Record functions p.46
- I playback p.46
- Recording p.47
- Memory p.47
- Custom accompaniment p.47
- Are you sure p.47
- Accompaniment control p.47
- No yes p.47
- Midi bulk dump page copy p.47
- I realtime custom accompaniment recording p.47
- Auto accompaniment p.47
- Record functions p.48
- I using a custom accompaniment p.49
- Step recording p.50
- Record functions p.50
- Record functions p.52
- I quantization p.53
- Editing functions p.53
- Record functions p.54
- I clearing tracks p.54
- I changing the recorded settings p.54
- Page memory p.56
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments p.57
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail p.57
- Midi bulk dump p.58
- I page copy p.59
- Midi reception modes p.60
- I channel reception modes p.60
- I start stop mode p.61
- I clock mode p.61
- Midi transmission p.62
- I midi transmit channels p.62
- I local midi output on off p.62
- Voice polyphony list p.63
- Appendix p.63
- Appendix p.64
- Style list p.64
- Rhythm blues p.64
- Pop ballad p.64
- Name panel name rhythm comments pop p.64
- Traditional jazz p.65
- Name panel name rhythm comments rock roll p.65
- Latin pop p.65
- Country western p.65
- Contemporary jazz p.65
- Caribbean p.65
- Ballroom standard p.66
- Name panel name rhythm comments world music p.66
- I style list p.66
- Custom accomp p.66
- Ballroom latin p.66
- Appendix p.66
- Reset procedures page memory default settings p.67
- G system reset p.67
- G page reset p.67
- G page memory default settings p.68
- Appendix p.68
- Troubleshooting p.69
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points p.69
- Percussion kit list verzeichnis der schlagzeug und percussion set p.71
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 p.71
- Ts liste des kits de percussion lista de juegos de percusión p.72
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 p.72
- Midi implementation chart implementierungstabelle table p.73
- Midi implementation chart p.73
- D implémentation gráfico de implememtación p.74
- I gm system level 1 p.75
- Weight p.76
- Supplied accessories p.76
- Song memory p.76
- Auto accompaniment p.76
- Speakers p.76
- Are you sure p.76
- Registration memory p.76
- Recording p.76
- Rated voltage p.76
- Page memory p.76
- Overall control p.76
- Optional accessories p.76
- Multi pads p.76
- Multi display p.76
- Main amplifiers p.76
- Keyboards p.76
- Dimension p.76
- Batteries p.76
- Auxiliary jacks p.76
- Specifications technische daten spécifications especificaciones p.76
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